SKU: 62248452056
best wildflower seed mix for bees

best wildflower seed mix for bees Wildflower Seed Mix for Bees and Pollinators Pouch

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Description

best wildflower seed mix for bees Wildflower Seed Mix for Bees and Pollinators PouchWildflower Seed Mix for Bees and Pollinators This is not your average seed mix. This is a blend specifically designed for honeybees that will bloom for a long time and includes an incredible blend of viable seeds. No filler here. So if you are planting for bees, go no further. Help bees and pollinators thrive with a custom flower seed mix. This high quality mix is specially crafted for Northern and Southern States, featuring a blend of 3 native grass

Wildflower Seed Mix for Bees and Pollinators 

This is not your average seed mix. This is a blend specifically designed for honeybees that will bloom for a long time and includes an incredible blend of viable seeds. No filler here. So if you are planting for bees, go no further. 

Help bees and pollinators thrive with a custom flower seed mix. This high-quality mix is specially crafted for Northern and Southern States, featuring a blend of 3 native grass species, 17 native wildflower species, and 2 introduced forb species, adapting to local ecosystem conditions and the availability of certain species. 

It supports important pollinators like butterflies and hummingbirds. Additionally, it highlights the importance of honey bee populations and helps support them.

Perfect for dry to medium soil moisture, it ensures year-round blooms and provides essential forage for pollinators. Watch your garden transform into a vibrant, pollinator-friendly haven that benefits the environment and delights with changing colors through the seasons.

Key Features and Benefits 

  • Diverse Species Mix: Includes 3 native grasses, 17 wildflowers, and 2 forbs; ensures a variety of blooms throughout the year, providing a mix of nectar and pollen. 

  • Full Sun: Optimized for total sun exposure; perfect for sunny spots in your garden or landscape.

  • Adaptable Soil Moisture: Suitable for dry to medium moisture soils; flexible for different site conditions.

  • Year-Round Blooms: Provides continuous forage for pollinators; enjoy flowers from spring through fall.

  • Essential Nectar and Pollen: Supplies vital nectar and pollen for various pollinators, including bees and butterflies, supporting their populations throughout the year.

  • Calculated Seeding Rate: 7.50-10.90 PLS (Pure Live Seed) lbs/acre; ensures optimal establishment and growth.

Usage Instructions 

To get the best results, sow the wildflower seed mix in the early spring or the fall. Prepare the soil by removing weeds and lightly tilling the surface. Sow the seeds evenly and gently rake them into the soil or gently walk on them to press them down. Water thoroughly and keep the soil moist until the seeds germinate.

One great tip for broadcasting the seed is to mix some sand with it so you can see where you have tossed the seat and where you have not. Fall is the best time of the year to plant, as the seeds will go through a cold period, which is required for germination. You can plant in the spring, but some seeds will not sprout until the following spring. 

For best results, sow in early spring or fall. This mix thrives in full sun and dry to medium moisture soils.

Detailed Description 

The wildflower mix is a premium blend that supports bees and other pollinators. This mix is part of scientifically formulated blends designed to support pollinator populations. It includes carefully calculating species selection, factoring in seeds per pound, and establishing parameters. It features three native grass species, 17 native wildflower species, and 2 introduced forb species.

These species are chosen for their ability to thrive in dry to medium soil moisture and full sun conditions, ensuring a colorful and varied display throughout the growing season. This mix also supports wildlife by creating habitats for various species.

These high-quality seeds are free from fillers, ensuring every ounce is packed with viable seeds ready to grow. This mix is perfect for creating a sustainable pollinator habitat. You don't pay for empty seeds, dead seeds, leaves, stems, dirt, weed seeds, or any other contaminants that others might include in bulk weight pricing. With PLS weight, you only pay for viable seed, which can make a significant difference.

Additional Info 

  • Coverage:
    Packet - contains approximately .1 oz and covers 25-30 square feet
    Pouch - contains approximately 4.75 oz and covers 1,125 square feet

  • Care instructions: Water regularly until established; minimal maintenance is required.

  • Recommended coverage: 7.50 - 10.90 PLS (Pure Live Seed)  lbs/acre

The seed mix composition includes a variety of species: PLS (Pure Living Seed)

  • Lance Leaved Coreopsis (Coreopsis lanceolata) - 0.656 PLS Oz., Height: 1' - 2', Bloom: Spring, Color: Yellow
  • Ladino Clover (Trifolium repens) - 0.203 PLS Oz., Height: 0.5' - 1', Bloom: Spring, Color: White
  • Smooth Beardtongue (Penstemon digitalis) - 0.160 PLS Oz., Height: 2' - 4', Bloom: Spring, Color: White
  • Purple Prairie Clover (Dalea purpurea) - 0.760 PLS Oz., Height: 1' - 3', Bloom: Spring/Summer, Color: Pink
  • Blackeyed Susan (Rudbeckia hirta) - 0.571 PLS Oz., Height: 2' - 3', Bloom: Spring/Summer, Color: Yellow
  • Buckwheat (Fagopyrum esculentum) - 1.083 PLS Oz., Height: 1' - 2', Bloom: Spring/Summer, Color: White
  • Butterfly Milkweed (Asclepias tuberosa) - 0.606 PLS Oz., Height: 2' - 3', Bloom: Spring/Summer, Color: Orange
  • Lupine (Lupinus perennis) - 0.942 PLS Oz., Height: 1' - 2', Bloom: Summer, Color: Blue
  • Partridge Pea (Cassia fasciculata) - 1.251 PLS Oz., Height: 2' - 4', Bloom: Summer, Color: Yellow
  • White Prairie Clover (Dalea candida) - 0.556 PLS Oz., Height: 1' - 2', Bloom: Summer, Color: White
  • Purple Coneflower (Echinacea purpurea) - 1.263 PLS Oz., Height: 2' - 4', Bloom: Summer, Color: Purple
  • False Sunflower (Heliopsis helianthoides) - 1.267 PLS Oz., Height: 3' - 6', Bloom: Summer, Color: Yellow
  • Spiked Blazing Star (Liatris spicata) - 1.226 PLS Oz., Height: 2' - 4', Bloom: Summer, Color: Pink
  • Greyheaded Coneflower (Ratibida pinnata) - 0.321 PLS Oz., Height: 3' - 5', Bloom: Summer, Color: Yellow
  • Rigid Goldenrod (Solidago rigida) - 0.198 PLS Oz., Height: 3' - 5', Bloom: Summer/Fall, Color: Yellow
  • Iron Weed (Vernonia altissima) - 0.451 PLS Oz., Height: 5' - 8', Bloom: Summer/Fall, Color: Purple
  • Maximilian Sunflower (Helianthus maximiliani) - 0.688 PLS Oz., Height: 3' - 10', Bloom: Summer/Fall, Color: Yellow
  • White Wingstem (Verbesina virginica) - 0.556 PLS Oz., Height: 3' - 6', Bloom: Fall, Color: White
  • New England Aster (Aster novae-angliae) - 0.243 PLS Oz., Height: 3' - 6', Bloom: Fall, Color: Purple
  • Little Bluestem (Schizachyrium scoparium) - 0.650 PLS Oz.
  • Indian Grass (Sorghastrum nutans) - 0.950 PLS Oz.
  • Virginia Wild Rye (Elymus virginicus) - 1.399 PLS Oz.
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4.7 ★★★★★
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***moviemaker***
Grantham, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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W.P.
Cuba, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
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Basket Case
Waukegan, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012
J
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johnf
Omaha, US
★★★★★ 5
The music is lovely, Catherine Deneuve is beautiful and the story will tear you apart.
The word "Masterpiece" is thrown about often in the worlds of film and music but in this case this is the real thing. The Umbrellas of Cherbourg is one of those rare instances where everything came together in a film in a serendipitous way that would never be duplicated. Not only that, but made by two up and coming young men who had only done two films before with a cast of mostly unknowns. Then, to top it all off, it would not just be a musical, but a film sung completely through like opera, something completely unique and untried. Try selling a concept like that to one of today's studios. Fortunately the early sixties was a much looser time with many movie studios and open minds willing to try new things. The director was Jacques Demy, whose first film, Lola (1961) included music but was shot in the more usual black and white. His co-creator was Michel Legrand, already known as a jazz pianist who had had hit albums and even toured America. The music would be light,, but not operetta; it would be updated to include strong influences of chanson, pop and jazz with a little Baroque counterpoint thrown in (Legrand had been classically trained). This time the film would be shot in super-saturated color with sets painted vibrant, almost expressionist colors. And it all would center around a young and virtually unknown Catherine Deneuve and Nino Castelnuovo as Genevieve and Guy, the very personification of young love in a rainy Spring. The resulting film is completely transporting. The story is very old, the treatment very new and the end result is something to be experienced. The singing somehow seems completely natural, more natural in a way, than films with spoken dialogue that break into songs from time to time. Here in a world of continuous music, love has turned everything into a dizzily colored poem that peaks when Guy is to be sent away to fight in the war in Algeria. Fate takes a big hand in the consequences creating unforseen results. The supporting cast are as good as the principals, with Anne Vernon (Madame Emery) the veteran of many films and Marc Michel (Roland Cassard) coming in having played the same character in Lola, a signature quirk of the director. The music produced two early sixties hits, I Will Wait For You and Watch What Happens. Mr. Legrand's familiarity with the worlds of pop and jazz kept everything fresh-sounding and up to date. You also note subtle touches like the opening jazzy music set in 1957 is very brassy and big band sounding while in the 1963 final scene it's the cool jazz of that time. The colors are so captivatingly brilliant that when establishing shots of the actual Cherbourg are shown it seems like another world. If you like romances, this is one of the classics. If you are open to musicals you will have no trouble with the fact that the entire film is sung. This is a most memorable and worthy film.
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Reviewed in the United States on January 31, 2016
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Todd7
West Palm Beach, US
★★★★★ 5
My favorite movie musical
The Umbrellas of Cherbourg (1964, Jacques Demy, Director) is a very straightforward love story that’s fairly predictable, but that doesn’t take away from its absorbing allure. In fact, I love this film so much that I’m willing to overlook some of the minor flaws in the blu ray transfer from Criterion. This transfer is somewhat grainy/hazy in picture quality, and the sound isn’t exactly clear; in fact, it can be slightly muffled at times. However, I’m not going to dwell on these few minor imperfections. Now, for the heart of the review: The Umbrellas of Cherbourg is so unique in that all of the dialogue is sung. This is definitely an acquired taste, but about 15-20 minutes in, I was used to it and all-in. The next thing that becomes obvious is its rich color; it’s sort of pastel-like, with some backgrounds that are quite striking. Finally, the last thing that jumps out is the continuous upbeat music in the film, with the exception of the main theme, which is an emotionally-charged melancholy number by Michel Legrand that is the heartbeat of the film. This film is really a heartfelt love story where fate is the prevailing narrative and force. It’s a film about important decisions and their outcomes. Along the way, there are familial issues, death, rebuilding with emotional crutches, and some humor injected at just the right times. Some of the dialogue is cliched, but I guess that’s par for the course in a love story? Finally, while watching this film, I could definitely see where the 2016 film, La La Land took so much inspiration from, especially the ending sequence and the upbeat musical numbers. Overall, The Umbrellas of Cherbourg is a masterpiece of a film that’s essential to your blu ray collection. The Criterion Collection usually does a stellar job with resorting older films, but for some reason this isn’t their best work. I was expecting better quality. The blu ray also contains some nice special features.
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Reviewed in the United States on July 22, 2025

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