SKU: 19547269
chandelier plant succulent

chandelier plant succulent Mother of Millions 'Kalanchoe delagoensis' 4" Pot

$25.79 $28.66
Save 10%
No.2 Bestseller on piotrzbierski.com >

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 14 - Jul 19

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

chandelier plant succulent Mother of Millions 'Kalanchoe delagoensis' 4" PotIntroducing the Mother of Millions, known as Kalanchoe delagoensis, which is one of the most popular succulent plants. It also goes by the names Chandelier Plant, Devil's Backbone, Alligator Plant, Kalanchoe tubiflora, and Mexican Hat Plant. This plant is frequently mistaken for the Kalanchoe laetivirens "Mother of Thousands," a related millions plant with bigger and broader leaves. The Mother of Millions plant gets its name from its unique ability to

Introducing the Mother of Millions, known as Kalanchoe delagoensis, which is one of the most popular succulent plants. It also goes by the names Chandelier Plant, Devil's Backbone, Alligator Plant, Kalanchoe tubiflora, and Mexican Hat Plant. This plant is frequently mistaken for the Kalanchoe laetivirens "Mother of Thousands," a related millions plant with bigger and broader leaves. 

The Mother of Millions plant gets its name from its unique ability to produce numerous babies along its leaf edges. These babies, also known as bulbils, have a root and resemble miniature versions of the parent plant. When they fall to the ground, they can take root and grow into new plants, hence the name "Mother of Millions." It's a perfect name that captures the plant's remarkable reproductive strategy. 


Native to Madagascar, it has gained popularity as a houseplant due to its unique characteristics.

This chandelier plant showcases a thick erect stem that can grow up to 5 feet tall, and fleshy leaves that grow in clusters, forming an attractive rosette shape. The leaves are primarily green, adorned with intriguing reddish-brown spots. 

When it comes to flowers, the Mother of Millions plant produces clusters of small, tubular blooms.

These flowers can vary in color, ranging from shades of pink, red, or orange. When the plant blooms, it creates a beautiful display of colorful flowers that add a vibrant touch to its overall appearance. The flowers are typically held above the foliage on tall stalks, creating an eye-catching sight. 

The Kalanchoe delagonsis can be propagated easily by removing the plantlets that grow along the edges of their leaves and planting them in well-draining soil. These plantlets will quickly take root and establish themselves as new plants, making propagation a simple and effective way to expand your collection of Mother of Millions.

With proper care and attention, the Kalanchoe delagoensis can be a stunning addition to any succulent plant collection. The distinctive appearance and fascinating reproductive process of this mother plant make it an intriguing and captivating plant to nurture and enjoy.

Mother of millions is an invasive species because of its ability to reproduce rapidly and outcompete native plants for resources. These species' ability to reproduce vegetatively, drought tolerance, and popularity as garden or potted plants have led to their invasive weed or invasive species in eastern Australia, South Africa, and many Pacific islands.

When and How to Water Mother of Millions Plant

When it comes to watering the Mother of Millions of plants, it's important to strike the right balance. This succulent plant prefers a watering routine that allows the soil to dry out between waterings. Overwatering can be detrimental to the Kalanchoe plant's health, as it can lead to root rot. It's recommended to water the Mother of Millions thoroughly, allowing the water to soak through the soil, and then wait until the top inch or so of the soil is dry before watering again. This allows your Devil's backbone plant to receive the moisture it needs while preventing excess water retention. 

It's worth noting that the watering frequency may vary depending on factors such as the climate, temperature, and humidity levels.

In the spring, during the growing season, the Mother of Millions may require more frequent watering. However, during the dormant period in summer, it's important to reduce watering and allow the plant to rest. 

Remember to always observe the moisture levels of the soil and adjust your watering schedule accordingly to ensure the optimal health of your Mother of Millions plant. 

Light Requirements - Where to Put Mother of Millions

If growing indoors, the Mother of Millions plant thrives in bright, indirect light conditions. It enjoys soaking up the sun's rays, but direct sun can be too intense and may cause the leaves to burn or become discolored. Placing the plant near a window where it can receive bright, filtered light is ideal. 

For outdoor cultivation, it thrives in full sun to partial shade. It is best to place them in a location where they can receive at least six hours of sunlight daily to ensure healthy growth. Avoid placing them in prolonged sunlight for extended periods as this can cause sunburn on the leaves.

Pro Tip

  1. If you notice that your chandelier plant leaves are stretching or leaning toward the light source, it's a sign that the Mother of Millions plant may need more light, or it may be getting too little light.
  2. On the other hand, if the mother of Million leaves starts turning yellow or brown, it could indicate that the plant is receiving too much direct sunlight.

 Finding the right balance of light will help your Kalanchoe delagoensis Mother of Millions plant grow healthy and vibrant. 

Optimal Soil & Fertilizer Needs 

The Mother of Millions plant prefers well-drained soil that allows excess water to flow out easily. Moisture can be a real killer, leading to root and stem rot in no time flat. But fear not, my fellow green thumbs!

Planet Desert has got your back with our specialized succulent potting mix that includes 5 natural substrates with organic mycorrhizae – perfect for promoting healthy roots and happy Kalanchoe delagoensis. Avoid using heavy or compacted soil that can lead to waterlogged roots. 

When it comes to fertilizing the Mother of Millions plant, a balanced fertilizer formulated for succulents can be used. During the spring growing season, you can fertilize them once a year. However, it's important to dilute the fertilizer to half or a quarter strength of NPK (5-10-5) to prevent overfeeding, as succulents have lower nutrient requirements compared to other plants.  

During the dormant period in fall and winter, it's best to refrain from fertilizing altogether. Remember to always follow the instructions and adjust the frequency and strength of fertilization based on the specific needs of your Mother of Millions plant. 

Hardiness Zone & More

When growing indoors, it thrives best in temperatures between 60 to 85 degrees Fahrenheit. It is important to avoid exposing this plant to temperatures below 50 degrees Fahrenheit, as it can lead to damage or even death.

For outdoor cultivation, the Mother of Millions plant is generally hardy in USDA hardiness zones 9 to 11. It prefers warm temperatures and can tolerate temperatures as low as 20 degrees Fahrenheit. 

The Mother of Millions plant is adaptable and can tolerate a range of humidity levels. It can withstand both dry conditions and moderate humidity. However, it's important to avoid excessive humidity, as it can increase the risk of fungal diseases. Providing good air circulation around the plant can help prevent moisture buildup and maintain a healthy environment for the Mother of Millions. 

Remember to consider your specific climate and conditions when it comes to Kalanchoe delagoensis care, and make adjustments accordingly to your climate to ensure its optimal growth and well-being. 

Final Thoughts

Overall, the Mother of Millions (Kalanchoe delagoensis) is a striking succulent plant with unique tubular leaves and clusters of tiny plantlets along its edges. To care for this plant, ensure it receives plenty of sunlight, well-draining soil, and occasional watering to prevent root rot. Be sure to add Kalanchoe delagoensis Mother of Millions Plant to your collection today and elevate the beauty of your home or garden with this stunning-looking plant. 

Related Article
Please read our full article on Mother of Millions to learn more about this amazing plant.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 19547269

Discover Niche Categories That Outsell chandelier plant succulent

Top-Converting Item to Boost Your Average Order

4.8 ★★★★★
Based on 1684 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
C
Verified Purchase
Caryss Wood-Behan
Cuba, US
★★★★★ 4
Lamott's "Bird by Bird" is a real tweet
Format: Paperback
In "Bird by Bird," Anne Lamott relates the growing pains felt by all fledgling writers, including herself at one time, and the importance of staying on course until the job of writing is done. The book is sown with plenty of humorous anecdotes, zany analogies and colorful metaphors - in short, the emblematic, original style of writing for which Anne Lamott is best known. "Bird by Bird" does not deviate from this signature style by drifting into territories of discussion about proper grammar, form and other pedestrian aspects of writing. She feathers her nest in a creative, engaging format, filling it with stories of her earlier days as a writer and interspersing them with tips and lessons learned along the way. There is no elitism in "Bird by Bird." Lamott demonstrates her humanness in the incidents she shares. When a friend calls to say that her book has been published readers will empathize with Lamott's natural feelings of jealousy and inferiority. When she ends up writing about those unpleasant emotions, the lesson becomes apparent that any topic - especially one that is universally felt, experienced and, therefore, understood - has the potential to be fashioned into the written form. Later on, the author reveals the anxiety and knuckle-cracking anticipation she experiences while awaiting feedback on a manuscript submission. It is impossible not to feel jitters of sympathy as we wait for the outcome to be revealed. For the most part, "Bird by Bird" covers the emotional and creative expanse experienced by the writer from the moment he first coaxes his work onto paper until such time that he deems it finished. Lamott reminds writers that aspiring to have their works published should not trump the sheer joy of writing for writing's sake. The book could prove a valuable addition for a writer who has already begun to see some positive affirmation and movement where his writing is concerned. For a beginner, however, this book might miss the mark due to its absence of writing fundamentals. Lamott does address this subject, however, in a general sense when she alludes to writers' groups and writers' workshops. The few flutters of grandstanding that occasionally manifest as Lamott tells her story seem more than justified; she deserves recognition, to be sure. Despite a thorny start, Lamott has arrived - observing, reflecting and, finally, writing it all down from her position in the catbird seat.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 13, 2009
D
Verified Purchase
Diana Paraskevas
Draper, US
★★★★★ 5
One of the Most Emotionally Honest Books on Creativity
Format: Paperback
Bird by Bird: Some Instructions on Writing and Life endures not because it offers rigid writing instruction, but because it understands the emotional reality of trying to make art while remaining a functioning human being. Lamott approaches writing with humor, candor, and an unusual willingness to acknowledge the insecurity, vanity, paralysis, and vulnerability that often accompany creative work. What stands out most is the humanity of the book. The advice is practical, but the deeper value comes from the permission it gives writers to work imperfectly—to begin messily, doubt themselves, lose momentum, and continue anyway. Lamott treats creativity less as a performance of talent and more as a sustained relationship with attention, persistence, and emotional honesty. The prose itself mirrors the philosophy she advocates: conversational, alive, emotionally direct, and unconcerned with appearing overly polished. At times the tone can feel loose or anecdotal, but that looseness is also part of what makes the book feel companionable rather than instructional in a rigid sense. Beneath the warmth and humor is a serious understanding of observation. Again and again, Lamott returns to the importance of specificity, noticing, and telling the truth about experience without trying to force meaning prematurely. It’s ultimately less a manual on writing technique than a guide to surviving the psychological conditions required to keep writing at all.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 12, 2026
L
Verified Purchase
Lisa
Natrona Heights, US
★★★★★ 5
Honest, humorous and full of passion, Bird by Bird is a how-to guide to approaching writing as a life path.
Format: Paperback
Bird by Bird is Anne Lamott’s love song to the writing process and Anne Lamott’s detailed 12-step program for surviving the craft of writing. Using a loving and humorous voice, she shares intimate details of her experience as a writer, reader and teacher. She relies heavily on humorous stories from her childhood and early writing career to illustrate the pitfalls and joys of writing, while doling out a treasure chest of practical advice to the aspiring and experienced writer. Bird by Bird is a pep talk and a how-to guide to approaching writing as a life path. I’ve read this book many times over the years, and what I always remember most is her description of her relationship with her father, who was also a writer. More than anything Bird by Bird is a memoir, and the reason it has touched so many hearts and inspired so many careers, is because Anne Lamott wears her heart and her life story on her sleeve as she shares intimate and hard won life lessons on and off the page. She writes, “One of the things that happens when you give yourself permission to start writing is that you start thinking like a writer. You start seeing everything as material.” I love this line because it reminds me to give myself permission to be, to remember, to observe and to create. Like Anne Lamott, I grew up in the shadow of loving, charming and powerful writer. I learned the craft and life of a writer from my Mom, and it wasn’t until later in life that I realized that everyone didn’t grow up that way. Reading through with a highlighter this time, I was struck by all the voices Anne Lamott brings to the page. Lammott’s voice is primarily humorous, frank and self deprecating. When she wants to evoke something profound, grave or aspirational, she tends to lean on the voices of her favorite writers throughout the cannon, which she either paraphrases or quotes directly. I really admire this technique, it’s such a great way to vary her advice, give her message more credence while keeping the book in her voice. I want to remember this. There’s a nice example of this early on when she’s talking about what inspires someone to write, she writes, “Interviewers ask famous writers why they write, and it was (if I remember correctly) the poet John Ashbery who answered, “Because I want to.” Flannery O’Connnor answered, “Because I’m good at it,” and when the occasional interviewer asks me, I quote them both.” By bringing Ashbery and O’Connor into the conversation, Lammot elevates her personal experience to a universal truth. Another one of my favorite aspects of this guide / memoir is the realistic depiction of not only the writing but the publishing experience. She debunks every single romantic notion of writing – while carefully creating her own shrine to the experience. One of my favorite moments is when she breaks down any hope of a feeling of satisfaction for a writer. She perfectly sums up the endless aching and seeking inherent to the writing life. She writes: How do you know when you’re done? This is question my students always ask. I don’t quite know how to answer it. You just do. I think my students believe that when a published writer finishes something, she crosses the last t, pushes back from the desk, yawn, stretches, and smiles. I do not know anyone who has ever done this, not even once,” This excerpt makes me laugh out loud every time I read it. I think because in my experience as a publicist / publisher I do know some authors who have done this, and those are the ones I fear most. Honest, humorous and full of passion, this book separates the die-hards from the casual writers, it’s like a litmus test and hazing, and if you make it to the end you emerge a convert.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 9, 2016
P
Verified Purchase
p.j. lazos
Boise, US
★★★★★ 5
Bird by Bird is a delight for readers and writers alike
Format: Paperback
I’m on this rereading kick and also on a reading-books-about-writing kick and Bird by Bird, Some Instructions on Writing and Life, by Anne Lamott, heads the list. Part writing guide, part life coaching session, and part true confessions, Bird by Bird is a delight for readers and writers alike. One summer, Lamott’s ten year-old brother had waited three months to begin a project on birds that was due the next day. Close to tears and unable to even move, he sat among his books and papers at the kitchen table. Lamott’s father, a writer and maybe Lamott’s favorite person ever, put an arm around his son and said, “Bird by bird, buddy. Just take it bird by bird.” The book is peppered with such sage advice while Lamott remains the quintessential social commenter and odd man out, full of more than a few stories of her life gone wrong. What makes her writing so enjoyable is the rough terrain she’s crossed to bring it to us through glimpses of her childhood and the rest of her life. Lamott shares some of her writing techniques such as sitting at her desk and staring at a small one-inch empty picture frame when she’s out of ideas. She watches that picture frame until something comes to her. Sometimes she gets up to make a phone call or eat a snack while the picture frame sits there as a reminder, but she always goes back to her chair and that picture frame. To be a writer, she tells her students, you have to sit your butt in a chair and not get up until you’ve written something no matter how long it takes or how terrible it is, and then you have to do that again the next day and the one after that. You may write four or five pages before you get one or two good paragraphs, she says, but keep at it. She encourages her students to reveal their most desperate fears and phobias and bring them to the surface for dissection and reassembly as literary gold. Unfortunately for Lamott, her worst moments have become her best prose. Take the most horrible school lunch ever and turn it into a brilliant comedic twist of events. Never miss and opportunity to go for your own jugular, but just flash the knife, don’t really cut your throat. In Lamott’s world, writing is therapy and since she’s taken some of the heaviest stuff of her life and exposed it, often with hilarity, to the sun and wind and elements where it can be alchemized, she’s become her own therapist. Or maybe she still needs therapy, but at least there’s a great story to be told. I question whether the pain and suffering is necessary for the craft or whether it just makes the writer more observant -- nothing like fear to sharpen the senses -- and hence, more readily able to translate those observations to the rest of the world. Once you’ve mined your childhood for all the despondency and suffering you can recall along with all the nasty characters that have wreaked havoc upon you, stick them between fictional pages for everyone to see, while being careful to obscure them so ingeniously through changes of place or time or hair color that no one will recognize themselves. Also, always give the male character a small penis. It cuts down on potential libel suits. These are your the tools of the trade, says Lamott. Your heartbreak, your inability to fit in, your desire to be part of another family, relationship, community, etc., one that obviously had it better than yours, and your unlimited ability to manipulate facts. Also, never miss an opportunity to capitalize on all your accumulated crap. If you are a writer, Bird by Bird will provide you with a step-by-step guide that will boost your writing by degrees, from s***ty first drafts to publication, but my guess is that Bird by Bird will help you with your life maybe just the teeniest bit more.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 14, 2015
K
Verified Purchase
Kendall Giles
Belleville, US
★★★★★ 5
Getting words onto the page!
Format: Kindle
There seem to be as many books about how to write as there are actual writers, yet Anne Lamott makes a solid if not altogether inspiring contribution to the collection. Also known for her non-fiction books dealing with depression, Christianity, and alcoholism, in Bird by Bird author Lamott turns her humor and autobiographical lens toward offering sage advice and inspiration for writers of all levels. While far from Strunk and White's The Elements of Style, and mute on the meter of poetry and the tropes of science fiction, Lamott instead focuses more on psychological issues that confront and haunt writers from all genres, such as defeating the blank page, avoiding perfectionism obsessions, cranking out that first draft, and writing for the right reasons. A breadth of writing advice, Bird by Bird gets its title from wisdom Lamott's father once gave to her brother, incapacitated by the task of writing a school essay on birds. The senior Lamott advised the younger to break the assignment down into manageable chunks: "Bird by bird, buddy. Just take it bird by bird." Divided into five parts, in part one Lamott first addresses writing itself -- getting words onto the page. Lamott starts by giving the aspiring author permission to write and then by encouraging the author to just get the words onto the page. Go ahead, just create that first, messy draft: "Almost all good writing begins with terrible first efforts. You need to start somewhere." She then suggests focusing more on creating compelling characters than worrying about plot: "If you focus on who the people in your story are, if you sit and write about two people you know and are getting to know better day by day, something is bound to happen." She even discusses a short story template -- action, background, development, climax, ending -- that can be used as an initial story structure. Dialog is important too, and compelling dialog can be influenced by real-life encounters, but the main goal is to get that first draft written, in short steps, a little each day. In part Two Lamott talks about the writing frame of mind -- about how authors can psyche themselves into writing using rituals at the beginning of each writing session and by believing in the stories they are telling. Part Three presents specific tools authors can use to help recall memorable quotes and scenes, how to collect new material, and how to gain feedback on drafts, such as using index cards on which to jot down ideas, joining or forming writing groups and sending drafts to a short-list of people an author trusts to give honest and useful feedback, and overcoming writer's block by refilling the author's emptiness through short exercises just to get the fingers moving. In part Four Lamott talks about the publication process and why an author simply giving herself to the writing act in and of itself is often the best reward: "There is no cosmic importance to your getting something published, but there is in learning to be a giver." Part Five contains final words of wisdom and encouragement for the budding author. For example, an author should not hesitate to use experiences from their childhood (and tips are given on how to avoid libel when using autobiographical material). Overall, rather than being the strict writing schoolmarm, Lamott is more like a writing companion. She chats over your shoulder with you at the end of the day, sipping a glass of wine, reflecting on her own experiences in the writing trenches, and sharing what worked for her in achieving success. Her advice is true and her voice is encouraging -- she uses self-deprecating humor to convince any reader that their writing anguish is neither new nor unique since Lamott herself has likely already confronted and conquered those same demons. She persevered and achieved success, and the reader of her book too shall overcome and get their story onto the page. She mentions God throughout, but she does not come across as preachy. Again, she's relating what worked for her, using anecdotes from memorable episodes in her life. There's no magic and no divine inspiration to solve writing problems--she uses real techniques and encouragement to help confront and conquer the blank page. Indeed, we can all use encouragement and insights from someone who's already been there. Like the oft-repeated "Practice, practice, practice" response by legendary pianist Arthur Rubinstein when he was stopped on a street in New York and was asked, "Pardon me sir, how do you get to Carnegie Hall?", Lamott's response to writers in Bird by Bird is just as wise and true, but perhaps even more motivational due to her humor and honest expression from the trenches.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2011

recommand products

6-8ft Dracaena Marginata Stump – Dahing Plants
25.75
Dieffenbachia Reflector Dumb Cane Variegated
21.07
Dieffenbachia 'Reflector' | Mottled Cane
22.21
Dieffenbachia 'Reflector'
21.58
Dieffenbachia, Reflector (180mm pot size)
27.86