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Description
maxi cosi bugaboo Bugaboo Dragonfly With Carrycot + Maxi-Cosi Pebble 360 Complete Bundle – PramsyWhat's included: Bugaboo Dragonfly with Carrycot Complete Maxi Cosi Pebble 360 Car Seat Maxi Cosi FamilyFix 360 ISOFIX Base Bugaboo Car Seat Adapters for Maxi Cosi Car Seat Bugaboo Dragonfly: Designed to provide unparalleled convenience and ease of use, it allows you to explore without limits and experience every beautiful moment together. With its innovative one hand, stand up compact fold, the Bugaboo Dragonfly redefines urban convenience. You can
What's included:
- Bugaboo Dragonfly with Carrycot Complete
- Maxi-Cosi Pebble 360 Car Seat
- Maxi-Cosi FamilyFix 360 ISOFIX Base
- Bugaboo Car Seat Adapters for Maxi-Cosi Car Seat
Bugaboo Dragonfly:
Designed to provide unparalleled convenience and ease of use, it allows you to explore without limits and experience every beautiful moment together. With its innovative one-hand, stand-up compact fold, the Bugaboo Dragonfly redefines urban convenience. You can effortlessly fold it in one piece without removing the seat or carrycot, making it perfect for on-the-go parents. Here are the key features that set the Bugaboo Dragonfly apart:
- Patented compact folding system: The first of its kind, the Bugaboo Dragonfly's folding mechanism is revolutionary and makes storage a breeze.
- Easily tucks away: Whether it's a closet, the boot of your car, or a narrow hallway, the Bugaboo Dragonfly's compact fold allows it to fit effortlessly.
- Lightweight and portable: With a weight range of 7.9 to 9.9 kg, the Bugaboo Dragonfly can be carried over your shoulder using the integrated carry strap.
- City+ driving experience: Enjoy a smooth and responsive steering experience with the Bugaboo Dragonfly's full suspension and all-new high-performance urban wheels.
- Iconic Bugaboo design: The Bugaboo Dragonfly combines power and simplicity, bringing a reimagined design that is perfect for the city.
- Flexible storage system: The Bugaboo Dragonfly offers a practical storage solution with a rear pocket that can be moved between the front and rear bridges or the handlebar.
- Comfort for both parent and child: From day one, the Bugaboo Dragonfly provides multiple configurations to suit your needs, including a full-size carrycot with a breezy panel and car seat compatibility.
- Built for a better future: The Bugaboo Dragonfly is designed and produced in line with Bugaboo's Push to Zero commitments, aiming to be net-zero by 2035.
Additionally, the Bugaboo Dragonfly comes with a two-year warranty for all parts and servicing. By registering your product on Bugaboo.com, you can enjoy an additional two years of warranty. Express your style as you stroll with the Bugaboo Dragonfly, available in eight colorways and offering more than 25 possible styling combinations. You can also complete your pushchair with intuitive and versatile accessories, from newborn essentials to seasonal must-haves, to cater to every phase of your baby's development.
**RAIN COVER SOLD SEPARATELY**
Maxi-Cosi Pebble 360
The Maxi-Cosi Pebble 360 epitomizes the fusion of comfort, convenience, and safety for infant travel. Designed for newborns and usable up to approximately 15 months, it offers a seamless experience for both parent and child. This car seat is a part of the advanced 360 Family system, which includes the FamilyFix 360 base (sold separately) and is compatible with the Pebble 360 and Pearl 360 car seats, covering the age range from birth up to 4 years.
Installation:
- The Pebble 360 is designed to be user-friendly, with an easy-in harness that simplifies the process of getting your baby in and out.
- It pairs with the FamilyFix 360 base, which features ISOFIX connectors and a support leg for a safe, easy, and quick installation.
- The base includes a built-in rotational system, allowing the Pebble 360 car seat to be effortlessly rotated with one hand, making it simpler to place your child in the seat.
Safety Features:
- The Pebble 360 adheres to the latest i-Size safety standard (R129/03) and is intended for rearward-facing use.
- It incorporates ClimaFlow technology, ensuring optimal temperature regulation for your baby.
- The G-CELL Side Impact Technology provides enhanced protection in the event of a side-on collision.
Comfort and Convenience:
- The Baby-hugg inlay in the Pebble 360 ensures your little one is snug and comfortable at all times.
- An ergonomic carrying handle makes it easy to transport your baby from the car to your destination.
- As part of the 360 Family system, the Pebble 360 car seat offers a comprehensive solution from newborn to 4 years old when combined with the Pearl 360 car seat.
In summary, the Maxi-Cosi Pebble 360 stands out for its ease of use, safety features, and comfort, making it an ideal choice for parents seeking a reliable and convenient car seat for their newborn and young toddlers.
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4.8 ★★★★★
Based on 16 reviews
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Product Reviews
★★★★★ 4
Lee Marvin's best
Finally it's in dvd. Been looking for it for years. Point Blank is Lee Marvin's best movie, the best character for him, and has his best tag line. I'll leave that for you to find. (It has to with seat belts.) The movie is aptly named. The plot is steam-roller direct, but the director uses some arty time-lapse devices that either distract by conflicting with the directness of the character and the plot, or enhance by providing depth and interest, I can't decide. But they do jarr a little and seem dated. I suppose I do like the uniqueness they add. It's a really good Lee Marvin movie, and Angie Dickinson to boot. Who remembers her answer when Johnny Carson asked her whether she dressed to please herself or others? Memorable.
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Reviewed in the United States on September 25, 2007
★★★★★ 5
Excellent Blu-Ray Transfer - Big Improvement to the DVD
I've been a big fan of this movie for many years, long before the advent of DVD let alone Blu-Ray. I used to go and see it at the repertory cinema often - the first time, I was stunned by the quasi-hallucinatory cinematography of it. A totally unique film that's never been replicated before or since (although The Limey was a good attempt)
Frankly the story is incidental and not worth summarising or even paying much attention to. The cinematic style of it is what makes it so riveting both then and now - an excellent psychedelic time-capsule of late `60s LA punctuated by stunning performances from the likes of Marvin, Dickinson and others.
The DVD was a huge let-down when released. Despite the accolades that it had at the time, it had a "watery" non-filmic quality which made it dull and tiresome to watch even once. Without capturing the garish color and mind-bending trippiness of the film, you were reduced to following the plot which, like I said, is the least interesting aspect of it.
The Blu-Ray is MILES superior to the DVD. The integrity of every component in this movie that I've discussed above is perfectly captured; the emotional power of it is all there in bucketloads. The colors are strong and vivid and in true Blu-ray style you notice subtleties that you hadn't noticed before (e.g. the green chairs in the corporate offices, Angie Dickinson's expression after the "what's my last name" exchange).
The overall quality is very filmic (no DNR etc) and good grain where appropriate. It looks like a strong 35 mm print that has been run a few times but has plenty of life left. So no Criterion day-it-was-released look but more than satisfactory. Ideally, I would like Criterion to get hold of this as I think they would clearly be able to make an improvement but this is a minor quibble.
For fans of `60s cinema and experimental film-making, this Blu-Ray edition will thoroughly satisfy. I no longer feel the need to see this in a movie house anymore unless there's a full restoration of the original 35mm print (which does happen from time to time)
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Reviewed in the United States on September 26, 2014
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows.
Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring.
Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters.
In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies.
At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn.
The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do.
As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable.
In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005