SKU: 1015454592
mccolley's finale philodendron plant

mccolley's finale philodendron plant Philodendron McColley Finale

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mccolley's finale philodendron plant Philodendron McColley FinalePhilodendron McColleys Finale, is a low Maintenance Beauty, Bring part of the Forest indoors Philodendron McColleys Finale is a wonderful upright, tropical, clumping, evergreen with leaves that emerge reddish orange, changing to bronze and eventually maturing to a deep glossy Brown. The stacks of leaves with varying colors make it an amazing accent piece. Philodendron McColleys Finale likes medium to bright indirect sunlight for best performance, The

Philodendron McColleys Finale, is a low Maintenance Beauty, Bring part of the Forest indoors

Philodendron McColley’s Finale is a wonderful upright, tropical, clumping, evergreen with leaves that emerge reddish-orange, changing to bronze and eventually maturing to a deep glossy Brown. The stacks of leaves with varying colors make it an amazing accent piece. Philodendron McColley’s Finale likes medium to bright indirect sunlight for best performance, The leaves blends of colors is what really sets this species apart and what makes it so desirable. Philodendron McColley Finale are low maintenance giving them the ability to easily adapt to most environments, indoors or outdoors in shaded areas. 

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KEY FEATURES & BENEFITS
• Filter indoor air by absorbing toxins, and removing harmful chemicals.
• Indoor gardening relieves stress and Fatigue by simply enjoying and caring for your plants.
• Having plants in your home or office can be a source of pleasure.
• Plants are therapeutic and cheaper than a therapist
• With its exotic-looking foliage, Philodendron Plants will bring a tropical feel to virtually any well-lit area
• Hand picked and shipped direct from our Nursery

Plant features are becoming very popular in modern interior design for homes, both indoors and outdoors, also true for spaces like hotels lobbies, main entrances, corporate lobbies and offices, the inclusion of plants make space feel more attractive, exciting and comfortable, creating a well balance peaceful ambiance of styles that can both calm the senses and invigorate the mind simultaneously, adorning with live plants and natural elements is a great choice to create a relaxing atmosphere while at home, reducing the day to day stresses from modern life, weather is traffic congestions or stressful daily routines, living sculptures can be the answer to some of this challenges, design your space with tropical plants in mind.

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SKU: 1015454592

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4.8 ★★★★★
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Verified Purchase
David R. Papke
Charlottesville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Los Angeles, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Fort Morgan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Cuba, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Dallas, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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