Pay in installments of $6.74 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Aug 3 - Aug 8
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
nuna pipa trvl stroller PIPA Urbn + MIXX Next Travel System by Nuna Caviar/ChocolateA next level travel system where innovative safety and first class luxury features combine into a stylish dream team that raises the bar on living a seamless baby life on the go. The Nuna PIPA urbn reimagines the future of travel with baby. This one of a kind, ultra lightweight infant car seat weighs only 7 pounds* and installs using the advanced pipaFIX rigid latch. This groundbreaking baseless installation feature is integrated into the car seat,
A next-level travel system where innovative safety and first-class luxury features combine into a stylish dream team that raises the bar on living a seamless baby life on the go.
The Nuna PIPA urbn reimagines the future of travel with baby. This one-of-a-kind, ultra-lightweight infant car seat weighs only 7 pounds* and installs using the advanced pipaFIX™ rigid latch. This groundbreaking baseless installation feature is integrated into the car seat, allowing for super secure installs in seconds when moving from car to taxi, to rideshare and offering a new generation of journeys. It also features a one-handed, quick release from stroller and vehicle and Nuna’s iconic Sky drape™ for ultimate privacy - so you and baby can navigate life with modern-day ease.
Feel free to pack up and go anywhere with the Nuna MIXX next stroller. It delivers a smooth ride you can maneuver with one hand and a convenient variety of riding modes for different ages and stages. The five position recline feature can be adjusted with one hand and offers baby the ultimate in customized comfort options. When done strolling, it packs away with a compact fold no matter which way the seat is facing. It is designed to effortlessly connect with the PIPA urbn to make baby life on the go so much easier.
Stroller features
- MagneTech secure snap™ is a self-guiding magnetic buckle that automatically locks into place
- Four modes: PIPA™ series infant car seat, bassinet, seat parent facing or world facing
- Ring adapter is included for an easy on/off one-click travel system
- Rear-wheel Free flex suspension™ and front-wheel progressive suspension technology
- Compact fold-away axle™ for a more compact fold
- Stands when folded
- A one-piece fuss-free, compact fold no matter which way the seat is facing
- All-season seat keeps baby comfy in winter and unsnaps to mesh in summer
- Removable two-piece bamboo blend fabric seat insert grows with baby
- No-rethread harness for easy adjustments
- Tough, rubber foam-filled tires are ready for any terrain
- One-touch, rear-wheel braking system is strong and responsive
- Easy to flip the seat and switch to bassinet or travel system modes
- Quick release five-point harness for secure strolling
- True-flat recline for newborn comfort
- Five position recline easily adjusts with one hand
- Adjustable calf support with integrated footrest promises a comfortable ride
- Super convenient, automatic quick-click fold lock and trolley function when folded
- Height-adjustable pushbar
- Smart and stately dark matte frame with chrome black wheels
- Luxe leatherette accented pushbar and armbar
- UPF 50+ canopy is water repellent and extendable and features a flip out eyeshade, ventilation panel and window
- Two compartment basket including secret zipper pocket
- Cell phone pocket on seat back
- Removable armbar fits kids of all sizes
- Pairs perfectly with all Nuna PIPA™ series infant car seats
Stroller specifications
- 45.3"H x 32.7"L x 23.6"W (open)
- 19"H x 27.5"L x 23.6"W (folded)
- 28.3 lbs. (without armbar and insert)
Recommended use
- birth to 50 lbs.
Car seat features
- 2-second* steel-reinforced pipaFIX™ rigid latch installation makes set up swift, simple and above all - safe
- Ultralight for on-the-go at just 7 lbs**
- Travel with ease with pipaFIX™ or vehicle seat belt- no base needed
- One-handed vehicle and stroller release for quick and easy in-and-outs
- Auto-reclining foot that aids in proper installations in vehicles
- European belt path for vehicle belt installations
- Aeroflex™ foam that is cleverly lightweight, resilient, and minimizes force transferred to baby by absorbing and diffusing energy
- Side Impact Protection for ultimate baby safe keeping
- Five-point harness keeps travels secure
- Sky drape™ pulls down smoothly and attaches quietly with magnets
- Full-coverage UPF 50+ canopy is extendable and features a flip-out eyeshade and XL peek-a-boo window
- From fabric to foam and beyond, each element is smartly sourced to be both flame resistant and contain no added fire-retardant chemicals
- Integrated magnetic buckle holders help keep straps out of the way when buckling baby in
- Head support includes a 2-layer soft surround to accommodate smaller babies
- Infant head support and body inserts feature environmentally friendly Merino wool and TENCEL™ *** branded lyocell fiber blend that is soft, naturally controls moisture, and is environmentally friendly
- Machine washable seat fabrics and inserts
- Luxe leatherette carry handle for stylish journeys
- GREENGUARD Gold certified - products that have achieved GREENGUARD certification are scientifically proven to meet some of the world's most rigorous third-party chemical emissions standards, and certified to not contribute to indoor air pollution or chemical exposure
- FAA certified for aircraft use
- All installation types are baseless- no base needed
- Not compatible with PIPA™ series base or RELX™ base
- Set of included anchor guides make it easy to locate and install on the lower anchor bars in vehicle
Car seat specifications
- 22"H x 25"L x 17.5"W
- 7 lbs. (without insert and canopy)
Recommended use
- 4-22 lbs., less than 29"
What's in the box
- MIXX stroller
- MIXX car seat ring adapter
- Car Seat
- Anchor guides
*Refer to instructions for any final adjustments
**Weight excludes canopy and infant insert
***TENCEL™ is a trademark of Lenzing AG
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 17 reviews
Sort
Product Reviews
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016