SKU: 405584470
melissa lilac lavender plants

melissa lilac lavender plants Melissa Lilac Lavender Plants (Potted / P9 (9cm Pot))

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Description

melissa lilac lavender plants Melissa Lilac Lavender Plants (Potted / P9 (9cm Pot))Variety: Melissa Lilac Species: Lavandula angustifolia (English lavender) Colour: Lilac pink softer and more muted than Hidcote, warmer than Munstead Foliage: Evergreen, aromatic, grey green with a slightly broader leaf than most English lavenders Height: 5070cm (2028in) Spread: 5060cm Flowering: June to July, in line with other English lavenders Scent: Sweet, clean English lavender scent good for drying and cooking, without the camphor edge of Dutch

  • Variety: Melissa Lilac
  • Species: Lavandula angustifolia (English lavender)
  • Colour: Lilac-pink — softer and more muted than Hidcote, warmer than Munstead
  • Foliage: Evergreen, aromatic, grey-green with a slightly broader leaf than most English lavenders
  • Height: 50–70cm (20–28in)
  • Spread: 50–60cm
  • Flowering: June to July, in line with other English lavenders
  • Scent: Sweet, clean English lavender scent — good for drying and cooking, without the camphor edge of Dutch varieties
  • Hardiness: Fully hardy throughout the UK
  • RHS AGM: No
  • Introduced: A named selection of Lavandula angustifolia, bred for its lilac-pink flower colour
  • Sold as: Pot-grown plants (P9 available depending on season)
  • Plant outdoors: From late April onwards. May is safer for exposed or northern gardens
  • Delivered: From April/May, weather dependent

Melissa Lilac — The Colour That Fills the Gap

Most lavender borders come down to a choice between purple and white. Melissa Lilac sits in neither camp. The flowers are a warm lilac-pink — not quite the blush of Rosea and nowhere near the saturated purple of Hidcote, but something in between that looks unexpectedly good next to both. The colour is hard to pin down in photographs. In full sun it reads as a clean lilac; on overcast days (so, most of June) it takes on a slightly warmer, almost dusty pink tone. That variability is part of its character.

As a plant, Melissa Lilac behaves like a well-mannered English lavender. It forms a neat, rounded mound of grey-green foliage and sends up flower spikes from early June, typically finishing by late July. The spikes are a touch taller than Hidcote's and held at a slight angle, giving the whole plant a looser, more relaxed habit. It is not floppy — just less regimental. The scent is pure English lavender: sweet, floral, low in camphor, and perfectly good for drying or adding to baking. By the way, in our experience the scent is a fraction lighter than Munstead's, but Mrs Ashridge insists this depends on how warm the day is when you bury your nose in it, so we will leave that argument there.

A Lavender for People Bored of Purple

There is nothing wrong with purple lavender. We sell thousands of Hidcote every year and it deserves its reputation. But if every border on your street already has a line of deep blue-purple, Melissa Lilac offers something different without requiring a different approach. Same soil (free-draining, not too rich), same position (full sun), same pruning regime. The only change is the colour, and it is a colour that works in planting schemes where strong purple would fight with neighbouring plants. Pale roses, silver Artemisia, white Erigeron — Melissa Lilac sits alongside all of them without visual conflict. Purple lavender next to a salmon-pink rose can look a bit uneasy. This one does not.

We should be honest: Melissa Lilac does not have the visual punch of Hidcote from thirty metres away. If you want lavender that announces itself across the garden, go darker. Melissa Lilac rewards you at close range — along a path, beside a doorway, in a pot by a bench where you actually sit.

Planting Companions

A row of Melissa Lilac in front of Grosso gives you a soft lilac foreground with taller blue-purple spikes rising behind — the height difference is enough to read clearly. Try it with Arctic Snow for a hedge that alternates between lilac-pink and white, planted at around 33cm apart for each variety. Stachys byzantina (lamb's ears) makes an excellent ground-level companion — the silver-white felted leaves pick up the grey in the lavender foliage. Common rosemary alongside Melissa Lilac gives you a Mediterranean border where both plants want the same poor, sunny conditions and neither needs much attention beyond an annual trim. Nepeta (catmint) is the obvious pairing and, predictable as it is, the two together look good.

Why Buy from Ashridge?

Your Melissa Lilac lavender is grown right here in the UK and dispatched when soil temperatures make planting sensible — not before. We deliver by next-day courier, every plant is guaranteed, and if anything arrives looking less than healthy, our team of real gardeners here in Somerset will sort it out. Browse our full lavender collection or just the English lavenders if you know that is what you are after. We hold a Feefo Platinum Service Award, which means our customers keep saying nice things about us — and we keep trying to deserve it.

Frequently Asked Questions

Our guide to growing lavender covers the full picture. Here are the questions we hear most about Melissa Lilac.

What is the best lavender for bees and pollinators?

All lavenders attract pollinators, but English lavenders like Melissa Lilac are among the best because their open flower structure makes the nectar accessible. Bumblebees in particular seem to prefer English varieties over French types, though honeybees are less fussy. In terms of sheer bee traffic, we have noticed that lighter-coloured flowers sometimes attract more hoverflies as well — whether that is the colour or a coincidence, we cannot say for certain. Plant in full sun and the bees will find it.

Can lavender grow in clay soil?

With effort, yes. Without effort, probably not for long. Lavender needs drainage above almost everything else, and heavy clay holds water around the roots through winter, which is when most lavender plants die. The fix is to dig in plenty of grit — horticultural grit, not sand — and mound the planting area slightly so water drains away from the crown. On really sticky clay, a raised bed with added gravel is a more reliable option. Melissa Lilac is no more or less tolerant of clay than other English lavenders, so do not expect any special resilience here.

Is lavender deer resistant?

Almost entirely, yes. Deer dislike aromatic plants and lavender is high on the list of things they tend to leave alone. Rabbits are a bigger problem — young plants can be nibbled back, especially in hard winters when there is less else available. Established plants with woody stems are usually left alone. We would not guarantee it (deer and rabbits cannot read plant labels), but lavender is about as safe a bet as you will find.

Can I grow lavender from cuttings?

Certainly. Semi-ripe cuttings taken in late summer (August or early September) root well in a gritty compost. Take shoots about 10cm long from non-flowering stems, strip the lower leaves, dip in rooting hormone if you have it, and push them into a pot of half perlite, half compost. Keep them in a sheltered spot — a cold frame is ideal — and most should have rooted by the following spring. Melissa Lilac roots as readily as any English lavender. The plants will be small in their first year, so do not expect flowers until the second summer.

How do I stop lavender going woody?

Annual pruning. That is really the whole answer. After flowering finishes — typically late July or August for Melissa Lilac — cut back all the spent flower stems and about a third of the current season's leafy growth. The key rule is never cut into the bare wood below the green growth, because English lavender will not regenerate from old wood. A second, lighter trim in April tidies up any winter damage. Miss the annual prune for two or three years and the plant becomes leggy and bare at the base, and at that point there is no bringing it back. Our pruning guide shows the technique in a short video.

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Lisa Mitchell, MFT, ATR
New York, US
★★★★★ 5
A letter of Gratitude to Irv Yalom for Creatures of a Day.
Format: Hardcover
Dear Irv Yalom, This letter is a declaration of gratitude for your newly published book, Creatures of a Day, and the artful legacy you’ve bestowed upon the field of psychotherapy. In the era of fast technology and mass production, your attention to relationship and the handcrafted nature of therapy is a life line. In all of your 50 years as a psychotherapist, you didn’t sell out for clinical blueprints and formulaic approaches. Instead, you opted to stay true to what you knew--the here and now, the importance of the therapeutic relationship, and your own internal thoughts and experiences as essential elements for your work with clients. Creatures of a Day waves a flag and asks us to take notice. It invites us back into the mystery of our work and reminds us to celebrate our humanness. Your masterful story telling allows us to see you and your clients in action, mistakes and vulnerabilities included, and shares pivotal moments that will provoke thoughtful learning for generations of therapists. So thank you for this. You show us your mistakes You see, your books (especially Love’s Executioner and Creatures of a Day) let us into your thoughts and experiences. We get to hear you talk to yourself and occasionally grapple with doubt. We get to know your own vulnerabilities and how they influence your therapeutic relationships. This is such a rare view. And I am hungry for it. There are too few books, too few videos, and fewer workshops or trainings that offer this kind of perspective for therapists. We don’t get to see masters make mistakes. We don’t get to hear supervisors or consultants narrate their doubts. So, I consider your book an invitation to write about my own similar encounters in my work. And to continue to make this kind of conversation central to my trainings and retreats for therapists. Thank you for the inspiration and the permission. You offer central themes and an individualized perspective As a collection of psychotherapy tales, I think of Creatures of a Day as a series. Like a series of paintings that are created around central themes, your tales invite us to look at the existential themes of aging, death, and connectedness. And, just like a painting series, each reader will take with them a message that is individualized and of unique importance to him/her. In this way, you are truly exhibiting your art as a writer and a psychotherapist. In Creatures of a Day, two patients read the same book and take from it a very different, but beautifully applicable, message. A nurse perceives the angry words she hissed to her dying patient completely opposite of the way in which they were received by the woman she was treating. And a case that you filed away as a blunder turns out to have been a life changer that is only revealed about a decade or so later. This is a reminder to me that while we can’t predict how our art is received, we can in fact commit to creating and collaborating in the very best way we can. You invite humanness and the art of relationship I’d like to let you know that in addition to the invitation to write about my experience as a therapist, I welcome your permission to be human with my clients. And, with that comes a renewed dedication to knowing and experiencing what being human is for me. This means deepening my relationship with my art, continuing my work in therapy, and showing up with the same honesty and openness that you let us see in your book. You make risk a good thing You ask your patients to risk and use this in as a very important subject during the course of treatment. You take several risks in Creatures of a Day, and show us that risks are a vital part of being an authentic and real therapist. You show us that in your work you are just being honest and attending to your experience and the client’s experience. In fact it is more risky to be untruthful or hide than it is to show up and attend the the relationship. You inspire me I won’t stop practicing. You inspire me to continue to write about my own work. And in my own small way, carry your legacy forward. Once again, thank you for your guidance, your influence, and your legacy. Lisa Mitchell, MFT, ATR, LPC www.innercanvas.com
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Reviewed in the United States on March 31, 2015
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Coleman Family
Port Orchard, US
★★★★★ 5
Short book, big recommendation!
Format: Hardcover
Great book, smooth read that is not overly technical for those who aren't therapists themselves. Examines large existential questions in a digestible format with each chapter being a different real world story. Highly recommend.
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Reviewed in the United States on April 6, 2026
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Lee M Vance
Los Angeles, US
★★★★★ 4
Yalom as always, but fizzing out.
Format: Hardcover
When entering the field of psychology, I was first introduced to Yalom. As I look back on my early career, I realize that he has influenced my thinking more than I'd like to admit. His focus on relationships and death anxiety are central in this work, as they were in the past. You get a real sense of how he works and we are invited into the intimate and sacred corners of his office and his mind. However, his depth - his use of metaphors and his robust explanations are declining. He is still a profound and articulate writer but I have noticed a drop off in his writing that began with the Spinoza Problem and continues here. Ironically, Yalom is fading, his writing abilities are dying - which makes his own wrestling with his mortality even more visceral to me as a reader. I continue to be thankful for his insight and work.
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Reviewed in the United States on August 8, 2015
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MaryB
Fort Morgan, US
★★★★★ 5
Another great book by an exceptional writer and story teller.
Format: Hardcover
One day I was strolling through a bookstore and saw a novel by Irvin Yalom titled "Lying on the Couch". The fact that it was written by a psychiatrist with a private practice who was also a professor at Stanford University intrigued me. I wasn't expecting much from the book other than a light read but to my (delightful) surprise, the story had great depth and Dr. Yalom proved to be an excellent writer and story teller. So much so, that I have since read every book he's written. You don't have to be a student of therapy or a therapist to appreciate this book or any other by Dr. Yalom. His writing speaks to everyone and leaves everyone with a gift of personal insight. There are many good writers but only a few great ones. Dr. Yalom is among the greats. He is wise, humble, and deeply honest about his own struggles with the big questions in life. If you haven't met Dr. Yalom, I urge you to read any one of his books. You won't be disappointed!
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Reviewed in the United States on March 7, 2015
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L. Daniels
Charlottesville, US
★★★★★ 5
Don't miss out!
Format: Kindle
Though I knew of Irvin Yalom's books, I somehow missed reading any of them before, during or after my licensure as a mental health professional. "Creatures of a Day" is my first Yalom book, but with certainty, I can say that it won't be my last. For if his previous books are half as good as this one... they'll all be worth reading. Creatures of a Day contains ten "portraits" of clients and Yalom's work with them. Portraits is the right word since the descriptions are so vivid and compelling that one might actually feel they're in the room watching Yalom and the clients do the dance of therapy. The topics of death and meaning in life connect the stories as one might expect from a humanist/existentialist therapist. More than one of the stories were sadly sweet and brought tears to my eyes as I read... yet I could not put down the book and read it within just a few sessions. As a therapist, who also eschews diagnosis and manualized treatments, seeing a master therapist at work was invaluable. And surprisingly, Yalom doesn't gloss over the "mistakes" he makes or focus only on his expertise. This book more than anything shows the power of moments that matter, the healing connection that can happen when one person fully meets another where they're at. All therapists should read this book, but it shouldn't be limited to professionals. Everyone will relate to these stories and the people they depict so humanly well... Don't miss out on Yalom's work, especially "Creatures of a Day."
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Reviewed in the United States on March 3, 2015

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