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portulacaria afra variegata pink care

portulacaria afra variegata pink care Shop 'Elephant bush - Portulacaria afra' Care and Info

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portulacaria afra variegata pink care Shop 'Elephant bush - Portulacaria afra' Care and InfoIntroducing the Elephant Bush, also known as Portulacaria afra, which is a fascinating and popular succulent garden plant native to South Africa. It belongs to the Portulacaceae family and is known for its unique appearance and easy care requirements. The elephant bush succulent gets its name from its resemblance to the foliage of an elephant's trunk. It is also commonly referred to as the dwarf jade plant, small leaf jade, miniature jade, elephant

Introducing the Elephant Bush, also known as Portulacaria afra, which is a fascinating and popular succulent garden plant native to South Africa. It belongs to the Portulacaceae family and is known for its unique appearance and easy-care requirements.

The elephant bush succulent gets its name from its resemblance to the foliage of an elephant's trunk. It is also commonly referred to as the dwarf jade plant, small leaf jade, miniature jade, elephant food, or the Spekboom. The name "Dwarf Jade Plant" comes from its small, jade-like leaves, while "Spekboom" is an Afrikaans term meaning "bacon tree" due to the plant's edible leaves that reportedly taste like bacon.


The elephant bush plant features small, round, and fleshy pale green leaves that store water, allowing your elephant bush plant to withstand drought conditions. 

The trailing stems of the elephant bush plants are thick and red-hued, which gives them a unique and appealing appearance in hanging baskets.

When grown as a houseplant, the elephant bush typically reaches a height of 1 to 3 feet.

However, if planted outdoors in its native habitat, your Portulacaria afra can grow much larger, reaching heights of up to 20 feet. The elephant bush makes for an excellent bonsai due to its unique growth pattern and ability to withstand pruning. Its thick, fleshy leaves and sturdy branches give it a robust appearance, making it an ideal succulent for shaping into intricate bonsai designs. 

The elephant bush flowers are small, star-shaped, and usually a light pink or lavender color. While the flowers are not the main attraction of this elephant bush succulent, they can add a touch of beauty when they bloom during the spring to late summer.

The elephant bush Portulacaria afra comes in various varieties, including a slow-growing variegated form Portulacaria afra variegata; a trailing growth bush Portulacaria afra prostrata; and a midstripe rainbow bush Portulacaria afra medio-picta, offers a diverse range of beauty in green spaces.

When and How to Water Your Elephant Bush

Like other drought-tolerant jade plants, your elephant bush succulent prefers a watering routine that allows the soil to dry out between waterings. Overwatering can harm the elephant bush plant and cause root rot.

In the summer, during the growing season, you should water elephant bush succulents once or twice a month when the soil is dry. A good rule of thumb is to water this elephant plant when the top 1-2 inches of soil feel dry to the touch. In the winter, during the dormant period,  you probably do not need to water them at all. 

Remember, it's always better to underwater than to overwater the elephant bush plant. This resilient Portulacaria afra plant can tolerate drought conditions better than excessive moisture. So, keep an eye on the soil moisture and adjust your watering schedule accordingly.

Light Requirements - Where to Place Your Elephant Bush Plant

When growing the elephant bush indoors, it thrives in bright, indirect light. Place your elephant bush plant near a window where it can receive plenty of natural bright light, but make sure to avoid direct sunlight, especially during the hottest parts of the day.

If you notice the leaves turning yellow or getting scorched, it's a sign that the Portulacaria afra elephant bush is receiving too much direct sunlight. So, finding that sweet spot of bright, indirect light is key to keeping your elephant bush succulent plant happy indoors.

If you decide to grow your elephant bush outdoors, it loves basking in the full sun. Although partial shade in the afternoon is frequently preferred, these plants need at least six hours of strong light each day to survive.

This is true, especially in hotter climates where the plant may become stressed by the afternoon sun's intense heat.

Your succulents should not be placed in any areas that receive continuous, direct sunlight, as this could lead to burned foliage.

Remember, the elephant bush is a versatile succulent plant and can adapt to different light conditions. Just keep in mind that it prefers bright, indirect light indoors and full sun to partial shade outdoors.

Optimal Soil & Fertilizer Needs 

Elephant succulents are very airy, porous, nutrient-rich well-drained soil with a pH of 5.5- 6.5; succulents require fast-draining soil that dries completely between waterings. Your soil must have a sandy texture and a low water-holding capacity, just like desert soil.  Ideally, you want to use our specialized succulent potting mix that contains 5 natural substrates to promote the development of a strong root system that helps your African elephant bush plant to thrive.   

When it comes to fertilizing your elephant bush plant, it only needs a small amount of fertilizer applied once a year in spring. These succulents prefer a fertilizer with lower doses of NPK, with a maximum ratio of 5-10-5 that is higher in phosphorus than nitrogen.

Hardiness Zones & More 

When it comes to growing the Elephant Bush plant indoors, the Elephant Bush prefers a cozy environment with temperatures between 65°F and 75°F. It can tolerate slightly cooler temperatures, but it's best to avoid extreme cold or frost. If you notice the leaves starting to shrivel or the tips turning brown, it may be a sign that the air is too dry. You can increase humidity by placing a tray of water near the plant or using a humidifier.

If you are living in USDA zones 9-11, you can grow your Elephant Bush plant outdoors year-round. These zones have mild temperatures and are less prone to frost.  

In cooler zones, it can be kept outdoors during the summer and brought in as the temperature drops. 

Elephant Bush can handle average to slightly higher humidity levels outdoors. Just make sure to provide well-draining soil to prevent waterlogged conditions, as excessive moisture can lead to root rot.

Don't worry if your succulents become too hot; they can tolerate triple-digit temperatures in the summer and prefer constant temperatures above 70 degrees Fahrenheit. 

Wildlife - Portulacaria afra Attracts the Following Friendly Pollinators

Portulacaria afra have tiny, star-shaped flowers, which bloom in clusters, and are a magnet for friendly pollinators. Bees are particularly drawn to its nectar-rich blooms, while butterflies and other beneficial insects are also frequent visitors. In areas where it thrives outdoors, hummingbirds may be attracted to the vibrant blossoms as well. 

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

According to ASPCA, the Portulacaria afra Elephant Bush is friendly to both humans and pets such as dogs and cats. This makes it a great choice for households with curious pets or small children.

How to Propagate Your Portulacaria afra

This African elephant bush is relatively easy to propagate. It can be grown from stem cuttings, which should be allowed to dry for a day or two before being planted in well-draining soil. The cuttings usually root quickly and can be grown into new, young plants.

Key Takeaways

  1. Elephant Bush (Portulacaria afra) is a fantastic succulent with small, jade-like leaves.
  2. Visually appealing and easy to care for, adaptable for both indoor and outdoor growth.
  3. Tolerates a wide range of warm temperatures, between 65°F and 75°F, and handles higher humidity levels.
  4. It can thrives in bright, indirect light. It is suitable for beginner and experienced plant enthusiasts alike.
  5. Often grown as a seasonal accent plant or houseplant.
  6. Order your Elephant Bush today and add something truly exceptional to your garden.

The Bottom Line

Overall, Portulacaria afra, or Elephant Bush, is a remarkable plant that combines beauty, resilience, and ecological value. Its succulent, jade-like leaves and sprawling growth make it a striking addition to both indoor and outdoor settings, while its ability to tolerate drought and thrive in poor soils underscores its low-maintenance appeal. This plant’s capacity to attract friendly pollinators such as bees and butterflies further enhances its value in promoting biodiversity. With minimal care—bright, indirect light, well-draining soil, occasional watering, and protection from frost—Portulacaria afra can flourish for years, serving as both a stunning decorative element and an eco-friendly choice for any garden or home.

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Julie S.
San Leandro, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
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M. Edwards
Bozeman, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
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pepe
Grantham, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
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Charles H. Hooker Jr.
Belleville, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Carnegie, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012

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