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Description
maxi cosi pebble maximum weight Maxi-Cosi Pebble 360 Pro2 Car Seat + FamilyFix 360 Pro BasePebble 360 Pro From the very first day, the Maxi Cosi Pebble 360 Pro prioritises your babys safety and comfort with its full lie flat position, providing maximum sleep comfort. Compatible with the FamilyFix 360 Pro, it combines SlideTech and 360 rotation for easy installation. Uncompromising safety, unmatched comfort, Pebble 360 Pro is there from the start. Safety From day one, the Maxi Cosi Pebble 360 Pro puts your baby's safety first. It meets the
Pebble 360 Pro²
Safety
From day one, the Maxi-Cosi Pebble 360 Pro² puts your baby's safety first. It meets the latest i-Size safety standards and G-CELL Side Impact Protection provides superior protection in the event of side impact collisions. The Pebble 360 Pro² is also TÜV certified for use on an airplane, so your baby can travel safely and securely with you on holiday, in their very own car seat, in all recline positions.
Ease of use
Pebble 360 Pro² is designed to make parents’ lives easier every day. The rotating FamilyFix 360 Pro slide-out base (sold separately) makes it easy to effortlessly rotate and slide your child towards you and put them in any recline position, while ISOFIX connectors and support leg provide the safest, easiest installation in your car. Pebble 360 Pro² can be safely belted into any car without the base, and once outside, it easily attaches to a stroller in one quick click. The easy-in harness stays open and out of the way to help you to fasten your baby in the seat with minimum fuss.
Age-range
The Pebble 360 Pro² isn't just suitable from birth; it also accommodates premature babies, ensuring safe travels from 40 cm up to 87 cm (approx. 18 months). Once your little one outgrows the Pebble 360 Pro², it's possible to switch to the Pearl 360 Pro, which is also compatible with FamilyFix 360 Pro base. Ensuring your toddler, up to 4 years old, continues to experience maximum comfort wherever you go together.
Comfort features
Comfort is at the heart of the Pebble 360 Pro²'s design. It offers a unique full lie-flat position, allowing your baby to experience maximum sleep comfort on every journey, whether in the car or attached to the stroller. ClimaFlow technology ensures your child is always at the comfortable temperature, thanks to ventilation panels, breathable foam, and open, mesh fabrics that enhance air circulation. Its headrest and backrest provide the ideal position for optimal breathing when you’re on the go.
Safety
- G-CELL Side Impact Protection: G-CELL Side Impact Protection provides your child with unrivalled safety, spreading the impact and reducing injuries in the event of a collision.
- i-Size safety: Meets the highest and latest i-Size safety standards (R129/03), offering maximum safety for your child.
- ISOFIX connectors: Integrated ISOFIX connectors ensure your car seat base is safely locked into your car.
Ease of use
- Innovative SlideTech® technology: Our revolutionary sliding car seat technology combines with one-hand 360° rotation to make every day easier for parents. Simply slide, spin and go!
- Easy-in harness: Pebble 360 Pro2 features an easy-in harness that stays open and out of the way, so you can effortlessly get your child in and out of the car.
- Anti-misuse button: Anti-misuse rotation lock gives peace of mind knowing your baby always travels in the rearward-facing position up to 18 months.
- Visual installation feedback: The FamilyFix 360 Pro base has visual indicators that guarantee you install Pebble 360 Pro2 correctly and safely, so you can travel with peace of mind.
- Back-friendly car seat: Certified by AGR, as back-friendly. Lifting your baby in and out of the car has never been this comfortable thanks to SlideTech® technology.
- Ergonomic carry handle: The ergonomic handle lets you carry your baby to and from your car with ease.
- FlexiSpin 360° rotation: Buckling up your baby is made easy and secure with FlexiSpin 360° rotation as they face you directly.
- Machine washable: Does your car seat cover need a bit of freshening up? Wipe it down with a damp cloth, or put it in the washing machine up to 30°C.
Comfort
- Full lie-flat position: Pebble 360 Pro2 reclines into a full lie-flat position in all modes for maximum sleep comfort – in the car or attached to a stroller.
- ClimaFlow for temperature control: Designed with ventilation panels, breathable foam, and comfortable mesh fabrics for enhanced air circulation, ensuring your child stays cosy.
- Extra-large sun canopy: The extra-large sun canopy with UPF 50+ can be adjusted easily and keeps your baby cool even in the blazing sun.
- Newborn inlay: Our newborn inlay keeps your little one comfortable while providing a proper fit and room to grow.
General
- Grows with your child: Designed to grow with your baby, offering lasting functionality from birth (40 cm), with the integrated newborn inlay, up to 18 months (87cm).
- Long-term use: As part of the 360 Pro Family, the Pebble 360 Pro2 can be used from birth up to 18 months. It’s compatible with the FamilyFix 360 Pro base.
- TUV aircraft approved: Pebble 360 Pro2 is TUV aircraft approved, which means it’s allowed to travel with your baby by airplane, in all recline positions.
- Complete 3-in-1 travel system: Transition from street to car with this complete 3-in-1 travel system, including a Maxi-Cosi stroller, carrycot, and Pebble 360 Pro2 baby car seat.
- Eco-friendly production: Eco Care fabrics are produced without the use of hazardous chemicals, meaning that babies' skin is not exposed to any potential risks.
- Sustainable Eco Care fabrics: Made with soft, 100% recycled fabric by re-using plastic bottles.
- Most premium design: Featuring elegant embroidery and detailing, as well as high-performance breathable mesh fabrics with ultra-resistant knitting.
- Organic cotton summer cover: Compatible with our premium, non-dyed summer covers. The breathable Organic Cotton fabric absorbs moisture quicker and provides extra cushioning.
The FamilyFix 360 Pro by Maxi-Cosi represents a significant innovation in the field of child car safety and convenience. Designed to make the lives of parents easier, this car seat base integrates advanced technologies to ensure both safety and ease of use.
Compatibility:
Safety Features:
- The FamilyFix 360 Pro meets the highest i-Size safety standards, ensuring safe travel from birth up to 4 years old.
- It utilizes ISOFIX installation for a secure, quick, and easy setup.
- The base is equipped with visual indicators to confirm correct installation of the car seat.
- A smart anti-misuse rotation lock ensures that the baby remains in the safer rear-facing position until approximately 15 months.
Ease of Use:
- Maxi-Cosi's patented SlideTech® technology allows parents to slide the car seat towards them, making it easier to get the child in and out of the car.
- The FlexiSpin rotation feature enables smooth and easy rotation of the car seat in any recline position with just one hand.
- The system simplifies the process of placing and removing the child from the car seat, reducing the physical strain on parents.
Age Range Compatibility:
- The base is compatible with the Pebble 360 Pro and Pearl 360 Pro car seats, catering to children from birth up to 4 years old.
- The Pebble 360 Pro is designed for infants from birth to approximately 15 months (40-87cm), while the Pearl 360 Pro can be used from 3 months to 4 years old.
- Both car seats are available separately, with the option of a newborn inlay for the Pearl 360 Pro.
Comfort Features:
- The FamilyFix 360 Pro is accredited with the AGR seal of approval, indicating its back-friendly design for both parents and children.
- The SlideTech® technology and FlexiSpin rotation system provide the best possible back support, reducing the physical strain during everyday use.
In summary, the FamilyFix 360 Pro offers a blend of safety, convenience, and comfort for parents and children alike. Its innovative features like SlideTech® technology and FlexiSpin rotation, combined with the highest safety standards, make it a standout choice for family transportation needs.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2025
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY
By Lisa Cron
Reviewed by C J Singh (Berkeley, California)
Excellent Primer on Novel-Writing
In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/
Here's my review of Lisa Cron's "Wired For Story"
"WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft.
Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow.
"Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information.
Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23).
.
"Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own.
Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65)
.
"Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious.
"Story Secret: There's no writing; there's only rewriting" (p 219).
Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow.
"Myth: Write What You Know.
"Reality: Write What You Know EMOTIONALLY" (p 62).
.
"Myth: Sensory Details Bring a Story to Life."
"Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118).
.
"Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying.
"Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152).
Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene.
At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti."
An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 )
WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020
★★★★★ 5
Will reading Wired for Story really make you smarter?
Format: Paperback
In my 36th year as a would-be and penniless writer, I found myself exiled to a dark rough and tumble city in the Far West, guns blazing as a steely-eyed wordslinger for hire. But then one day I stumbled upon Lisa Cron's book Wired for Story.
The book's title had my curiosity. A few sample pages later grabbed my attention and has held it ever since. But the price wasn't right for a poor, humble English teacher living in China upon a Chinese salary. I had bills to pay, a mistress to please, and habits to feed. It seemed to me that Amazon.com was colluding with other dark powers to suck humanity dry; why else would they charge more for a digital book than its paper copy?
But then I heard ghostly voices, the cinematic intonations of Morpheus telling me to choose between the red and blue pill; Obiwan Kenobi, "Use the Force"; Nike commercials, "Just Do It!"; and other such shadows flickering upon the wall of my TV room. Even this very particular retail website seemed to whisper across all the vastness of cyberspace, reminding me of my destiny via a personalized showcase of products, that I was not just born to buy...
So I added it to my cart. About a download and two chapters later I found that I was still happy after the post-purchase buzz ran its course.
This book should be required reading for all writers - and anybody else seeking an inoculation against the raging pandemic of competing narratives spewed out from marketers, pundits, prophets, and others posing as guardians of the truth - most of whom seem to be more enraptured than enlightened.
For writers though, Wired for Story is quite different from other "how to" books, as Lisa Cron approaches the craft of storytelling from a neuroscientific point of view. She makes the case that writers aren't just entertainers: they are some of most powerful shakers and shapers of human perception.
So if storytellers are like snake oil salesmen, then what is the difference? Both seem to be highly skilled in crafting story, using imagery, and evoking emotions, memories, desires. The difference is all about marketing. Salesmen claim to have knowledge, skills, and expertise, that they, and they alone have whatever it takes to get the facts right and fix things. They market their brands cloaked in story, as if they have a monopoly on truth, or at least the can-do spirit and problem-solving experience needed to improve the economy, save the world, whatever. It doesn't matter that time and time again reality proves them wrong; they will always have another story to spin.
The difference between those who would use the power of story to express themselves versus those who would use it for personal gain is, perhaps, a fine red line marking the shadowy borders of between ethics and morality. Storytellers differ because they use words to hook audiences and manipulate a willing reader's central nervous system. They make no claims to knowledge or expertise.
Indeed, fiction writers will be first to emphasize their work is fictional, and not based on any real life events or people. Their best writing leaves readers thinking, questioning, minds opening, empathizing, expanding their worldviews, the list goes on almost ad infinitum. Storytellers speak for themselves and let audiences think for themselves; pundits speak for others and tell audiences what to think.
What's more, the art and craft of story, as well as the talent and hard time in solitary confinement required for their honing, is estimated to take an average storyteller at least 1,000,000 words or 10,000 hours - not including all the reading, language arts development, and life experience necessary to get to a point one needs to seriously embark on such a ludicrous and un-economical vocation.
This means that fiction writers who risk everything for dubious prospects of financial reward must have something else driving them - and a good day job. A presidential candidate though, who has genuinely done the time, and crafts speeches with the skill of a poet or bard, should hypothetically have the critical thinking background, moral authority, and empathy to be a great leader. But in the final analysis, actions contradict words; their ability to spin tales proves the old universal theme that the pen is mightier than the sword.
Now when I finish Wired for Story sometime this week, I will be one step further on this endless quest to actually sell stories for a living (i.e. stories fit for the fiction aisle of an actual bookstore, not a review for an online retailer). Until then, I'm probably just a hypocrite acting as if a single book alone makes a smarter man, when in fact I know little of anything (which is why I became a writer in the first place) -- or maintaining such a humble pretense. But I don't know myself well enough to be certain. That kind of exploration would be a whole other story - but it would be unsafe to say that I lived happily ever after reading this book.
The End
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Reviewed in the United States on October 11, 2012
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