SKU: 39353680376
t5 grow lights for indoor plants

t5 grow lights for indoor plants 10Pcs 1/2/3/4 feet LED Tube T5 Grow Light Red/Blue Spectrum (R:B=5:1) Clear Lens for Indoor Plant Veg and Flower Hydroponic Greenhouse Growing Bar

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Description

t5 grow lights for indoor plants 10Pcs 1/2/3/4 feet LED Tube T5 Grow Light Red/Blue Spectrum (R:B=5:1) Clear Lens for Indoor Plant Veg and Flower Hydroponic Greenhouse Growing BarProduct Notice *Blue(wavelength: 460nm) & Red(wavelength: 660nm) *Red Blue Spectrum(R: B=5: 1) *Made with Aluminum and PC, no glass. *Transparent lens with better light transmittance *Dual End power feed *Ballast by pass *Base Type: G13 Bi pin *Non dimmable indoor use Tube Dimension Length Wattage Dimension 1feet 2feet 6W 10W L296mm,W23mm, H35mm L590mm,W23mm,H35mm 3feet 15W L875mm, W23mm,H35mm 4feet 18W L1178mm,W23mm,H35mm Different RED: BLUE Ratio

 

Product Notice

*Blue(wavelength: 460nm) & Red(wavelength: 660nm) 
*Red/Blue Spectrum(R:B=5:1)
*Made with Aluminum and PC, no glass.
*Transparent lens with better light transmittance
*Dual-End power feed
*Ballast by-pass
*Base Type: G13 Bi-pin
*Non-dimmable indoor use

Tube Dimension

Length Wattage

Dimension

1feet

2feet

6W

10W

L296mm,W23mm, H35mm

L590mm,W23mm,H35mm

3feet 15W L875mm, W23mm,H35mm
4feet 18W L1178mm,W23mm,H35mm

 

Different RED: BLUE Ratio


The PHOTOSYNTHESIS absorb the light with wavelength ranged in 380nm-760nm, among which the 610-720 nm and 400-510 nm are the absorption peak area.

 The 660nm deep red and 460nm blue LED light combination will give plant suitable growth light. The combination will visually produce pink light.

 The Blue wavelengths encourage vegetative growth and are essential in lighting for seedlings and young plants during the vegetative stage of their growth cycle, especially when “stretching” must be reduced or eliminated. It also stimulates the production of secondary pigments which can enhance colors and is known to also stimulate Terpene (i.e. fragrance) production.

The Red light affects phytochrome reversibility and is the most important for flowering and fruiting regulation. These wavelengths encourage stem growth, flowering and fruit production, and chlorophyll production. The 660nm wavelength has a very strong photosynthetic action and also exhibits the highest action on red-absorbing phytochrome regulated germination, flowering, and other processes. Most effective for light cycle extension or night interruption to induce flowering of long-day plants or to prevent flowering of short-day plants.

For different plants can adjust the RED: BLUE rate to get the most proper light for the plants.

The light RED: BLUE rated at 3:1, 4:1, 5:1 are good to accelerate the growth of leaf, for plant-like Cabbage, Lettuce, Spinach and so on.

The light RED: BLUE rated at 5:1, 6:1 is good for the plant that needs light fill in the whole growth period, like the Leaf Succulent.

The light RED: BLUE rated at 7:1, 8:1, 9:1 are good to accelerate the growth of root, for plant-like Eggplant, Tomato, Long Bean, Color Pepper, Cucumber and so on.

Tips for Installation:

* The height of the luminaire from the plant
4-9 Watt: Between 30-70cm, ensure covering all plants with light.
9-18 Watt: Between 50-100cm, ensure covering all plants with light.

* Reference fill time
It is recommended to add 12-14 hours of light a day. It can be flexibly determined by the plan growth phase to determine the time of the light.

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SKU: 39353680376

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David R. Papke
San Leandro, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Carnegie, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Waukegan, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Alexandria, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Whiting, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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