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Description
rectangle potted plants Small Size Rectangle Planter Box for Outdoor/Indoor 25”Lx11”Wx13”H 26l – Wallowa DesignOverview METAL PLANT BOX: This planter box is made from a fully seam welded thick galvanized steel, and adopts outdoor special baking paint, giving the surface a premium metallic color and special texture through advanced powder injection process. GARDEN DECOR: This gorgeous large planter box is suitable for garden decoration with its stylish design and sturdy construction. It can also be used to decorate the entrance, front porch, balcony, patio,
Overview
- METAL PLANT BOX: This planter box is made from a fully seam welded thick galvanized steel, and adopts outdoor special baking paint, giving the surface a premium metallic color and special texture through advanced powder injection process.
- GARDEN DECOR: This gorgeous large planter box is suitable for garden decoration with its stylish design and sturdy construction. It can also be used to decorate the entrance, front porch, balcony, patio, deck or indoor hall with its modern appeal.
- BOTTOM DRAIN HOLE: This plant container has a drainage hole with a sealing plug at the bottom, which can be opened for drainage. Tips: If the bottom sealing plug is opened, the soil colored water flows out of the drainage hole, it may dirty the floor.
- WEATHER RESISTANT: This plant container is designed to withstand any kind of weather. The salt spray resistance time of the flowerpot surface can reach 400 hours.
- CUSTOMER SERVICE: Any questions please feel free to contact with us, our customer service team will response quickly. If there is any part missing or damaged during shipping, please contact us first, we will solve the problem as soon as possible.
Shipping & Returns
- Free shipping: 48 states/province in the United States offers free delivery services. Our partnered carrier is FedEx. Once your order is shipped, we will send you an email with the corresponding information. Please allow 1-2 business days for tracking information to be available. Usually, your package will be delivered within 5-7 days. and it will be delayed to within 48-72h during the certain holiday.
- Returns: We have a 30-day return policy, which means you have 30 days after receiving your item to request a return. To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase. Please note that returns will need to be sent to the following address:Wallowa Warehouse,13500 Marlay Ave,Fontana, CA 92337 US
- Notice: Items sent back to us without first requesting a return will not be accepted. If your return request is accepted, we’ll send you a prepaid return shipping label, as well as instructions on how and where to send your package. We will not bear the return shipping costs for items returned without applying for a return.
FAQ
- Q: Is the shelf adjustable to different heights?
- A: The inserted shelf is not adjustable.
- Q: Will the planter rust and stain the wood below?
- A: Our planter box has an outdoor baking paint surface that is UV resistant and rust resistant. If the surface paint layer is not damaged, it will not rust or produce rust stains.
- Q: Does this planter box have drainage holes?
- A: Our planter boxes have drainage holes at the bottom and middle partition, and the bottom drainage holes have silicone sealing plugs.
- Q: What material are your planter boxes made of?
- A: Our metal planter is made of high-quality galvanized sheets, and the surface is painted with outdoor special baking paint.
- Q: Can I pour soil directly into the box and plant the plants in it?
- A: There are drainage holes at the bottom of the planter so plants can be planted directly into it. However, the surface temperature of this metal box is very high under direct sunlight in summer, making it unsuitable for some plants.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.0 ★★★★★
Based on 1409 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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