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philodendron green fatboy

philodendron green fatboy Philodendron Martianum 'Fat Boy'

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Description

philodendron green fatboy Philodendron Martianum 'Fat Boy'The name explains itself the moment you see it. Every petiole on the Philodendron Martianum 'Fat Boy' is dramatically swollen inflated, bulbous, and hollow, like a series of fat green sausages holding up the broad, glossy dark green leaves above. No other Philodendron looks quite like this. Named in honour of Carl Friedrich Philipp von Martius, the great German botanist who spent years cataloguing the flora of Brazil's Amazon basin, martianum is a

The name explains itself the moment you see it. Every petiole on the Philodendron Martianum 'Fat Boy' is dramatically swollen — inflated, bulbous, and hollow, like a series of fat green sausages holding up the broad, glossy dark-green leaves above. No other Philodendron looks quite like this. Named in honour of Carl Friedrich Philipp von Martius, the great German botanist who spent years cataloguing the flora of Brazil's Amazon basin, martianum is a species from Brazil's Atlantic rainforest and rocky outcroppings — a plant equally at home growing on tree trunks and bare cliff faces, which explains its unusually tough, drought-tolerant character. The swollen petioles are not just a visual quirk; they are water storage organs, making this a semi-succulent Philodendron that tolerates dry spells far better than most of its genus. New leaves emerge with a warm bronze flush before deepening to the rich, glossy green of a mature plant. It grows as a self-heading, compact rosette — no climbing, no moss pole, no drama — and is one of the most genuinely low-maintenance collector aroids available.

💡 The Swollen Petioles — Water Storage, Not a Defect The dramatically inflated, hollow petioles of Philodendron martianum are its most distinctive feature and its most practical one. They function as water storage organs — the plant draws on the moisture held within them during dry periods, making it significantly more drought-tolerant than most Philodendrons. This semi-succulent adaptation is why the Fat Boy should be treated more like a succulent-philodendron hybrid than a typical aroid: allow the soil to dry much further between waterings than you would for other Philodendrons, and never keep the root zone perpetually moist. The petioles will appear visibly plumper on a well-hydrated plant and slightly softer when the plant is ready for water.
🌿 Self-Heading Rosette — No Pole, No Climbing Philodendron martianum is a non-vining, self-heading species that grows as a compact, upright clump. It does not climb, does not trail, and needs no support structure. New leaves push upward and outward from the central growing point, building a layered rosette that displays the bronze new growth at the centre against the mature dark-green outer leaves. Rotate the pot a quarter turn every 2–3 weeks for even, symmetrical growth. Its compact, structured habit makes it ideal for desks, shelves, and tabletops where a climbing vine would be impractical.
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Light

Bright indirect light — an east or west-facing window is ideal. The Fat Boy tolerates lower light better than many collector aroids, but in good bright light it produces larger leaves, more vivid bronze new growth, and a more compact, robust rosette form. Avoid direct harsh afternoon sun — it scorches and bleaches the glossy leaves. Gentle morning sun is fine and beneficial. A grow light at 12–14 hours works well indoors and produces consistent new growth year-round.

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Watering

Allow the top 50% of the soil to dry out before watering thoroughly — much drier than most Philodendrons. The swollen petioles store water and the plant tolerates short dry spells with ease; consistent soggy soil is the primary cause of root rot in this species. Water deeply and allow to drain completely; empty the saucer after watering and never allow to stand in water. In winter reduce frequency further — the petioles provide a visible cue: slightly softened or less plump petioles indicate the plant is ready for water. Filtered water preferred; room temperature.

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Humidity

Average indoor humidity (40–55%) is ideal — one of the few Philodendrons that actively prefers drier air. The thick petioles store moisture internally and excessive ambient humidity can encourage fungal issues on the leaf surfaces and around the stem base. Do not mist. No humidifier needed. India's typical indoor climate is naturally well-suited. Keep away from excessively humid bathrooms or very damp corners. Good air circulation around the plant is beneficial.

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Growing Media

Well-draining, airy mix — 40% orchid bark, 30% perlite, 20% quality potting soil or coco coir, 10% worm castings. pH 6.0–6.5. The mix must drain immediately and completely; any sustained moisture retention around the roots causes rot in this semi-succulent species. A terracotta pot with drainage holes is strongly recommended — the porous walls assist evaporation and prevent moisture build-up between waterings. Repot every 1–2 years in spring; slightly root-bound is preferred. Move up only one pot size at a time.

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Feeding

Balanced liquid fertilizer at half strength every 3–4 weeks during the growing season (spring through early autumn). Apply to moist soil only. The Fat Boy is not a heavy feeder; consistent but light feeding during active growth produces robust new leaves. Flush soil every 3 months to prevent mineral salt build-up. Stop feeding in winter. Avoid high-nitrogen formulas — they push soft, watery growth that is particularly susceptible to rot in this semi-succulent species.

⚠️ Common Issues & Quick Fixes

Soft, Mushy, or Collapsing Petioles

The most Fat Boy-specific complaint — and the most serious. Mushy, collapsing petioles indicate root rot from overwatering. Unpot immediately, inspect the roots — trim all blackened or mushy sections with clean scissors, allow the root ball to air-dry for several hours, repot in fresh completely dry well-draining mix, and do not water for at least 2 weeks. Going forward: allow top 50% of soil to dry before watering; terracotta pot; no saucer standing water.

Yellow Leaves

Overwatering — the primary cause in this species. Allow the soil to dry much further between waterings and check that drainage is excellent. One older leaf yellowing as a new one unfurls is normal cycling. Widespread yellowing with soggy soil: unpot, trim rotted roots, repot in fresh mix, water less going forward.

Leaves Staying Small or Growth Stalling

Insufficient light or the plant being too root-bound. Move to a brighter indirect position. Check whether roots are circling the pot base — if so, repot one size up in spring. Begin consistent feeding every 3–4 weeks. In good conditions the Fat Boy produces large, substantial leaves; small leaves are a reliable indicator that one of these three conditions needs attention.

Brown Leaf Tips or Edges

Mineral build-up from tap water or over-fertilizing. Switch to filtered water, flush the soil thoroughly every 3 months, and reduce fertilizer concentration. Existing brown tips are permanent — trim neatly at a slight angle; new growth in improved conditions will be clean.

Fungal Spots on Leaves or Stem Base

Excessive humidity or water splashing on the leaf surfaces or stem base — this species prefers drier air than most aroids. Improve air circulation, stop any misting, and reduce ambient humidity. Remove badly affected leaves. Apply a diluted neem oil solution to the stem base and leaf surfaces as a preventive. Move to a drier, better-ventilated position.

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Quick Plant Profile

Botanical Name Philodendron martianum Engl. 'Fat Boy'
Named After Carl Friedrich Philipp von Martius — German botanist who catalogued Brazil's Amazon flora
Common Names Fat Boy Philodendron, Cannifolium Philodendron, Swollen Petiole Philodendron
Family Araceae
Origin Brazil; Atlantic rainforest and rocky outcroppings; epiphytic and lithophytic
Defining Feature Dramatically swollen, hollow, inflated petioles — water storage organs; unlike any other Philodendron
Petiole Function Semi-succulent water storage — plant tolerates dry spells; plump petioles = well-hydrated; soft petioles = water needed
New Leaf Colour Bronze flush on emergence; deepens to deep glossy green as leaf matures
Growth Habit Self-heading rosette; non-vining; no climbing; no moss pole needed; compact upright clump
Humidity Note Prefers drier air (40–55%) — one of the few Philodendrons that does NOT benefit from a humidifier
Light Bright indirect; tolerates medium light; no direct harsh sun
Watering Top 50% dry before watering; much drier than most Philodendrons; terracotta pot recommended
Temperature 18°C–30°C; no cold drafts; no sustained cold below 15°C
Mature Size 30–60 cm in pots; significantly larger in-ground in tropical gardens
Propagation Stem cuttings with at least one node; allow cut end to callous before placing in bark or sphagnum
Ideal For Collectors, Desks, Shelves, Low-Maintenance Setups, Aroid Enthusiasts, Gifting
Care Level Easy — bright light, let it dry well, avoid overwatering and excess humidity; the rest takes care of itself
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Smrz
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★★★★★ 5
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Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011
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Krisha
Lake Worth, US
★★★★★ 4
Worth Watching Crime Drama
I almost stopped watching this film early on because I found the behavior of the cashier's wife so annoying and insufferable. I stuck with it though. It is almost as if it is a crime re-enactment show because of the voiceover narration. In one of the close to final scenes, I thought "This is Kubrick, alright." It is interesting that I watched a film yesterday, "Dead End" in which some of the characters believe that the only life worth living is one with material wealth as do some of the characters in this film. How sad. Maybe that belief is what kills what has real worth. Maybe it is that belief that leads one to a dead end.
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Reviewed in the United States on October 6, 2025
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Rob
Battle Creek, US
★★★★★ 5
Excellent.
kubrick's first i think. an excellent b/w noir crime film. very influential. sets the standard. must see.
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Reviewed in the United States on June 5, 2026
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bhogan16
Charlottesville, US
★★★★★ 5
2 Early Kubrick Films in 1 Thrilling Package
The most important thing for the buyer to know about The Killing Criterion Blu-Ray is that it collects 2 of Stanley Kubrick’s earlier films: The Killing (1956) and Killer’s Kiss (1955). Even though the Killer’s Kiss title is not on the box, it is present as an extra, along with its trailer. Other than that, you can expect the usual from a Criterion Collection release. For those who don’t know, that means terrific quality and presentation, with loads of extra supplementary material. As far as the movies themselves go — unlike Fear and Desire, I can actually recommend these two movies as movies, as opposed to morbid curiosities of Kubrick fanatics. They are both pretty intense crime thrillers and just a ton of fun. This is Kubrick before he makes big studio movies with big budgets, but after he’s gained more of the experience and sophistication he would later be known for. The product feels raw, gritty, sometimes intimate, and gives you a look at his NYC roots. Kubrick is still an underdog at this stage in his career. So, would definitely recommend for Kubrick fans, and just crime thriller fans in general
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Reviewed in the United States on December 11, 2022
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Ethan
Massapequa, US
★★★★★ 5
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We're all children of Kubrick aren't we? Is there anything that you can do that he hasn't done? - Paul Thomas Anderson. One of the most true statements about a great director from another great director. Stanley Kubrick's The Killing is a harsh piece of filmmaking that is the true definition of a film noir heist movie. The characters are not glamorous and they are not symphatetic. They are merely real and that is all you need in a movie. These characters move through the intricate plot with the masterful direction of Kubrick guiding them through it and speaking the crisp dialogue from pulp novelist Jim Thompson. With that combination The Killing is noir at its finest. A great early masterpiece from Kubrick. This Criterion Collection blu-ray also includes another early Kubrick work, Killer's Kiss, about a boxer who falls in love with a woman who lives next door to him and thus gets caught up in a dangerous game of cat and mouse with her shady boss. A great companion movie for The Killing. But there is one disappointment with this Criterion release. When it was first annouced that they were releasing this film, I had high hopes that they would release the rare Kubrick film Fear and Desire with this, but I was sadly disappointed. Maybe there is a seperate Criterion release for that film in the near future, we can only hope. But all in all this is a great blu-ray, highly recommended for fans of Kubrick or fans of the film noir genre.
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Reviewed in the United States on October 19, 2011

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