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Description
elephant ear stingray plant Alocasia macrorrhiza ‘Stingray’Dive into the world of exotic plants with our Stingray Alocasia! This funky plant is as easy to care for as it is eye catching. The Stingray Alocasia is a striking tropical plant known for its unique and captivating appearance. Its defining feature is its large, arrowhead shaped leaves that resemble the wings of a stingray, hence its name. These leaves have elongated tips and a sleek, glossy texture, giving them a distinct and graceful silhouette. The
Dive into the world of exotic plants with our Stingray Alocasia! 🌿 This funky plant is as easy to care for as it is eye-catching.
The Stingray Alocasia is a striking tropical plant known for its unique and captivating appearance. Its defining feature is its large, arrowhead-shaped leaves that resemble the wings of a stingray, hence its name. These leaves have elongated tips and a sleek, glossy texture, giving them a distinct and graceful silhouette. The dark green coloration of the foliage contrasts beautifully with the pale veins running through each leaf, adding to its visual allure.
Care Tips:
- Light: Stingray Alocasia loves bright, indirect light. Think of a sunny day with a cool breeze – that's the kind of light it craves!
- Watering: Keep the soil slightly moist, but not soggy. Imagine you're giving it a light misting from a gentle rain shower.
- Humidity: Your Stingray Alocasia is a tropical plant, so it loves humidity. Set it near a humidifier or place a tray of pebbles filled with water beneath it to create a mini jungle atmosphere!
- Temperature: Keep your plant cozy in temperatures between 65-80°F (18-26°C). It's like giving it a warm hug!
- Feeding: During the growing season (spring and summer), feed your Stingray Alocasia with a balanced liquid fertilizer every month. It's like giving it a tasty treat to help it grow big and strong!
Why You'll Love It:
- Unique Appearance: With its striking, ray-shaped leaves, the Stingray Alocasia adds a touch of exotic flair to any room.
- Low Maintenance: Despite its exotic appearance, this plant is super easy to care for – perfect for busy high schoolers!
- Conversation Starter: Impress your friends with your cool and unusual plant – they'll be "wowed" by its funky leaves!
- Mood Booster: Bringing nature indoors has never been more fun! Your Stingray Alocasia will bring a smile to your face every time you see it.
Get ready to make a splash with your very own Stingray Alocasia – it's the coolest plant in town!
Want More Info About How To Keep Your 'Stingray' Alocasia Healthy?
Ensure your Alocasia flourishes with our Expert Alocasia Care Guide, packed with essential tips on watering, light needs, and keeping those stunning leaves healthy year-round.
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4.9 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017