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lavender and sage plants

lavender and sage plants Shop 'Russian sage - Perovskia atriplicifolia' Care and Growing Guide

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lavender and sage plants Shop 'Russian sage - Perovskia atriplicifolia' Care and Growing GuideThe Russian Sage, known as Perovskia atriplicifolia, is a woody deciduous perennial plant prized for its long lasting blue flowers. Its a favorite among gardeners looking for a plant that adds both visual interest and resilience to their landscapes. This hardy, drought tolerant plant is not only beautiful but also requires minimal maintenance, making it an ideal choice for those who want a vibrant garden with less effort. Native to Central Asia, the

The Russian Sage, known as Perovskia atriplicifolia, is a woody deciduous perennial plant prized for its long-lasting blue flowers. It’s a favorite among gardeners looking for a plant that adds both visual interest and resilience to their landscapes. This hardy, drought-tolerant plant is not only beautiful but also requires minimal maintenance, making it an ideal choice for those who want a vibrant garden with less effort. 

Native to Central Asia, the name "Russian Sage" can be a bit misleading since the plant is neither a true sage (Salvia) nor is it primarily associated with Russia. The name likely stems from its aromatic foliage, which is like that of true sage plants, and the mistaken association with Russian steppes (flat grassy plain) due to its hardiness. The genus name Perovskia honors the Russian general V. A. Perovsky, who was active in the region where the plant was first discovered. 

Russian Sage is easily recognized by its upright, shrubby growth habit and its finely textured, aromatic leaves that are silvery-gray in color.

The plant produces long, arching stems that are covered in tiny, feathery flowers.

The foliage remains attractive even after the flowers have faded, adding interest to the garden year-round.

The Russian Sage typically grows to a height of 4 feet with a spread of about 2 to 3 feet, though some varieties may grow slightly taller.  

The flowers of Russian Sage are one of its most striking features. Blooming from mid-summer to early fall, the small, tubular flowers are a soft lavender-blue color and are densely packed along long, slender spikes. These flowers contrast beautifully with the silvery foliage, creating a cloud-like effect in the garden. The flowers are not only visually appealing but also fragrant, adding another layer of sensory enjoyment. The long blooming period also provides continuous color in the garden when many other plants have already finished flowering. 

When and How to Water Your Russian Sage 

When it comes to watering, the Russian sage (Perovskia atriplicifolia) is a beautiful and drought-tolerant perennial plant that is relatively low-maintenance. When establishing Russian sage, it's essential to water it regularly during the first growing season to help its roots develop and adapt to the soil.  

Once established, Russian sage is quite drought-tolerant and generally only needs watering once a week during prolonged dry spells. Overwatering can be detrimental to Russian sage, as it prefers well-draining soil and can suffer from root rot if the soil remains too wet. 

It's best to check the soil moisture to determine when to water Russian sage. Place your finger in the soil near the plant; if it feels dry to the touch, it's time to water. Allow the soil to dry out in between waterings and water deeply but sparingly. Typically, watering Russian sage once 2-3 weeks should be sufficient, but adjust based on your local climate conditions. During hot summers or in sandy soil, you may need to water more frequently. It's also beneficial to water Russian sage at the base of the plant to avoid wetting the foliage, which can lead to disease issues. 

In colder regions, it's advisable to reduce watering in late summer to help the plant prepare for winter dormancy. Once the plant goes dormant in the fall, you can further reduce watering. In spring, as new growth emerges, you can gradually increase watering to support the plant's growth. By understanding the watering needs of Russian sage and adjusting based on its growth stage and environmental conditions, you can help this lovely perennial thrive in your garden.

Light Requirements – Where to Put Russian Sage 

>When grown indoors, it is crucial to provide Russian sage with as much bright light as possible. Place indoor Russian sage near a south-facing window where it can receive several hours of direct sunlight each day.

If natural light is limited, supplement with grow lights to ensure the plant gets the light it needs for healthy growth. Without adequate light, Russian sage may become leggy, with sparse foliage and reduced flowering.

For outdoor cultivation, it is essential to plant it in a location that receives full sunlight. Russian sage is a sun-loving plant that needs at least 6 to 8 hours of direct sunlight per day to thrive. In areas with extremely hot summers, some afternoon shade can be beneficial to protect the plant from scorching.

However, in general, Russian sage performs best in full sun conditions. Adequate sunlight not only promotes vigorous growth and abundant blooming but also enhances the plant's aromatic foliage. By ensuring proper light exposure, both indoors and outdoors, you can enjoy the beauty and resilience of Russian sage in your garden or home.

Its airy, open structure makes it an excellent choice for adding height and texture to garden beds without overpowering other plants. The plant’s size and form also make it suitable for use in borders, cottage gardens, and as a backdrop for smaller, more delicate flowers. 

Optimal Soil & Fertilizer Needs 

The Russian sage prefers sandy, well-drained soil, as excess moisture can promote root and stem rot. Instead, make or buy a well-draining potting mix, or ideally use our specialized potting mix, opens in a new tab that contains 5 natural substrates and mycorrhizae to promote the development of a strong root system that helps your plants to thrive. As an okay alternative, you can create your own potting mix, opens in a new tab by combining equal portions of perlite, coarse sand, and good natural potting soil. 

As for fertilizer needs, Russian sage is a relatively low-maintenance plant that doesn't require heavy feeding. In fact, too much fertilizer can lead to excessive foliage growth at the expense of flowers. It's best to apply a balanced (5-10-5), slow-release NPK fertilizer in early spring as new growth emerges. Choose a fertilizer with a higher phosphorus content to encourage blooming. Avoid fertilizing Russian sage in late summer to prevent promoting new growth that may not have time to harden off before winter. 

By providing Russian sage with well-draining soil, occasional organic amendments, and a balanced fertilizer regimen, you can support healthy growth and abundant flowering in this stunning perennial plant. Remember, moderation is key when it comes to fertilizing Russian sage to maintain its natural growth habits and ensure its long-term health in your garden. 

Hardiness Zone & More 

When growing indoors, the Russian sage prefers temperatures between 60-80°F, with relatively low humidity levels. It's essential to provide good air circulation around the plant to prevent issues like powdery mildew, which can be exacerbated by high humidity levels. 

For outdoor cultivation, Russian sage Perovskia atriplicifolia thrives in USDA hardiness zones 5 to 9. It is a hardy plant that can withstand a wide range of temperatures, from hot summers to cold winters. Russian sage is drought-tolerant and can handle dry conditions well once established. It can tolerate temperature fluctuations typical of outdoor environments. In terms of humidity, Russian sage is relatively low-maintenance and can adapt to varying humidity levels, making it a versatile plant for outdoor gardens in different climates. 

Wildlife - Russian Sage attracts the following Friendly-Pollinators

Russian Sage is highly attractive to pollinators, especially bees, butterflies, and hummingbirds. Its long blooming season provides a consistent food source for pollinators throughout the summer and early fall. The tubular flowers are particularly appealing to long-tongued bees and butterflies, while the aromatic foliage helps deter pests, creating a garden that is both beautiful and beneficial to local wildlife. 

Butterflies
Bees
Hummingbirds
Lady Bugs
Multi Pollinators
Other Birds

Toxicity: Russian Sage is generally considered non-toxic to humans, dogs, cats, and birds, making it a safe option for pet-friendly gardens. Its leaves and flowers are not commonly consumed due to their strong scent and flavor, but they are safe to touch and handle. 

How to Propagate Russian Sage 

Russian Sage can be propagated through several methods, including seed, division, and cuttings. Propagation by seed is straightforward but can take longer to produce mature plants. The division is best done in early spring or fall when mature plants are dug up and divided into smaller sections, each with its own root system. Cuttings, taken in late spring or early summer, are another reliable method. These should be rooted in a well-draining medium and kept moist until established. Russian Sage is generally low-maintenance, but ensuring good drainage is crucial for its success, as it does not tolerate wet or poorly drained soils. 

Key Takeaways

  1. Russian sage displays delicate lavender-blue flowers from midsummer to early fall, adding extended color to gardens.
  2. This plant is highly drought-tolerant, thriving in hot, dry conditions with minimal water once established.
  3. It is known for its low-maintenance and thrives in well-draining soil.
  4. The fragrant blooms attract pollinators, including bees and butterflies, supporting local ecosystems.
  5. Russian sage has silvery, aromatic foliage that adds visual interest and a subtle fragrance to landscapes.

Final Thoughts

In conclusion, Russian Sage (Perovskia atriplicifolia) is a standout perennial that combines beauty with resilience. Its silvery-gray foliage, tall, airy spikes of lavender-blue flowers, and aromatic qualities make it a visually striking addition to any garden. This plant is extremely drought-tolerant, thrives in full sun, and requires little maintenance, requiring only well-drained soil and occasional pruning to maintain its shape. Russian Sage is also deer-resistant and attracts pollinators, adding ecological value to your landscape. With its low-maintenance nature and long-lasting appeal, Russian Sage is an excellent choice for gardeners seeking a hardy, beautiful plant that enhances both traditional and xeriscape gardens. 

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Julie S.
Houston, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
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M. Edwards
Port Orchard, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
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pepe
Los Angeles, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
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Charles H. Hooker Jr.
Grantham, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Houston, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012

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