SKU: 83128088665
sansevieria trifasciata hahnii snake plant plant

sansevieria trifasciata hahnii snake plant plant Hahnii Golden Edge

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Description

sansevieria trifasciata hahnii snake plant plant Hahnii Golden EdgeDracaena (Sansevieria) trifasciata 'Hahnii Golden Edge' Dracaena trifasciata 'Hahnii Golden Edge' is a compact birds nest snake plant with short, broad leaves arranged in low rosettes. The foliage is grey green to deep green in the centre, with bright yellow margins that frame each leaf and give the plant a fresh, bright look in a small pot. The plant stays close to the container, building a neat, layered cluster from the base. This snake plant has a

Dracaena (Sansevieria) trifasciata 'Hahnii Golden Edge'

Dracaena trifasciata 'Hahnii Golden Edge' is a compact bird’s-nest snake plant with short, broad leaves arranged in low rosettes. The foliage is grey-green to deep green in the centre, with bright yellow margins that frame each leaf and give the plant a fresh, bright look in a small pot. The plant stays close to the container, building a neat, layered cluster from the base.

This snake plant has a naturally small, low profile with strong colour around each leaf edge. The leaves overlap in a tight rosette, so even a young plant can look full in a small pot. As it matures, the rhizome produces new side shoots that create additional rosettes around the original centre, slowly forming a wider clump.

Yellow-edged rosettes in a small footprint

  • Growth shape: Low rosettes create a bird’s-nest form with layered leaves.
  • Leaf colour: Yellow margins brighten the compact foliage and frame the green centre.
  • Indoor size: The low habit stays compact on shelves, desks and plant stands.
  • Offset growth: New rosettes appear from the base, gradually widening the clump.
  • Flowering: Mature plants may flower occasionally, while the compact rosettes stay prominent year-round.

How the bird’s-nest habit develops

Dracaena trifasciata grows from a rhizome, and 'Hahnii Golden Edge' shows that structure in a compact way. New growth appears as fresh leaf clusters from the base, slowly turning a single rosette into a group of connected rosettes. This makes the plant naturally dense and slow by nature.

The species behind this cultivar is native from southern Nigeria to western Central Tropical Africa and Tanzania, where it grows in seasonally dry tropical conditions. Its firm leaves store water, while the rhizome needs a drying phase between waterings. The compact rosette shape also means watering should be directed to the substrate, so moisture stays out of the central leaf cup.

The yellow leaf margins give this cultivar its bright rosette look. The plant depends on warm temperatures, open substrate and careful watering. With steady filtered light, the rosettes usually stay compact and the leaf pattern remains clear. In dimmer positions, adjust watering to the slower drying pace of the pot.

Care for a compact Hahnii rosette

  • Light: Bright indirect light helps keep the rosette balanced and compact. In dimmer rooms, reduce watering frequency to match the slower drying mix.
  • Watering: Water the substrate after it has dried deeply. Aim water at the mix around the rosette, then let the pot drain fully.
  • Substrate: A loose, mineral-leaning mix with pumice, lava rock, coarse sand or fine bark gives the rhizome the air it needs after watering.
  • Pot choice: A shallow or modestly sized pot with drainage holes holds the low clump and keeps drying time manageable.
  • Temperature: Keep it in steady indoor warmth, ideally around 18–27 °C. Warm conditions help the lower pot dry evenly.
  • Humidity: Normal household humidity is enough for this compact snake plant.
  • Feeding: Use a diluted balanced or cactus fertiliser during active growth. Light feeding is enough for the slow offset habit.
  • Repotting: Repot when several rosettes have filled the pot or the substrate has collapsed. Increase pot size modestly so the mix still dries predictably.
  • Propagation: Divide established clumps by separating rooted rosettes with a section of rhizome attached. This preserves the compact form.

Rosette issues to catch early

  • Soft centre: Check for moisture held between the inner leaves and inspect the base. A damp crown can soften quickly in cool rooms.
  • Brown yellow margins: Review old handling damage, irregular watering, mineral buildup and temperature dips. Trim only dry tissue if needed.
  • Wrinkled leaves: Check both dryness and root condition. Wrinkling can come from a long dry spell or from roots that stopped taking up water after earlier stress.
  • Open rosette shape: Move the plant closer to bright filtered light. Brighter filtered light produces a tighter new leaf arrangement.
  • Few offsets: Offset production is naturally slow. Warmth, stable light and a snug pot help new rosettes form more steadily.

Pet and child safety

Place Dracaena trifasciata 'Hahnii Golden Edge' out of reach of pets and small children who may chew the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. A raised position keeps the low rosette away from easy access in shared spaces.

Species name and Hahnii context

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains common in horticulture. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”. The species epithet trifasciata means “three-banded” or “marked with three bands”, referring to the banded leaf pattern seen in the species and many cultivars. The Hahnii group is recognised in cultivation for its compact bird’s-nest habit.

Dracaena trifasciata 'Hahnii Golden Edge' has low rosettes, yellow margins and slow offset growth in a compact pot.

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Jav M
New York, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
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anonymous name
Fort Morgan, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
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Reviewed in the United States on July 27, 2001
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L. D. Weimer
Fort Morgan, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
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Reviewed in the United States on April 4, 2015
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charles d barber
Louisville, US
★★★★★ 4
Absolutely beautiful poetic translation occasionally marred by silly attempts at contemporary relevance
Format: Paperback
Poetry is something I seldom read, but the range of philosophical and religious reflection in Hafiz' writing is amazing, delightful, and life-affirming. Not every poem is equally rewarding, but how could they be? The translations make these ancient short poems speak to the present day, but sometimes too much so--using terms that have only come into our language in the 20th or 21st centuries at times borders on "cutsie", which distracts from the true meaning. When Ladinsky sticks to standard and time-tested language and grammar, his translations have much deeper impact, for me anyway. I have not read other translations of Hafiz, but I imagine previous ones are full of "thee's" and "thou's", and less erudite perspectives. I highly recommend this book--for me is has more understanding and depth concerning daily living than Rumi, for instance. Just beware that there are some shockingly off-the-mark, if sincere, attempts to make this ancient poetry relevant to us now. Ladinsky apparently spent years working on this book, so my hat is off to his scholarship.
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Reviewed in the United States on April 16, 2017
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Farinaz Parsay
Phoenix, US
★★★★★ 5
I love The Gift of Hafiz by Daniel Landinsky I am ...
Format: Paperback
I love The Gift of Hafiz by Daniel Landinsky I am Persian and I love the poetry of Hafiz but the book Gift is the first book I read in English language translated by Daniel Ladinsky. As a Persian who is born and raised knowing the poetry of Hafiz by heart and in their original tongue, I really enjoyed reading the book and appreciated the interpretations and translation. Daniel Ladinsky is an American poet known as interpreter of mystical poetry born and raised in Saint Louise. He has said “the poet who I have worked most with is the 14th century Persian poet Hafiz. And Goethe has said, Hafiz has no peer. And I think Goethe knew what he was talking about”. Daniel Ladinsky has written many other books about Hafiz which are unique and many have come to know about this great Persian Master more glorious in the English language. In a rare interview on October 2013 with the Sun Magazine, Daniel Ladinsky shares about his spiritual longing, his encounter with a living saint in India who inspired him to work on Hafiz. In his preface of “The Gift” he invites us to join him in his fantastic applause of life and says “I vote to inscribe these words of Hafiz on every flag, church bell, temple, mosque, and politician’s brain: Dear ones, let’s anoint this earth with dance! I recommend the book "Gift" to everyone who enjoys poetry.
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Reviewed in the United States on June 11, 2016

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