SKU: 21798751146
peg perego viaggio convertible

peg perego viaggio convertible Peg Perego Primo Viaggio Convertible Kinetic Car Seat

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Description

peg perego viaggio convertible Peg Perego Primo Viaggio Convertible Kinetic Car SeatThe Peg Perego Primo Viaggio Convertible Kinetic Car Seat is an innovative solution for parents seeking both safety and comfort for their growing child. Designed to accommodate children from 5 to 45 lbs in rear facing mode and 26. 5 to 65 lbs in forward facing mode, this car seat is packed with advanced safety features such as Kinetic Pods and Adjustable Side Impact Protection (SIP), ensuring maximum protection during a side collision. Offering

The Peg Perego Primo Viaggio Convertible Kinetic Car Seat is an innovative solution for parents seeking both safety and comfort for their growing child. Designed to accommodate children from 5 to 45 lbs in rear-facing mode and 26.5 to 65 lbs in forward-facing mode, this car seat is packed with advanced safety features such as Kinetic Pods and Adjustable Side Impact Protection (SIP), ensuring maximum protection during a side collision. Offering extended rear-facing capabilities, the seat promotes optimal safety while providing a relaxed seating position for the child. Whether you’re running errands or going on a long trip, the Primo Viaggio Convertible guarantees peace of mind, knowing your little one is secure and comfortable.

Key features of this convertible car seat include EPS & EPP foam for extra protection, a reclining rear-facing position, and an anti-rebound bar for enhanced stability in the event of a collision. The Kinetic Pods offer side-impact protection by helping to absorb forces, while the Easy Tight LATCH system ensures effortless installation. The seat is designed with the convenience of parents in mind, offering a removable cup holder, harness retainer, and a removable newborn cushion for added comfort. The Fresco Jersey fabric in the head panel and cushion is breathable and moisture-absorbing, helping to keep your child cool and comfortable. The Primo Viaggio Convertible car seat is compatible with all Peg Perego strollers to create a seamless travel system.

Peg Perego has been a trusted name in premium baby gear for over 70 years, combining Italian craftsmanship with innovative design to create high-quality strollers, car seats, and accessories. Designed and manufactured in Italy, Peg Perego products prioritize safety, comfort, and versatility, ensuring durability and functionality for everyday parenting needs. From strollers with modular configurations to ergonomic car seats, every product is engineered with superior materials and attention to detail, delivering convenience and peace of mind to growing families. Explore Peg Perego at ANB Baby for trusted baby gear designed to grow with your family.

Peg Perego Primo Viaggio Convertible Kinetic Car Seat Features:

  • Kinetic Pods for Side Impact Protection: Offers additional protection in case of a side collision, helping to move forces away from your baby. The pods are adjustable to ensure a perfect fit.

  • Rear-Facing Recline: Provides a relaxing and ergonomic angle for the child in rear-facing mode, promoting comfort during travel.

  • Extended Rear-Facing Capabilities: Accommodates children up to 45 lbs in rear-facing mode, ensuring optimal safety as your baby grows.

  • Adjustable Side Impact Protection (SIP): Easily adjustable to 10 positions, even while the child is in the seat, ensuring a safe and secure fit at every stage.

  • Anti-Rebound Bar (ARB): Integrated and stowable, the anti-rebound bar minimizes forces and reduces seat rotation in case of a collision.

  • Fresco Jersey Fabric: Breathable, moisture-absorbing fabric that keeps your baby cool and comfortable. The fabric is easy to clean and gentle on your child’s skin.

  • Dual-Stage Cushion System: Provides proper head support and a snug fit for newborns, ensuring comfort from birth up to 22 lbs.

  • Easy Tight LATCH System: Simplifies installation with an easy-to-use LATCH system, ensuring the seat is securely installed.

  • Cup Holder: Includes a removable cup holder for convenience, allowing your child to keep drinks within easy reach.

  • Harness Retainer: Helps stabilize harness clips for easy access when securing your baby in the seat.

See Entire Peg Perego Collection

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Exchange/Return Notes
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SKU: 21798751146

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4.7 ★★★★★
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Product Reviews
I
Verified Purchase
I.T.
Massapequa, US
★★★★★ 3
Not the best, but not the worst either
Format: Hardcover
By any means not the funniest book in the series, only the one on Krusty the Clown was more un-funny; but still a worthy addition to your collection and, just like all the others from the series providing a retrospective of anecdotes you might have forgotten.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2012
P
Verified Purchase
Pen Name
Battle Creek, US
★★★★★ 1
One Star
Format: Hardcover
The book I received had 3 pages cut out of it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 17, 2014
G
Ghost Mutt
Bozeman, US
★★★★★ 2
Not that great
Huge "The Simpsons" fan. I watched all the episodes and read a lot of the comics and enjoy most. This one however was quite boring. Turns out I'm just not a big fan of Chief Wiggum. I really enjoyed The "Homer" and "Bart" book. But not this one. Maybe if you love Wiggum you'll love it. If you're not too fond of him then I wouldn't buy it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 28, 2013
J
Justine
Lowell, US
★★★★★ 3
Good for my collection.
Format: Hardcover
This was another quick and entertaining read. This instalment wasn't as enjoyable as some of the other books but it was still good. I'm glad to have it in my collection.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 27, 2014
V
Verified Purchase
Vance
Port Orchard, US
★★★★★ 5
Alan Moore Does it Right, and Bolland Art Revision is Amazing
Format: Hardcover
The Killing Joke was a comic spawned shortly after the work of Frank Miller, and is probably the comic that established The Joker as one of the most important fictional villains of the 20th century. Batman had become a well thought out, complex character in recent years, primarily due to the work of skilled writer Frank Miller. Batman had been brought into a gritty, modern world of comic books, but I always felt that Miller's The Dark Knight Returns failed to bring the antagonistic Joker into a new light...well it did, but not in the way the character was meant to be. Alan Moore, with the help of Brian Bolland's stunning artwork helped bring to life what is widely accepted as today's standard for the famous Harlequin of Hate. He's crazy, he kills people simply for his own twisted sense of humor, but always has a very zany, cartoonish attitude, which I felt was lacking in Miller's interpretation, where Joker seemed much too serious in appearance, dialogue, and action. The Joker presented in this graphic novel truly is a fiendish jester of fate, who for the most part is truly frightening, but never really acts like anything more than a loon. Bolland's art is very helpful in this aspect, not only bringing the Joker's exaggerated, skeletal body to life, but making it perhaps the most anatomically correct Joker ever seen, while still following the style of the 1970s Joker appearances. The story revolves around the long struggle between Batman and his foe, and their never ending conflict. Joker, having escaped from Arkham Asylum (again), has decided to prove that one bad day can transform any sane man into a monster, such as himself. Taking possession of an old carnival he's ready to do whatever it takes to prove his point, with the assistance of a circus freak show. Meanwhile The Dark Knight questions himself on how this fight will end; coming to the realization that sooner or later one of them would kill the other, unless they tried to reason it out. A hopeless plan by our hero, but he has to at least try a single time to reason with his arch-nemesis, just so he can say he tried. While Batman leads the hunt for the psychotic clown, Joker decides to prove his theory, kidnapping Commissioner Gordon, and shooting Barbara Gordon (Batgirl) through the spine (she never walks again). This is one of the most villainous acts in the history of comics; simply because of how pointless the shooting was, considering Barbara wasn't even in the character of Batgirl. She was just a bystander who Joker decided to use as a tool for his plot. Everyone is a puppet, or tool in his mind. He does this act all of this while wearing a stereotypical beach-going tourist's attire, complete with a large camera, the only exception being his wide-brimmed, purple hat, which conceal his eyes. These are the eyes of a madman, and in one of the comic's final pages his eyes are concealed in shadow once again, before they come out and you see him for the hopeless case he truly is. The story sets the stage for the most widely accepted Joker back-story through a series of flashbacks, showing him as a failed comedian with a pregnant wife, and soon winds up assisting criminals, and falling victim to tragedy. The character is shown to have had one bad day and that is how he ended up as the smiling super villain who has plagued Gotham City for decades. Of course this back-story isn't necessarily true, being that it comes from flashbacks spawned from Joker's mind, and as he famously states in his confrontation with Batman "If I'm going to have a past, I prefer it to be multiple choice!" Gordon's capture and torture leads to a fight between these two iconic characters, where Batman tries to see if it is possible to reason with Joker logically, but the villain doesn't even try to lie about what is obviously in store for them. He can never be reasoned with, and won't stop until he's dead, and Batman refuses to kill him so it's a sick cycle that goes round and round. In the end of The Killing Joke the roller coaster has only been reset and it will only be a matter of time before Joker is back on the streets, killing again with some new, random scheme which will only make sense to him alone, depending on the mood he's in at the time, or which version of his past he remembers. Alan Moore's story is sick, it's disturbing, and doesn't fail to leave the reader in a state of awe. The only problem is that by the end you crave for more! The story practically brings you to the point of begging for a sequel, or expansion which will probably never come. This is a one-shot story, and should remain that way, or else the original's impact may be lost. I don't have a single friend who doesn't think The Killing Joke is one of the most twisted, sick, most perfect stories of the comic medium. It's short, but it delivers a powerful punch! Brian Bolland's art makes this short graphic novel a masterpiece, providing some of the best art ever seen in the characters' long history, only rivaled (in my opinion) by the art of Alex Ross. Joker really is frightening to look at here, because he doesn't look like a real person in most aspects, but Bolland manages to make this character incredibly believable in appearance, without taking any liberties of changing the body type into something more universal. The tall, skeletal body of the 1970s comics is preserved for the most part, except for the narrowing of the chin, which improves the look even further (hence why it's universally used in today's comics). Recently I got the hardcover anniversary edition of The Killing Joke, with the artwork being edited by Brian Bolland, and re-colored by Bolland personally the way he intended it to be seen. I must say that I love the changes to the colors, more so than the cheery, bright colors of the original, which I felt distracted from Bolland's line-art, because the colors were way too traditional comic book, not fitting the intensity of the art. These colors are dark, gritty, and really captures to mood of the story more effectively than the bright colors of the original release. I especially love the flashbacks being in black and white, except for concentrating on objects that reflect the color red, which leads up to him taking on the garb of The Red Hood, before his first confrontation, leading to his ultimate disfigurement and insanity. This is a seriously talented artist and I only wish he was presented with more opportunities to draw these characters. Batman and Joker look their very best in these images, and I'd be hard pressed to find a comic with better consistency of art quality. The Killing Joke is one, if not THE best story in the history of Batman comics, and rightfully earns my rating of 10/10 stars.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2008

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