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Description
monstera deliciosa mint variegated Monstera deliciosa MintMonstera deliciosa variegata 'Mint' Monstera deliciosa variegata 'Mint' has pale green variegation that appears as soft washes, mottling or marbled sections across the leaf blade. Leaves can shift between deeper green and cooler mint toned areas, giving the plant a muted green variegated look. The plant grows from a climbing Monstera deliciosa stem. Nodes, aerial roots and long petioles form as it develops, and mature plants can produce larger leaves
Monstera deliciosa variegata 'Mint'
Monstera deliciosa variegata 'Mint' has pale green variegation that appears as soft washes, mottling or marbled sections across the leaf blade. Leaves can shift between deeper green and cooler mint-toned areas, giving the plant a muted green variegated look.
The plant grows from a climbing Monstera deliciosa stem. Nodes, aerial roots and long petioles form as it develops, and mature plants can produce larger leaves with splits and fenestrations once the stem is well rooted and attached.
Mint Monstera leaf colour and mature growth
- Leaf colour: Green blades with pale mint, soft green or lightly marbled variegation.
- Growth habit: A climbing aroid with aerial roots and node-based growth.
- Pattern variation: Each leaf can show a different balance of green and mint-toned tissue.
- Maturing indoors: Warmth, a firm support and an airy root zone allow larger leaves to open as the stem develops.
How Mint variegation develops on Monstera leaves
As the stem strengthens, new leaves can open larger and show more mature Monstera shape, including deeper splits and fenestrations on established growth. The pale green variegation stays visually soft while the plant develops the broader leaf form expected from Monstera deliciosa.
With warm roots, open substrate and careful watering, new leaves usually expand with fewer tears. The pale green pattern is clearest on leaves that harden without tearing or browning.
Mint Monstera indoor care
- Light: Place in bright filtered light and keep pale areas out of strong direct sun.
- Watering: Water when the upper part of the mix has dried and the pot feels lighter.
- Substrate: Use a chunky aroid mix that balances moisture retention with fast drainage.
- Humidity: Moderate to higher humidity helps rolled leaves unfurl with less tearing.
- Support: Provide a pole or plank so the stem can climb and aerial roots can anchor.
- Maintenance: Remove fully dead leaves cleanly and avoid unnecessary pruning on slow new growth.
- Fertilising: Use a mild feed once mint-variegated leaves are opening steadily; flush mineral residue before increasing the dose.
- Repotting: Move up once thick roots crowd the container; a smaller step keeps the chunky mix drying evenly.
Common Mint Monstera leaf problems
- Pale areas browning: Check sun exposure, root stress, watering gaps and humidity around new leaves.
- Damaged unfurling leaves: Inspect the rolled leaf for pests, dryness or mechanical rubbing.
- Weak stem growth: Add firmer support and check whether roots have filled the pot well.
- Yellow lower leaves: Review old leaf drop, soggy substrate and sudden temperature changes.
Mint Monstera and pet safety
Monstera deliciosa variegata 'Mint' contains calcium oxalate crystals. Chewed plant tissue can irritate the mouth and throat, and sap from cut stems may irritate skin.
Monstera deliciosa species background
This plant belongs to Monstera deliciosa, a wet-tropical aroid in Araceae. Monstera refers to the unusual mature leaf form, while deliciosa points to the ripe fruit produced by mature plants in suitable tropical climates.
The pale green pattern stays soft while Monstera deliciosa variegata 'Mint' develops the broad, split-leaf form of Monstera deliciosa.
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4.1 ★★★★★
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Product Reviews
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience.
Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.)
The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.)
In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone.
Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation.
This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents.
On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach.
Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005