SKU: 18898361232
double stroller for infant and toddler with car seat included

double stroller for infant and toddler with car seat included Silver Cross Wave 3 Complete Single to Double Stroller w/ Bassinet & T – Baby Grand

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Description

double stroller for infant and toddler with car seat included Silver Cross Wave 3 Complete Single to Double Stroller w/ Bassinet & T – Baby GrandBeloved by generations. Silver Cross invented the world's first baby stroller in 1877. Now a household name, trusted for Generations. Over 140 years of great British Design, engineering and innovation. Uncompromising, meticulous craftsmanship and forever motivated by game changing design. Attention paid to the smallest details a piece of history. The Rolls Royce of Carriages! Future. Proof. Parenting. The original baby brand Silver Cross has perfected

Beloved by generations. Silver Cross invented the world's first baby stroller in 1877.  Now a household name, trusted for Generations.  Over 140 years of great British Design, engineering and innovation. Uncompromising, meticulous craftsmanship and forever motivated by game changing design.  Attention paid to the smallest details - a piece of history. The Rolls Royce of Carriages!

Future. Proof. Parenting. The original baby brand Silver Cross has perfected just that with the NEW Wave 3, the ultimate single to double stroller system. The first-of-its-kind Wave 3 is ready to grow with the main seat, bassinet AND tandem seat for a total of 12 single and double riding modes straight out of the box. They have included it all from the start — so you don’t have to worry about it later.

Offering flexibility and longevity from day one, optional accessories can be added on to Wave 3 create up to 30 modes in total, and carry up to 3 little passengers. Going above and beyond, weight capacities of up to 55 lbs for both its main & tandem seats will allow you to all enjoy the stroll together, longer.

Wave 3 is the ultimate in not just versatility but also refined luxury, as it’s British tailoring includes their world renowned attention to detail across all fabrics, vegan leather and hardware touchpoints.

Read on to learn how Wave 3 stands out from the rest.

NEW Wave 3 Upgrades
• Main seat, Bassinet & Tandem seat included
• 12 single-to-double modes, straight out of the box
• Bassinet facing parent while tandem seat faces world mode, straight out of the box
• Bigger basket to carry all the essentials and more

Key Features
• Main seat and tandem seat carries toddlers up to 55 lbs
• Best in class maneuverability and enhanced suspension
• Magnetic Genius™ buckle clicks together & releases easily—cleverly, as all is child-proof

One plus One® System | 12 Modes Included!
• Starts as a single stroller with included bassinet AND tandem seat
• Converts to a double (12 Modes)
• Switches easily & quickly between modes
• No additional purchases needed!

30 Flexible Modes
• Allows you ride twin or triple up
• Perfect for growing families
• Add on an additional bassinet*
• Add on car seats (thanks to adapters)*
• Add on a ride-on board*

Seat Details
• Holds riders up to 55 lbs
• Faces rearward & forward
• Magnetic Genius™ buckle clicks together & releases easily—cleverly, as all is child-proof
• One-handed, multi-position reclining seat is roomy & robust
• Adjustable calf rest & integrated footrest for added comfort                                         
• UPF 50+ extended hood with pop-put sun visor & peek-a-boo window
 
Bassinet Details
• Perfect for newborn strolling
• Suitable for overnight sleeping
• Ventilated UPF 50+ extended hood with pop-put sun visor & peek-a-boo window
• Bamboo fabric lining 
• Removable, washable mattress
• Included Apron  for added warmth
• Compatible with Silver Cross Wave bassinet stand

Wave Carries it all—up to 187 lbs!
 Thanks to weight capacities of:
• Main Seat - 55 lbs
• Tandem Seat* - 55 lbs
• Basket -  33 lbs
• Ride On Board* - 44 lbs

Feature-Packed Frame
• Patented two height riding positions elevate & bring baby closer to you
• Four-way dynamic suspension
• Smooth, easy-action fold
• Height adjustable handlebar
• Strong & durable Magnesium Aluminum Alloy Frame

Travel System Capable
Compatible infant car seats with Wave car seat adapter accessory include:

Clek: Liing
Cybex: Aton, Aton Q, Cloud Q, Aton G & Cloud G
Maxi Cosi®: Mico 30, Mico Max, Coral XP & Mico Luxe+
Nuna®: Pipa™, Pipa™ Lite , Pipa™ Lite LX, Pipa™ RX, Pipa™ Aire, Pipa™ Aire RX, Pipa™ Urbn


Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 18898361232

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4.4 ★★★★★
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Product Reviews
D
Verified Purchase
David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Waukegan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Bozeman, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Lowell, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Phoenix, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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