SKU: 65627790121
dark green sansevieria snake plant

dark green sansevieria snake plant Black Coral

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Description

dark green sansevieria snake plant Black CoralDracaena (Sansevieria) trifasciata 'Black Coral' Dracaena trifasciata 'Black Coral' is a dark leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot. This cultivar combines height, dark

Dracaena (Sansevieria) trifasciata 'Black Coral'

Dracaena trifasciata 'Black Coral' is a dark-leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey-green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot.

This cultivar combines height, dark foliage and muted banding in a clear sword-leaf outline. It grows from a rhizome, so new leaves appear from the base and gradually increase the density of the clump. Over time, fresh shoots fill the pot beside the older leaves, creating a fuller plant with a steady vertical shape.

Dark banded leaves with a strong vertical line

  • Leaf colour: Deep green to near-black blades give the plant a saturated, grounded look in the pot.
  • Pattern: Horizontal grey-green banding softens the dark foliage and adds depth across the blade.
  • Growth base: The rhizome produces new shoots beside older leaves, slowly thickening the plant.
  • Indoor size: Mature plants can reach around 0.5–1 m, depending on light, pot size and growing conditions.
  • Flowering: Older, settled plants may occasionally send up fragrant, greenish-white flower spikes.

Seasonally dry origins behind the tough leaves

Dracaena trifasciata is a rhizomatous geophyte from seasonally dry tropical parts of Africa. Its firm leaves store moisture, while the rhizome needs air around it after watering. The visible plant is only part of the structure; below the substrate, the rhizome stores energy and sends up new leaf fans when conditions are warm and stable.

'Black Coral' keeps the broad, sword-shaped leaf form associated with Dracaena trifasciata, with darker colouring across the blade. The muted banding gives the leaves depth and keeps the surface visually rich. In steady filtered light, the blades usually stay firm and clearly patterned. In dimmer positions, adjust watering to the slower drying pace of the pot.

Repotting intervals are usually long. A slightly snug container helps the substrate dry predictably and keeps the rhizome stable. When the pot becomes crowded, new shoots may press against the sides or distort the nursery pot. That is usually the right moment to move it into a slightly larger container.

Water, light and potting mix

  • Light: In bright indirect light, leaves stay firm and the banding remains visible. Lower light is tolerated, with longer drying time between waterings.
  • Watering: Water thoroughly after most or all of the potting mix has dried. Let excess water drain away, then wait for the substrate to dry again before the next soak.
  • Substrate: A mineral-structured mix with pumice, lava rock, coarse sand or fine bark keeps air around the rhizome after watering.
  • Pot choice: Drainage holes are essential. A decorative cover pot is fine when standing water is emptied after each watering.
  • Temperature: Keep it in normal indoor warmth, ideally around 18–27 °C. A warm root zone keeps the pot drying more steadily after watering.
  • Humidity: Average household humidity is enough. The leaves are adapted to dry intervals and normal room air.
  • Feeding: A diluted balanced or cactus fertiliser during active growth is sufficient. Slow rhizome growth needs light feeding.
  • Repotting: Move it on when the rhizome has filled the pot, the container is deforming, or the substrate has lost structure.
  • Propagation: Divide established clumps by separating rooted rhizome sections. Division preserves the full clump shape.

Dark foliage problem signs

  • Soft tissue near the base: Inspect the rhizome area, cover pot and substrate depth. Mushy bases usually come from moisture held too long around the lower plant.
  • Wrinkled or folding leaves: Check whether the pot is very dry, then inspect root health. A plant with damaged roots can look thirsty even when the mix has been watered.
  • Brown leaf tips: Review watering consistency, mineral buildup and old handling damage. Dry tips can be trimmed within the dead tissue.
  • Leaning growth: Turn the pot occasionally so the leaves receive light evenly. A crowded clump can also push older leaves sideways.
  • Slow shoot production: Slow growth is normal, especially in winter. Check light and warmth first, then adjust feeding only during active growth.

Safe placement at home

Keep Dracaena trifasciata 'Black Coral' away from pets and small children who may bite the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. The firm leaves also benefit from a stable position where the pot stays secure.

Dracaena, Sansevieria and the banded species name

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains the older name still widely used in plant shops and care guides. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, a name historically linked to red resin in some dragon tree relatives. The species epithet trifasciata means “three-banded” or “marked with three bands”, from Latin tri- for three and fasciatus for banded.

Dracaena trifasciata 'Black Coral' has tall, dark, banded leaves with a steady upright form.

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SKU: 65627790121

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4.9 ★★★★★
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Dr. Mike
Dallas, US
★★★★★ 5
If you read rarely, or all the time, don't miss this! (It's easy to do)
This is simply one of the best works of literature, allegory, and even poetry, ever put together. It took decades for Mikhail Bulgakov to write this actually, and over the past century, his Faustian flavored tale about the nature of people and the power religion vs. the state vs. the devil knows.... has become a cult classic in Russia. Note that this is pure Bulgakov (as author) and this listing names one of the 2 wonderful translators who collaborated on getting the flavor of the language just right. They make it clear that this was a total collaboration of expert translators. At the end they offer additional notes about some of the details and finer points of history or the Russian language. There are also some additional passages included for the first time, which the earlier translation omitted. I read this when it was first translated (80s?) and a college friend who had escaped from Communism insisted I read this. It was great then, as literature, human drama, and superb writing. Bulgakov amassed a huge following once his work was actually published, after his death. Some of his work is only now being published and read. I recently found myself in front of Flat #50, near Patriarchs Ponds (Moscow), the setting where the first part of this addictive novel begins. Berlioz (in the guise of literary czar, not the famous composer) is arguing with a poet about the existence of G-d when interrupted by, who the devil knows, but soon it is clear that literary and bureaucratic Moscow have become friends to the devil. Mr. Woland and his interesting entourage are about to put on a show at the theater, promising to be magical. Great book. Like other great Russian *stories*, this captures human nature, anguish, curiosity and the variations in the rules of right/wrong, possible/impossible. It's quite a ride through the supernatural as well as theological and even medical., If you immerse yourself in it, you'll see many foreshadows of Harry Potter magic. Serious must read, for the adventure, mystery, the Faustian morality play, which takes pokes at both religion and "civil" humankind. A#1 recommend - and it may help to understand Russian (and human) psychology, and how we use words to invent smoke, mirrors, and fables which mirror life and death and love.
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Reviewed in the United States on July 16, 2014
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C. Collins
Bozeman, US
★★★★★ 5
A masterpiece at several levels
This amazing book can be interpreted at several levels or just read for the sheer enjoyment of the bazaar antics of all the characters. I found it to be full of profound concepts wrapped in a chaotic and fantastic romp of a good story. First, I thought the story was a tale of revenge. Bulgakov was highly discriminated against and his work suppressed throughout his career and life. A genius' work is smothered by Soviet brainless censors while a literaray elite develops composed of talentless writers and editors who only push the Communist Party line. Bulgakov has these nit-wits become the play-toys of the Devil in a story of hilarious dark comedy. Bulgakov never got revenge against the system that impoverished him until after his death when readers laugh at the incredible uncomfortable situations the Devil creates for the Moscow talentless literary elite. Second, the tale is a satiric critique of the Soviet system under Stalin. Many Soviet methods of social control, such as apartment assignments by the state, set the stage for wild adventures for Soviet citizens caught in this overly centralized society. The chapter on the Soviet authorities trying to take over the apartment of the be-headed editor from the Devil and his assistants is some of the most clever satire ever written. The magic shows performed by the Devil in a state-owned theater was a perfect commentary on the weaknesses of the Soviet system. Third, the novel is a superb essay on the killing of God as a political act. The Devil is delighted to come to the Soviet Union where belief in God is under attack and atheists rise to positions of power and status. The Soviets tried to kill God to better control their citizens. The genius of this book is that Bulgakov tells us the tale of Pontius Pilot and the High Priest of Jerusalem playing a careful came of strategy with the life of Jesus Christ. Both men had reasons to kill Jesus so that they could both maintain political power. But these two men are wise and they wish for the other party to take the blame for the crucifiction. Since Jewish law did not allow for the death penalty, the High Priest must manipulate Pilot to give the orders. However Pilot uses spys and murderers to cast blame back on the Jewish leadership by murdering Judas and throwing thirty silver pieces into the home of the High Priest. God must always be killed/maimed/distorted for a totalitarian government to maintain control. Suppression of God doesn't simultaneously suppress the Devil. Fourth, the events related in the story are extremely fun to read. The encounter with the Devil in the public park, the scenes in the dead editor's apartment, the magic show, the insane assylum, the Devil's ball, the flashbacks to Jerusalem, all will stick in your mind for days after you finish the book. This novel was finally released after Bulgakov had been dead for 30 years. The Devil in the story predicts this future when he says: "Manuscripts don't burn."
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Reviewed in the United States on February 5, 2005
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KB2187
Carnegie, US
★★★★★ 5
I Really Enjoyed This
Format: Paperback
I really enjoyed this book. The story is coordinated with Star Wars Vol. 8 Mutiny on Mon Cala and Star Wars Vol. 9 Hope Dies. It is not necessary, but to get a more rich, fuller story, you'll want to read this book first then switch over to those two Star Wars main series volumes. I'm giving this review 5 Stars, but I have to say that I wavered on docking it by one star. I'm not crazy about the art. And, although the story is excellent (and as much as I love a good Vader story), I didn't enjoy it as much as I did those two Star Wars volumes I mentioned above; Volumes 8 & 9, Mutiny at Mon Cala and Hope Dies. Those books are top notch excellent. This book, I'd say, is a notch down, at very, very good. Read it and see what you think. As a whole, I like how Marvel is filling out the years between the original trilogy movies with these stories. This story about the Battle of Mon Cala, over two different series, is fantastic.
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Reviewed in the United States on April 27, 2019
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PWDecker
Lowell, US
★★★★★ 5
A great volume with great Tarkin/Vader relationships
Format: Paperback
I am continuing to enjoy this ongoing series showing Darth Vader shortly after Episode 3. It's cool seeing Mon Cala prior to Imperial control. I like how there's a bit of a tie-in with the ongoing Star Wars comic series. There are also flashbacks to the Clone Wars era. I like this time period. Each jedi that evaded Order 66 is dealing with the new world in a different way. I also really enjoyed seeing a young Ackbar. There are two standalone issues included in this volume. First, there's a story that shows the relationship between Darth Vader and Tarkin developing into what we see in the original trilogy. The other is an Annual written by Chuck Wendig. This shows another interesting Vader/Tarkin dynamic. There are a bunch of great references that I love in this issue! Project Stardust. Geonosis. Krennic. Galen Erso. Overall, it's a really cool tie-in to Rogue One. Yet again, I give this volume of the ongoing Darth Vader: Dark Lord of the Sith a 5/5.
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Reviewed in the United States on September 19, 2018
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Richard J. Estep
Draper, US
★★★★★ 5
A superb addition to the Marvel Darth Vader canon
Format: Paperback
An almost perfect run of comic books, focused around the Imperial assault on Mon Cala post-Episode III. Many familiar faces are here: Vader, of course; Tarkin; Ackbar; Palpatine; Rogue One’s Admiral Raddus; and many more, including Sith, Jedi, and clones (there’s a nice nod to Order 66). Charles Soule deftly weaves an intriguing narrative, fast-paced but also with plenty of depth. The art is also excellent. In addition to the main stretch of the story, the trade also contains the Darth Vader annual, an outstanding Rogue One story that caps things off nicely. Highly recommended reading for Star Wars fans.
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Reviewed in the United States on January 17, 2019

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