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zz plant scientific name

zz plant scientific name Raven ZZ Plant (Zamioculcas Zamiifolia)

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Description

zz plant scientific name Raven ZZ Plant (Zamioculcas Zamiifolia)A Bold, Dark Beauty Looking for a striking statement plant with minimal care requirements? Meet the Zamioculcas Zamiifolia 'Raven ZZ,' a rare and sought after variety of the ZZ Plant family. Known for its thick, glossy leaves that transition from bright green to deep, purple black, this plant is a showstopper in any collection. The dramatic foliage makes it perfect for modern interiors, especially when paired with other gothic or dark leaf plants like

A Bold, Dark Beauty 🖤

Looking for a striking statement plant with minimal care requirements? Meet the Zamioculcas Zamiifolia 'Raven ZZ,' a rare and sought-after variety of the ZZ Plant family. Known for its thick, glossy leaves that transition from bright green to deep, purple-black, this plant is a showstopper in any collection. The dramatic foliage makes it perfect for modern interiors, especially when paired with other gothic or dark-leaf plants like Philodendrons or Alocasias.

Whether displayed on its own or incorporated into your dark foliage collection, the Raven ZZ Plant is sure to grab attention and spark conversation.


Why Choose the Raven ZZ Plant? 

The Raven ZZ Plant is more than just a decorative piece—it's a hardy, low-maintenance plant that thrives in low-light conditions and tolerates drought like a pro. Thanks to its thick rhizomes, which resemble potatoes, it stores water efficiently, making it a great option for forgetful plant owners.

What makes it stand out?

  • Unique Color Change: Leaves emerge bright green and darken to rich, glossy black as they mature.
  • Virtually Indestructible: Thrives in low light and artificial lighting environments.
  • Drought Tolerant: Can go weeks without water, perfect for busy plant parents.
  • Modern and Gothic Appeal: Pairs beautifully with dark décor and other dark-leafed plants.

Raven ZZ Care Guide 

Light:

The Raven ZZ can handle low light but prefers medium to bright indirect light to grow faster and maintain healthy foliage.

Tip: Avoid direct sunlight, as it can scorch the leaves.

Water:

This plant is drought-tolerant. Allow the soil to dry out completely between waterings.
Overwatering is the most common issue with ZZ Plants, so when in doubt — wait!

Soil:

Use a well-draining potting mix to prevent root rot. A blend for succulents or cacti works well.

Humidity & Temperature:

The Raven ZZ is highly adaptable to most indoor environments.

  • Humidity: Low to medium (no extra humidity needed).
  • Temperature: Prefers 60-75°F. Keep away from cold drafts.

Pruning:

Prune to remove yellowing or dead leaves and control growth. Regular trimming keeps the plant looking tidy and encourages new shoots.

Feeding:

Feed with a balanced liquid fertilizer once a month during spring and summer.
Skip feeding in fall and winter when the plant's growth slows down.

Propagation:

Propagate the Raven ZZ by dividing rhizomes, leaf cuttings, or stem cuttings.
It’s a slow grower, but with patience, you can easily create new plants.

What Makes the Raven ZZ Unique? 

The Raven ZZ Plant is a rare twist on the classic ZZ Plant, offering striking, black foliage that stands out from other common houseplants. Unlike traditional ZZ Plants, which stay green, the Raven ZZ’s leaves change color as they mature, creating a dramatic green-to-black gradient effect.

Comparison with Common ZZ Plant Varieties

Variety Leaf Color Unique Feature
Classic ZZ Plant Glossy green Drought-tolerant, low-maintenance
Raven ZZ Plant Green to purple-black Unique color change, rare variety
Zenzi ZZ Plant Dark green, compact Smaller, bushier growth habit

Fun Fact:

The Raven ZZ is part of the Zamioculcas Zamiifolia family, native to East Africa, where it has evolved to survive drought conditions by storing water in its thick rhizomes. The plant’s ability to thrive in low-light environments makes it a popular choice for homes and offices worldwide.


Styling Ideas:

  • Pair with white planters to emphasize its dark foliage.
  • Use as a statement plant on shelves or side tables.
  • Combine with other dark or gothic plants for a dramatic, modern look.

🛒 Shop the Raven ZZ Plant at Ed’s Plant Shop

Looking for a rare and resilient plant that makes a statement? The Zamioculcas Zamiifolia 'Raven ZZ' is the perfect addition to your collection. Shop now at edsplantshop.com to bring home this stunning black-leaf beauty!

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SKU: 30578723393

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David R. Papke
Alexandria, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Belleville, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Chelsea, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Louisville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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