spiky palm tree like plant Shop 'Madagascar Palm - Pachypodium lamerei' Care and Info
SKU: 25518082806
spiky palm tree like plant

spiky palm tree like plant Shop 'Madagascar Palm - Pachypodium lamerei' Care and Info

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Description

spiky palm tree like plant Shop 'Madagascar Palm - Pachypodium lamerei' Care and InfoIntroducing the Madagascar palm, also known as Pachypodium lamerei. This unusual Pachypodium lamerei is sure to spark conversation with its adorable, grey green leaves and eye catching white flowers. Madagascar palm is actually a succulent, not a true palm, despite popular belief. Pachypodium, which means "thick foot," refers to the plant's thick, swollen stem, which stores water and provides structure and strength to the Madagascar Palm. There are

Introducing the Madagascar palm, also known as Pachypodium lamerei. This unusual Pachypodium lamerei is sure to spark conversation with its adorable, grey-green leaves and eye-catching white flowers. Madagascar palm is actually a succulent, not a true palm, despite popular belief. 

Pachypodium, which means "thick foot," refers to the plant's thick, swollen stem, which stores water and provides structure and strength to the Madagascar Palm. There are several species, but the two most common are Pachypodium lamerei and Pachypodium geayi.   


Native to Southwest Madagascar, your Pachypodium lamerei Madagascar Palms can reach 24 feet tall and 10 feet wide at maturity and are sure to make a statement wherever they're planted.

The trumpet-shaped flowers of the Madagascar Palm Pachypodium lamerei add a touch of exotic beauty to any space from late spring to summer.

During this bloom time, you can expect to see clusters of vibrant, white, yellow, red, pink, or cream-colored flowers with a delightful fragrance.

Outdoor Madagascar palms are more likely to produce flowers than indoor ones, so use NPK fertilizer in the early spring and prune damaged branches for better blooming.

When and How to Water Your Madagascar Palm  

The Madagascar Palm is a drought-tolerant succulent, well-adapted to dry environments and capable of surviving extended periods without water. While it stores moisture in its thick trunk, this doesn’t mean it should be neglected entirely. Your Madagascar palm plant prefers watering once every 10-14 days during the active growing season, and once every 4-6 weeks during the dormant season.

From spring through early fall, during the active growing season, watering once every 10–14 days is sufficient. Allow the soil to dry out completely between waterings. Always check the top few inches of soil before watering. Consistent but sparse watering encourages healthy growth without risking oversaturation.

From late fall through winter, in the dormant season, the Madagascar Palm slows its growth and requires far less water, about once every 4–6 weeks, or only when the plant shows signs of slight shriveling. Overwatering during dormancy is one of the most common causes of decline, so it's best to err on the dry side until active growth resumes in spring.

Light Requirements - Where to Place Your Madagascar Palm

When growing your Madagascar palm, Pachypodium lamerei, indoors, it prefers bright, indirect light.

Placing it near a window where it can receive plenty of filtered sunlight is ideal. However, be cautious when placing it in direct sunlight, as it can scorch the leaves.

If you notice the leaves turning yellow or brown, it may be a sign that the plant is receiving too much direct sunlight. Consider moving the plant to a location with more shade to prevent further damage.

If you're growing your Madagascar palm outdoors, it is important to grow Pachypodium species in areas that receive at least 4-6 hours of bright, direct light every day to keep them happy. New plants can get burned in the full sun as they were probably grown in a greenhouse; therefore, gradually increase their exposure to sunlight.

Optimal Soil & Fertilizer Needs 

The Madagascar Palm favors very airy, sandy soil that drains well, and should be fertilized once a year in spring. Planting them in ordinary soil will result in compacted roots, stunted growth, and most likely root rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized potting mix that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your palm plant to thrive.

A small amount of organic fertilizer once a year in the spring will do wonders for your plant's health and growth. Using organic fertilizers with an approximate blend of 5-10-5 (NPK) that is higher in phosphorus than nitrogen also ensures that other beneficial compounds and microbes are added to the soil without the use of harsh chemicals. Show your Madagascar palm some love with awesome natural fertilizer and watch it thrive.

Indoor Growing Madagascar Palm Requirements

If growing indoors, this Pachypodium lamerei prefers a warm environment, ideally between 65°F and 80°F. While it can tolerate brief dips in temperature, it's best to avoid cold drafts, sudden temperature changes, or temperatures below 50°F, which may cause leaf drop or dormancy. Place it near a bright, sunny window, preferably south- or west-facing, to ensure it receives at least 4 to 6 hours of direct sunlight daily. If natural light is limited, supplement with a grow light to maintain its health and compact form.

This plant enjoys moderate humidity, but it is adaptable to average indoor conditions. If your indoor air is especially dry (below 30% humidity), consider using a humidity tray or room humidifier, particularly during winter months when indoor heating reduces moisture in the air.

Hardiness Zone & More 

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii, then you can cultivate it outdoors in USDA zones 9-11.

These zones generally experience mild winters with temperatures ranging from 30°F to 40°F and above. However, if you live in a region with colder temperatures, you can still enjoy this plant by growing it in a container and bringing it indoors during the winter months.

Madagascar palms are hardy plants that can tolerate a wide range of temperatures and humidity levels. Native to the arid regions of Madagascar, in their natural habitat, they are well-suited to dry, desert-like conditions.

Wildlife - Madagascar Palm Attracts the Following Friendly Pollinators

The Pachypodium lamerei attracts a variety of friendly pollinators, such as butterflies, bees, and hummingbirds, which are drawn to the plant's vibrant flowers and sweet nectar. The presence of these pollinators helps to ensure the continued reproduction and survival of the Madagascar Palm in its natural habitat.

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to ASPCA, the Madagascar Palm Plant is mildly toxic to both humans and pets if ingested in large amounts. It contains toxic components, specifically calcium oxalate crystals, which can cause irritation and swelling upon ingestion or contact.

How to Propagate the Pachypodium lamerei Madagascar Palm 

To propagate the Madagascar palm Pachypodium lamerei, one common method is by stem cuttings. You can take a stem cutting from a healthy, mature plant, let it dry for a few days to form a callus, and then plant it in well-draining soil. 

Another method is propagation by seeds. You can collect the seeds from a mature Madagascar palm and sow them in a suitable potting mix. Keep the soil slightly moist and provide warmth and a bright, indirect, sunny spot for germination. Both methods require some patience and care, but with a little bit of love, you can successfully propagate your own Madagascar palms.

Key Takeaways

  1. The Madagascar Palm (Pachypodium lamerei) is a fascinating succulent plant native to Madagascar.
  2. It has a tall, slender trunk and spiky leaves, making it quite a unique addition to any succulent collection.
  3. It thrives outdoors in USDA zones 10–11, where temperatures range from 30°F to 40°F and above.
  4. This Pachypodium lamerei madagascar loves dry and warm climates, so it's important to provide it with plenty of sunlight and well-draining soil.
  5. Don't miss out on adding the Pachypodium lamerei Madagascar Palm to your garden! Order now, and you will be able to enjoy its beauty for many years to come.

The Bottom Line

Overall, the Madagascar Palm (Pachypodium lamerei) is a striking, low-maintenance plant that brings a bold, architectural element to both indoor and outdoor spaces. Though not a true palm, its thick, spiny trunk and upright growth habit give it a distinctly tropical look. With proper care—plenty of bright light, well-draining soil, and minimal watering—this resilient succulent can thrive for decades, even in less-than-ideal conditions. Whether grown as a statement houseplant or a container feature on a sunny patio, the Madagascar Palm rewards growers with both beauty and longevity, making it a standout choice for collectors and beginners alike.

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John P. Jones III
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“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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