Pay in installments of $5.62 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 10 - Aug 15
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
philodendron billietiae australia Philodendron BILLIETIAEPhilodendron billietiae A Rare Tropical Showstopper Make a bold statement with the Philodendron billietiae, a collectors favorite known for its long, glossy green leaves and striking vibrant orange petioles. This tropical gem adds instant luxury and drama to any indoor space. Its vivid contrast of deep emerald foliage against fiery stems creates a sculptural effect that turns heads wherever it grows. Perfect for shelves, plant stands, or floor
Philodendron billietiae – A Rare Tropical Showstopper
Make a bold statement with the Philodendron billietiae, a collector’s favorite known for its long, glossy green leaves and striking vibrant orange petioles. This tropical gem adds instant luxury and drama to any indoor space. Its vivid contrast of deep emerald foliage against fiery stems creates a sculptural effect that turns heads wherever it grows.
Perfect for shelves, plant stands, or floor displays, the billietiae grows upright before gracefully vining outward, making it an eye-catching centerpiece for modern interiors or tropical collections.
Plant Profile
- Botanical Name: Philodendron billietiae
- Common Name: Philodendron billietiae
- Family: Araceae
- Native To: French Guiana
Care Guide
- Light: Bright, indirect light; avoid direct sun to prevent leaf burn
- Water: Keep soil consistently moist but never waterlogged
- Humidity: Thrives in 60–75% humidity; mist regularly or use a humidifier
- Temperature: Prefers warm conditions between 70–85°F (21–29°C)
- Feeding: Apply half-strength liquid fertilizer weekly during spring and summer
- Growth Habit: Upright and vining; suitable for totems or moss poles
- Propagation: Stem cuttings or division
- Pruning: Remove dead or damaged leaves to maintain shape and health
- Toxicity: Toxic to pets and humans if ingested
Why You’ll Love It
- Distinctive orange petioles that glow against lush green foliage
- Elongated leaves for a sleek, architectural look
- Fast-growing and surprisingly low-maintenance for a rare tropical
- Adds a vibrant focal point to any collection or décor style
Fun Fact
In its native rainforest, the Philodendron billietiae uses its bright orange stems to stand out in the dim understory—helping it capture more light and attract pollinators.
Get Expert Philodendron Tips
Want to help your Philodendron thrive? Explore our full Philodendron Care Guide for professional advice on watering, humidity, and propagation to keep your billietiae growing beautifully year-round.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.6 ★★★★★
Based on 22 reviews
Sort
Product Reviews
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
recommand products
Tabletop Succulent Planter – Table & Tulip
26.57
Small Succulent Garden Box with Custom Tag, 5 inch wood box [S2] – Succulents & Plant Gifts by Sorella Minchella
24.22
Echeveria Succulent Log Tabletop Centerpiece Decor
29.19
Succulent Arrangement
29.84
Live Succulents Plants Mystery Pack - Variety of Well Rooted Plants in
25.67