SKU: 61218446555
uppababy bassinet adapter for cruz

uppababy bassinet adapter for cruz UPPAbaby

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Description

uppababy bassinet adapter for cruz UPPAbabyby UPPAbaby Babesta Pick Best Full Size Single Stroller for NYC Families Category: Full size strollers Single strollers Travel systems Birth to toddler strollers Certifications: GREENGUARD Gold JPMA Certified REACH certified leather Warranty: 3 year transferable The UPPAbaby Cruz V3 is a 26. 5 lb full size single stroller suitable from birth (with the included infant insert) to 50 lbs. Its fully reversible, lay flat seat, 4 position one hand recline,

by UPPAbaby  |  Babesta Pick — Best Full-Size Single Stroller for NYC Families

Category: Full-size strollers  |  Single strollers  |  Travel systems  |  Birth-to-toddler strollers

Certifications: GREENGUARD® Gold  |  JPMA Certified  |  REACH-certified leather

Warranty: 3-year transferable

The UPPAbaby Cruz V3 is a 26.5 lb full-size single stroller suitable from birth (with the included infant insert) to 50 lbs. Its fully reversible, lay-flat seat, 4-position one-hand recline, integrated foot barrier for carriage mode, and magnetic harness buckle make it one of the most genuinely newborn-ready full-size strollers on the market — no separate bassinet required for the first weeks. As NYC’s expert baby boutique, Babesta considers the Cruz V3 the sweet spot for families who want full-size quality and a premium push without the bulk of a modular platform stroller.

The Cruz V3 is the ideal pick for first-time parents expecting one child who want a stroller that works from the hospital through preschool, delivers a smooth ride on NYC sidewalks, and still folds compactly enough for a car trunk or elevator lobby. If you’re planning to expand to two or more children in a single stroller, consider the UPPAbaby Vista V3 instead.

 

Specifications

Stroller weight (frame + seat)

26.5 lbs

Frame weight only

17 lbs

Seat weight only

9.5 lbs

Unfolded dimensions

37.5″ L × 22.5″ W × 41.8″ H

Folded dimensions (with seat)

17.5″ L × 22.5″ W × 33″ H

Folded dimensions (without seat)

13.5″ L × 22.5″ W × 30″ H

Fold type

One-step trigger fold; footrest and bumper bar tuck in automatically; self-standing

Suitable from birth?

Yes — with included infant insert in lay-flat reclined seat + integrated foot barrier

Suitable without accessories?

From birth with infant insert; up to 50 lbs

Max child weight

50 lbs (approx. age 4–5)

Basket weight capacity

30 lbs — extra-large, easy-access

Seat orientation

Reversible: forward-facing or parent-facing

Seat recline positions

4 positions, one-hand adjustment; full lay-flat for sleep

Leg rest

Adjustable with one hand

Handlebar

Telescoping, one-hand height adjustment; REACH-certified leather grip

Suspension

Enhanced FlexRide™ — all-wheel, frame-integrated for smooth city ride

Tires

Never-flat polyurethane; front wheel lock with visual indicator; reflective accents for low-light visibility

Canopy

UPF 50+ water-repellent; integrated sun shield; zip-out extension; mesh ventilation panels

Harness

5-point with magnetic buckle; infant-to-toddler tapered fit; no-rethread adjustment

Frame material

Durable aluminum; painted finish

Seat fabric

100% polyester; GREENGUARD® Gold certified; premium fabrics with leather details

Certifications

GREENGUARD® Gold; JPMA certified; REACH-certified leather

Warranty

3-year transferable

Included in box

Stroller, infant insert, bug shield, rain shield

 

Best For / Not For

Best For: First-time parents planning on one child, families who want a full-size premium push without a modular platform, parents building a UPPAbaby travel system with the Mesa or Aria infant car seat, elevator-building NYC residents, and anyone who needs a newborn-ready stroller without buying a separate bassinet. Also strong for parents who walk long distances daily and need a stroller that handles NYC sidewalks and park terrain comfortably.

Not For: Families planning to convert to a double stroller (choose the Vista V3 instead), parents in walkup buildings who need a carry-up stroller (the Joolz Aer2 is better for that), or parents who need an airplane-overhead-bin stroller. At 26.5 lbs it is a daily city stroller, not a travel stroller.

Available Colors & Pricing

Colors

Jake (black), Callum (blue), Greyson (charcoal), Evelyn, Julian, Owen, Savannah (white/grey), Ada — all $899.99

Frame options

Graphite or Carbon (matte) — matched per colorway

Availability

Most colors in stock at Babesta; allow 2–3 weeks for order fulfillment

 

Is it suitable for my baby's age?

Newborn (0–3 months)

Yes — seat reclines fully flat with included infant insert and integrated foot barrier for carriage mode. No separate bassinet required for newborn use (though the V3 Bassinet is available separately for maximum lie-flat comfort).

Infant (3–12 months)

Yes — seat reclined or semi-reclined, infant insert still in use, compatible with Mesa or Aria infant car seat for travel system use.

Toddler (1–4 years)

Yes — forward or parent-facing, 4-position one-hand recline, adjustable leg rest, magnetic harness, up to 50 lbs.

 

Is it good for NYC / city use?

Yes — the Cruz V3 is one of Babesta’s strongest recommendations for NYC parents who stroll daily. The Enhanced FlexRide suspension handles cracked sidewalks and dropped curbs better than most full-size strollers, and the never-flat tires mean no emergency trips to get a flat fixed mid-walk. The one-step fold is quick and intuitive; the footrest and bumper bar tuck in automatically so there are no extra steps when you’re managing a baby and a cab door at the same time.

The 22.5″ width is notably narrower than the Vista V3 (25.7″), which matters in NYC: restaurant aisles, elevator doors, and narrow hallway entries are all more manageable. The 30 lb basket is best-in-class for a single stroller and handles a full grocery bag without issue.

NYC note: The Cruz V3 folds compactly and self-stands, but it is not a subway-carry stroller. It works best for families with a car, a building elevator, or a ground-floor entrance. For subway-heavy days, many Cruz V3 families pair it with a lightweight like the Joolz Aer2.

 

Quick Comparison: Cruz V3 vs. Key Alternatives

Feature

Cruz V3

Vista V3

Joolz Aer2

Dragonfly

Weight

26.5 lbs

27.6 lbs

14.3 lbs

With seat 21.8 lbs; with bassinet 23.1lbs

Basket capacity

30 lbs

30 lbs

17.6 lbs

22 lbs; rear pocket 5lbs

Newborn-ready (no extra purchase)

Yes — incl. infant insert

No

Yes — incl. baby net

Yes when purchased with bassinet

Converts to double

No

Yes

No

No

Subway/walkup friendly

Manageable

Harder

Best in class

Good

 

Car Seat Compatibility

No adapter needed

UPPAbaby Mesa, UPPAbaby Aria

Adapter required (sold separately)

Clek, Cybex, Bugaboo x Nuna

Bassinet compatible?

Yes — UPPAbaby Cruz V3 Bassinet attaches directly; sold separately

 

What’s Included

       UPPAbaby Cruz V3 stroller frame

       Full-size reversible toddler seat with lay-flat recline

       Infant insert (for newborn use from birth)

       Bug shield

       Rain shield

       3-year transferable warranty

 

Optional Add-Ons Available at Babesta

       UPPAbaby Cruz V3 Bassinet — for full lie-flat newborn use; attaches directly without adapters (strongly recommended for 0–3 months)

       UPPAbaby Mesa Infant Car Seat — clicks in without adapters for instant travel system

       UPPAbaby Aria Infant Car Seat — clicks in without adapters

       Car seat adapters for Clek, Cybex, Bugaboo x Nuna, Chicco, Maxi-Cosi, Peg Perego (sold separately per brand)

       PiggyBack® Ride-Along Board — for an older sibling standing at the back

       Cozy Ganoosh — footmuff/sleeping bag for cold NYC winters

       Cup holder and parent organizer accessories

 

Babesta Pick — Why We Carry It

The Cruz V3 solves a problem that a lot of NYC first-time parents don’t anticipate: the other premium single strollers in this price range either require you to buy a separate bassinet for newborn use, or they’re so light that the ride quality suffers on cracked sidewalks. The Cruz V3 does neither. The included infant insert plus the lay-flat seat means you genuinely can take it home from the hospital. The FlexRide suspension means the push is smooth enough that you’ll want to keep strolling — which in NYC, where parents walk miles a day, is not a small thing.

We’ve also found that the magnetic harness buckle is one of those features that sounds like marketing until you’ve wrestled a squirming 18-month-old into a conventional buckle in the rain outside a restaurant. After that, you will never want a non-magnetic buckle again.

The one trade-off we are honest about: if there’s any chance you’ll want a double stroller, the Cruz V3 cannot convert. In that case, the Vista V3 at the same $899.99 price is the smarter long-term investment. But for the family that is confident in one child and wants the best single full-size stroller in the UPPAbaby lineup, the Cruz V3 is it.

 

Babesta Services on This Purchase

When you buy the Cruz V3 from Babesta, you get:

       Free in-store assembly and full stroller demo — we walk you through every fold, recline, and harness adjustment

       Home delivery below Canal Street NYC (assembled) and same-day courier delivery in NYC/Brooklyn (unassembled)

       Hold it until you’re ready — buy now, take delivery when baby arrives, no rush

       Price match guarantee — found it cheaper? We’ll match it

       Registry support — add the Cruz V3 and compatible accessories to your Babesta registry with expert guidance

 

Frequently Asked Questions

Can I use this stroller from birth without buying a bassinet?

Yes — the Cruz V3 is one of the only full-size strollers at this price point that is genuinely newborn-ready out of the box. The included infant insert, combined with the seat’s full lay-flat recline and integrated foot barrier, creates a carriage-mode position suitable from day one. That said, Babesta does recommend the separately sold UPPAbaby Cruz Bassinet for the first 3 months if you want true lie-flat comfort and a fully enclosed sleep environment.

What is the difference between the Cruz V3 and the Vista V3?

Both share the same FlexRide suspension, magnetic harness, canopy quality, and 30 lb basket. The key differences: the Cruz V3 is a single-only stroller (it cannot convert to a double), is 2 lbs lighter (26.5 vs. 27.6 lbs), and is 2.9″ narrower (22.8″ vs. 25.7″). The Vista V3 can expand to a double or triple stroller with accessories. If you might have a second child, choose the Vista V3. If you’re confident in one child and want a slightly lighter, narrower, more streamlined stroller, choose the Cruz V3. Babesta’s team can walk you through this decision in person.

Which infant car seats are compatible without adapters?

The UPPAbaby Mesa and UPPAbaby Aria click directly onto the Cruz V3 frame with no adapters needed, creating a seamless travel system. For Clek, Cybex, Bugaboo x Nuna, Chicco, Maxi-Cosi, and Peg Perego, brand-specific adapters are sold separately. Ask the Babesta team for the right adapter for your car seat brand.

Does the bassinet come included?

No — the UPPAbaby V3 Bassinet is sold separately. It attaches directly to the Cruz V3 frame without adapters. Babesta recommends it for the first 3 months, particularly for parents who want a dedicated sleep-safe lie-flat environment for their newborn.

Is it good for Central Park and outdoor walks?

Yes — the FlexRide suspension and never-flat tires handle grass, gravel, and mixed terrain well for everyday park use. The Cruz V3 is not a jogging stroller. For trail or beach use, stick to paved or packed surfaces.

Can I try it in person?

Yes — the Cruz V3 is on the floor at Babesta Tribeca, 56 Warren Street. Our team will walk you through the fold, the infant insert setup, the recline positions, and — if relevant — the side-by-side difference with the Vista V3 so you can decide between them confidently.

Can I put this on my baby registry?

Yes — the Cruz V3 is a top registry pick at Babesta. A Babesta registry comes with exclusive perks and services, and our team can advise on which accessories to register for from day one versus which ones to wait on based on your lifestyle.

Does it fit through a standard NYC doorway?

Yes — at 22.8″ wide, the Cruz V3 passes through standard 28″–32″ interior doorways, elevator doors, and most restaurant and retail aisles without issue. It is one of the narrower full-size strollers in its class.

Shipping Notes
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4.7 ★★★★★
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SciFi-Kaiju-Guy
Whiting, US
★★★★★ 5
Ruthless, nail-biting action thriller from "Exorcist" director William Friedkin.
BOTTOM LINE: If you enjoy tension & suspense then you'll be hard-pressed to find a better experience than SORCERER. I loved it and feel it has a high replay value that offsets the discouraging lack of bonus features. 5 STARS THE STORY: Four shady criminals from various countries are on the run from trouble. Each eventually ends up in the desolate backwards village of Vera Cruz, deep in the South American jungle. Arriving there illegally, none of the strangers possess proper documentation with which to leave once the heat is off. They are trapped, and the only work in the village is at a nearby oil drilling site. When saboteurs blow the rig up the oil company must quickly put it out & recap the well, to maintain its profitability. The explosives needed to blow out the raging fire are stored at the company headquarters - some 200 miles away. Complicating matters further, the TNT has become dangerously unstable due to improper storage conditions, so it cannot be flown to the site but must instead be delivered overland by truck. Knowing the danger, the company agrees to pay $10,000 each for drivers willing to tackle the high risk job. Desperate to earn the much-needed money with which to buy their way to freedom, all four criminals volunteer. Though in essence a suicide mission, each man has no choice if he hopes to leave the village and get on with his life. Who will make it? THOUGHTS: Released a week after the first STAR WARS, and sadly lost in the shuffle, SORCERER is a terrific film. Maybe director William Friedkin's very best. Yes, it is a thinly-veiled re-working of the classic French thriller THE WAGES OF FEAR but don't let that deter you. In many ways Friedkin's adaption is superior. JAWS alumni Roy Scheider is terrific here as a seedy driver for a mob hit gone terribly wrong and the other actors are equally adept in their roles. SORCERER is beautifully photographed and tightly edited for maximum tension. Completely done practically and on actual locations, (being shot back before the advent of CGI and wirework), the action set pieces are among THE MOST intense & nerve-wracking I have EVER seen on film. Period. The rope bridge scene? Two words: Holy crap. I was literally on the edge of my seat throughout the entire sequence, my heart thumping and my hands clutching the arms of my chair in a death grip. If this scene doesn't make you break out in a cold sweat and get your pulse pounding then you might want to check with your doctor because you're probably dead. This sequence alone makes the purchase of SORCERER completely justified. I feel the first half of the film could have been tightened up some, as it spends the first 45 minutes or so setting everything up, but taking it for what it is it's worth the wait because the last half will have you gasping in disbelief, jumping in your seat and chewing your nails right down to the first knuckle. Simply great stuff. I only regret that I hadn't discovered SORCERER before now, but what a fantastic find. THE BLU-RAY: In a word... magnificent. The remaster for SORCERER is an audio & visual triumph. This is THE version to own. While sadly lacking in extras, the hi-def film transfer looks so impressive that I am more than willing to overlook the bonus shortcomings. The Blu comes packaged in a sort of mini book binding that sports a brief excerpt from William Friedkin's autobiography, detailing his work on the film and his feelings about its new lease on life with this Blu-ray. I've never been much of a fan of the director himself because he's always come across like a snobby, pompous, egotistical ass. Surprisingly, he acknowledges this fault and describes how it lead to his eventual downfall in Hollywood. But I cannot deny that he's made a few really good films during his career.
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Reviewed in the United States on January 30, 2016
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takethekman
Alexandria, US
★★★★★ 5
A Perfect Film
It has been a long time since I have been so surprised by a film; I can remember hearing about it when I was a kid, but like so many others at the time, 'Star Wars' was my childhood obsession. That a being said, I also have to say that this movie is generally timeless; with the exception of the cars and the music sometimes(still an excellent score by Tangerine Dream...), there is nothing that falls to the side as 'dated'. The country the 4 men flee to is just miserable, and probably looks the same now as it did then...just behind the times in so many ways. The set up of the 4 men starts things off with bang--literally. The scenarios are very different for each individual, but each equally satisfying. There is an excellent church robbery scenario that rounds things off with Roy Scheider, which includes a trademark Friedkin vehicle sequence(which--like many other scenes in this film--comes with a surprising jolt and a direction you didn't see coming...). Each backdrop story could pretty much provide for a film of it's own. Scheider is excellent, and this film reminds me why I was always a big fan of his. That being said, the other acting is all just right on the money as well; you can feel both their desperation and sweat, and sympathize with every stumbling block they encounter along the way. From the corrupt cops to the bandits they meet on the road(a favorite scene of mine in any movie...), you are thrown generally everything in the book as far as a crime/thriller movie go. And in this case it is all successful. There were more than a dozen scenes that hold up to or outshine anything that has been put out in the last 10 years to me. It is a reminder of the skill behind this project across the board, and the booklet with the blu-ray is really enjoyable to read, especially after seeing the film, as it fills in some curious questions about how certain things were done, and the difficulties the production encountered. The look of the film is breathtaking at times; all of the camera shots of the landscapes, kids, animals, elderly soda vendors, and crowded village streets are very candid and realistic. While the plot is somewhat simple, the intensity and driving force behind the 4 men is unforgettable; and while they are all different in their ideals, beliefs, and character, they all manage to somehow come together by fate to carry out the one thing that could save them from a life of poverty or consequence by law. And everyone meets some kind of fate you don't see coming. I have always loved Friedkin's work, especially when he delves into the darker side of mankind; However, this is the 1st movie in quite some time that has jumped into my top 5 favorite movies. It again reminds me how people w/talent to burn make timeless work, period. I am so happy that Friedkin was able to get this released as he saw fit, and it truly is a gift to those who like him, the genre, the actors, and the feel of such a film... There is humor and philosophy throughout the film here and there as well; the screenplay is top notch, and the dialog is fascinating; it is one of the films you watch where you are never reminded it's a film. You get wrapped up in it, and do a lot of replaying certain sequences over and over. While the 'bridge scene' is the most famously known sequence in the film, there are countless others that are certainly equal, although the bridge scene is a pure nail biter(not to mention technical feat, as further explained in the booklet...). The use of sound is also pretty incredible, especially coupled with the visuals; from the sounds of several surprise explosions, to the sound of the knife blade being flipped out, this film uses sound as a performance of it's own; it supplies a huge/equal part of the overall canvass and to feeling like you are there in particular a situation, not to mention hearing things as they actually probably would be heard; the sound is never overdone for the situation, and always effective. The creaking wood and rushing water of the bridge scene is a great example. Also, while the dialog is considerably less than in most movies, it is always very well written, realistic, and just another positive strength; but even when there is no dialog, and just simply sound and the expressions on the characters faces, it more than serves the point trying to be made. The character hit-man Nilo has very few lines, yet his character and performance are equally strong as anyone's here. The small visual details work in the same way the sounds ones do, such as the soldier accepting a bribe by scraping the money to himself with a fly swatter, the bar tender wiping off Roy Schieder's silverwear on his own shirt before passing them to him, to the cop popping open a Coke bottle with the cocked barrel of his gun...all small examples of going that little extra bit to make something potentially average something more. And these types of moments and details are throughout the film. A favorite to me is in the church scene in the beginning of the film where the priest mentions to the happy couple something to the effect of 'not being obsessed with material things', and you can see the groom roll his eyes, all while his bride with the black eye stands next to him(they show a close-up of her when the priest say he hopes their marriage is filled with blessings, but she still didn't look too happy to be there...). Mr. Friedkin wanted this to be his 'magnum opus', and I think he well succeeded. It really does still outshine so many films and the people involved that exist nowadays; Like Stanley Kubrick and John Huston, I can see the obsessive side Friedkin had to create something unforgettable no matter how much time or money it took; it is quite a risk, and sadly one that doesn't always pay off; but it is an effort that is well appreciated, and something not as many filmmakers take on nowadays. As far as it being considered a remake, I would have to say this is no more a remake than something like Herzog's 'Bad Lieutenant: Port of Call, New Orleans' was of the original 'Bad Lieutenant' film; some of the story elements are similar, but a lot of those elements are taken to new and different places with all the people involved with the production; and while 'Sorcerer' gets it's story foundation from both a novel and a film, you can see them much more as an influence, and not the basis. It is more the taking of a loose idea and making it to all your own, not an imitation of it. I have watched this 6 times since it came out, and it still seems to expose a new layer or understanding each time, not to mention the brilliance of so many scenes that capture the moment spot-on. This film is pure genius to me, and the surprise release on blu-ray has made my month. It is a piece of work that warrants all the 5 star reviews it has gotten, and Mr. Friedkin should be more than proud of this piece of work. I hope it reaches the full audience it deserves now, esp in the blu-ray format. I think it will.
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Reviewed in the United States on April 30, 2014
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Justin G
Charlottesville, US
★★★★★ 5
The finest hour of William Friedkin
William Friedkin was undoubtedly one of the 1970s greatest and most influential directors. He only made 3 pictures during the decade, but all are landmark films. The first was The French Connection (1971), the film that won him his best director Oscar & the film won best picture. His next film, The Exorcist (1973) is probably his most famous/infamous & and it’s the only movie that’s still a truly terrifying experience, something to endure as much as to watch almost lol. Sorcerer (1977) was his 3rd and final film of the decade, and in spite of or perhaps even because of how it was a largely forgotten film for so long (after seeing it on cable nearly 30 years ago, it was a movie I simply could not track down until the release of this Blu-Ray) I really think in so many ways it ranks right along aside his first two 70s classics, and perhaps even surpasses those films in terms of pure audacity. The rope bridge scene is as intense as a set piece gets and is worth the price of admission all on its own, but the film as a whole is a clinic in lean, economical filmmaking. And the score by Tangerine Dream kicks serious a**. It might be because of his 70s trifecta Sorcerer is the only one that is still almost sort of like a “new film” too me, as I’ve only watched it maybe 3-4 times and have seen the other 2 dozens of times, but for my money Sorcerer is master filmmaker William Friedkin at the absolute peak of his powers. MD2020 gives “Sorcerer” 5 out of 5 ⭐️s and says it’s a flawless action film and Friedkins best work.
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Reviewed in the United States on January 25, 2024
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cookieman108
Waukegan, US
★★★★★ 4
A stylish, intimate remake of a French Classic
William Friedkin (The French Connection) brings us exotic locations and gripping story in Sorcerer, a remake of Henri-Georges Clouzot's 1953 thriller Wages of Fear. The first hour of this movie seems to be comprised of random events involving four individuals that have absolutely nothing to do with each other. The only commonality is that they are all men of dubious character. Probably the most recognizable actor in this film is Roy Schieder, who plays a low level New York gangster participate in a robbery that goes bad, and forces him to flee the country due to the fact he managed to step on some pretty well connected toes. The second man, a French businessman, escapes from the threat of prosecution due to some shady business dealings. The third man, a Middle Eastern terrorist flees his captors after being caught participating in a bombing, and the fourth man is a shady assassin type apparently on the run from repercussion from his last hit. The key is all four men end up in a South American rat-infested stink hole of a town called Vera Cruz. After awhile, they find their sanctuary has become more of a prison and all begin a desperate search for a way out, but that involves money, a commodity that's in short supply, with the only work available in the area is provided by an oil company that runs a well and is building a pipeline for the bubbling crude. Dangerous work, and the pay is so low that it would take years to earn enough to leave. Salvation for the men comes in a catastrophic disaster, an explosion damaging the well and causing the oil to burn. The only way to close the well proper for repairs is to blow it up, and the only explosives available are 200 miles away. Turns out the explosives, sticks of nitro, haven't been tended very well, and, in turn, are highly unstable. The company decides to hire four men to drive two trucks to carry the dangerous materials through 200 miles of dangerous jungle, including prehistoric rope and wood bridges, treacherous mountain passes, deadly bandits and swampy roads laden with fallen trees. The suicide mission draws the four men, as the money would allow them to escape the oppressive town. The most intense scenes for me involved the men trying to traverse a rickety, rotting wooden rope suspension bridge over a raging river during a heavy rainstorm. There were times when the truck on the bridge was at such an angle, I thought it would flip right off. And all the actors performed most all their own stunts, adding to the realism of the movie. Do they make it? See the movie and find out. I especially liked the very end. A very nice touch that reminded me of an ending of a certain Alfred Hitchcock movie. Which one? I won't say, as it would give it away. The movie runs just under two hours, and I would highly recommend it to anyone. Friedkin and the actors do a wonderful job in developing tensions between the characters and the environment and the between the characters themselves. The pacing is a bit slow, but it's deliberate, cranking the suspense up, notch by grueling notch. There are sparse special features, including pretty thorough productions notes and a trailer. If you enjoy thrilling adventure, you will most likely like this movie. I would have happily given this movie five stars but it is only available in the full screen format. Something I didn't understand is the title for the movie. I wasn't able to figure out what it had to do with the movie.... Cookieman108
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Reviewed in the United States on December 15, 2003
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Todd7
Carnegie, US
★★★★★ 5
Forgotten Classic
Sorcerer (1977) is, for the most part, a forgotten classic. First the forgotten: this film got kicked around by moviegoers when first released, probably because the title is misleading (nothing to do with fantasy), and they probably weren't in the mood for this film due to the sudden stratospheric success of another film that debuted at the same time (Star Wars). With Star Wars cementing the advent of the summer blockbuster, suddenly moviegoers wanted stuff more on the surface and eye candy for good measure. As a result, Sorcerer never got its footing, and was a major box office failure. If this film had debuted just a few years earlier, it would've done well, because it would've fit in with the other films of the time. The truth is that Sorcerer is an adaptation (not a remake) of The Wages of Fear from 1953. Now the classic: Sorcerer has since generated the respect it deserves, and is one of the best films of the 1970's. This film has it all: action, suspense, breathtaking and iconic scenes (the bridge scene being one), organic acting and a sort of 'raw' feel in terms of a lot of the settings; dwellings are dilapidated, and the machinery rusty. Even the actors are dirty, sweaty, and have visible wounds throughout the film. I particularly like the restraint on the dialogue, as Friedkin chooses to tell the story more in a visual sense. I also like the uniqueness of the characters being kept at a distance from the audience; this makes them sort of mysterious and seems to work in this film. This film was a very ambitious project, one that has been rewarded with the passage of time (thankfully). The care that went into many scenes and accompanying special effects are obvious, and first rate. Overall, Sorcerer is a must-see. This blu ray has excellent picture and sound quality, so it was worth the wait in that regard. One last thing: it's extremely rare for a blu ray disc to not include any special features; in the case of Sorcerer, it's unfortunately true. Perhaps this fact tells us just how much of a beating this film took over the years. I guess we should feel grateful that it has even made it onto blu ray.
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Reviewed in the United States on March 25, 2017

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