SKU: 271681080
neon pothos epipremnum aureum neon

neon pothos epipremnum aureum neon Epipremnum 'Neon'

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Description

neon pothos epipremnum aureum neon Epipremnum 'Neon'Epipremnum aureum 'Neon' ('Neon Pothos', 'Golden Pothos') Epipremnum aureum 'Neon' is a bright chartreuse pothos with glossy heart shaped leaves and flexible vining stems. New leaves often emerge in a vivid yellow green tone before settling into a clearer lime green colour across the vine. This cultivar has the same climbing aroid structure as Epipremnum aureum: nodes, aerial roots, and long stems that can trail from a pot or climb when given support.

Epipremnum aureum 'Neon' ('Neon Pothos', 'Golden Pothos')

Epipremnum aureum 'Neon' is a bright chartreuse pothos with glossy heart-shaped leaves and flexible vining stems. New leaves often emerge in a vivid yellow-green tone before settling into a clearer lime-green colour across the vine.

This cultivar has the same climbing aroid structure as Epipremnum aureum: nodes, aerial roots, and long stems that can trail from a pot or climb when given support. Indoors it usually keeps juvenile leaves, with an even, smooth leaf surface and solid chartreuse foliage.

As a selection of Epipremnum aureum, it belongs to a wet-tropical climbing species from Mo‘orea in the Society Islands, where aerial roots anchor the stems to humid forest surfaces.

Chartreuse pothos features

  • Solid chartreuse to lime-green foliage with glossy heart-shaped leaves.
  • Trailing or climbing vine growth from node-based stems.
  • Fresh yellow-green new leaves that mature to a brighter green tone.
  • Easy shaping through pruning and rooting stem cuttings.
  • Warmth and bright indirect light help reduce stretched growth on the vine.

Bright leaves on a self-clinging vine

'Neon' is an evergreen self-clinging climber, with slender stems that can lengthen strongly if left unpruned. The leaves are oval to heart-shaped at the base and stay glossy in indoor culture. When grown on a support, the aerial roots can attach and the plant may produce larger leaves as the stems mature.

Yellowing, dullness, stretched stems, or soft growth usually point to changes in moisture, light, temperature, or root health. Regular pruning keeps the vine fuller and prevents long bare sections from forming.

Care for clear lime-green growth

  • Light: Give bright indirect light to reduce stretched vine growth. Gentle morning or late-day sun may be tolerated after acclimation.
  • Water: Water when the upper 20–30% of the mix has dried. The plant grows strongly in warm months, but the roots still need air between waterings.
  • Substrate: Use a loose aroid mix with bark, perlite, coco chips, or pumice. Good drainage keeps the root system active and reduces soft-stem risk.
  • Temperature: Keep between 18–28 °C. Protect from cold draughts and cold wet windowsills in winter.
  • Humidity: Average indoor humidity is usually fine. Higher humidity helps new leaves expand more smoothly on climbing stems.
  • Feeding: Feed lightly during active growth. Strong new vine extension responds better to regular low doses than occasional heavy feeding.
  • Pruning and propagation: Cut above a node to shape the vine. Root healthy stem cuttings in water or a light propagation mix before potting them on.

Colour, stem, and root checks

  • Dull or stretched growth: Move gradually into brighter indirect light and prune long sections to encourage fresh shoots.
  • Yellow leaves with wet soil: Check drainage, pot size, and root condition. Let the mix dry further before watering again.
  • Brown edges: Review watering gaps, dry heat, fertiliser concentration, and direct sun exposure.
  • Soft lower stems: Inspect the base and roots for rot. Remove affected sections and reroot healthy vine tips if needed.
  • Sticky residue or speckling: Check for scale, mealybugs, thrips, or mites along stems and leaf undersides.

Safety for this bright pothos

Epipremnum aureum 'Neon' contains insoluble calcium oxalate crystals. It is toxic if chewed by pets and can irritate the mouth, lips, tongue, and throat, so keep leaves and cuttings out of reach.

Botanical name and cultivar name

Epipremnum comes from Greek roots meaning “upon” and “trunk.” Aureum means “golden,” referring to the yellow-gold markings of the classic plant.

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SKU: 271681080

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4.2 ★★★★★
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Tahoeman
Omaha, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
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David R. Papke
Lowell, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Charlottesville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Omaha, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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