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philodendron green congo price

philodendron green congo price Philodendron Green Congo, Natures Beauty

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Description

philodendron green congo price Philodendron Green Congo, Natures BeautyPhilodendron Green Congo, Bring the Rainforest Indoors and Purify the Air Philodendron Green Congo is a fast growing plant with a striking glossy heart shape foliage. The Congo Green is a self header that spreads outward as it grows upward. The glossy, dark green, thick leaves are spaced very close to each other on a single stem. The stiff, barely visible stem, keeps a Philodendron Congo upright and elegant looking as it matures. It is a magnificent

Philodendron Green Congo, Bring the Rainforest Indoors and Purify the Air

Philodendron Green Congo is a fast-growing plant with a striking glossy heart shape foliage. The Congo Green is a self-header that spreads outward as it grows upward. The glossy, dark green, thick leaves are spaced very close to each other on a single stem. The stiff, barely visible stem, keeps a Philodendron Congo upright and elegant looking as it matures. It is a magnificent addition to outside gardens or even indoor areas to give it a more tropical sensation. They are low maintenance giving them the ability to grow in shaded areas or even bright natural light indoors. A lush, decorative foliage plant with large, leathery leaves. Philodendron Green Congo has a compact, bushy habit. Philodendron Green Congo likes medium to bright indirect sunlight for best performance, Green Congo elegance and beauty is what really sets this species apart and what makes it so desirable. Philodendron Green Congo are low maintenance giving them the ability to easily adapt to most environments, indoors or outdoors in shaded areas.

SATISFACTION GUARANTEE - Buy with confidence, all of our plants are Backed by our 30 days Satisfaction Guarantee.

KEY FEATURES & BENEFITS
• Filter indoor air by absorbing toxins, and removing harmful chemicals.
• Indoor gardening relieves stress and Fatigue by simply enjoying and caring for your plants.
• Having plants in your home or office can be a source of pleasure.
• Plants are therapeutic and cheaper than a therapist
• With its exotic-looking foliage, Philodendron Plants will bring a tropical feel to virtually any well-lit area
• Hand picked and shipped direct from our Nursery

DECORATING WITH THE PHILODEDNRON GREEN CONGO
Plant features are becoming very popular in modern interior design for homes, both indoors and outdoors, also true for spaces like hotels lobbies, main entrances, corporate lobbies and offices, the inclusion of plants make space feel more attractive, exciting and comfortable, creating a well balance peaceful ambiance of styles that can both calm the senses and invigorate the mind simultaneously, adorning with live plants and natural elements is a great choice to create a relaxing atmosphere while at home, reducing the day to day stresses from modern life, weather is traffic congestions or stressful daily routines, living sculptures can be the answer to some of this challenges, design your space with tropical plants in mind.

Care & Maintenance

Care Guide

PLANT CARE

• Plants shipped online are in complete darkness for several days, once received place in a low light area for 2-3 days before transitioning to bright light.
• Repotting / Fertilizing, once received Wait 4 weeks before repotting or fertilizing, Fertilize during Spring to Fall base on label instructions.
• Water, allow the top 1-2 inch of Soil to dry out, may take 7-12 days, water slowly to allow the soil moist evenly.
• Humidity, most Tropical plants can benefit from regular moisture, a humidifier or regular misting is recommended.
• Light, if is bright enough to read is bright enough for plants, if outdoors place in indirect sun light under Shade.

PLACEMENT AND TEMPERATURE - Selecting the right location for your plant indoors or outdoors is very important, micro climates can affect the health of the plant, make sure the plant does not receive air draft from near by AC/Heating vents, or warm air if close to a freezer, the foliage will dehydrate faster than it can hydrate from moisture in the air or in the soil, eventually turning brown and dropping, when plants are properly watered and care for and still display signs of wilting or seem sad it may help to relocate the plant to a different area for brighter indirect light. Please note most tropical plants are from the tropics, proper moisture is required for their health and survival, we highly recommend to bring your tropical plants indoors when temperatures are expected below 45s during winter months or above 90 during summer months, extreme weather can severely damage the plant.

FERTILIZING – No need to fertilize right away, We fertilize our plants during the production phase with slow release fertilizer which can last an additional 2-3 months supplying residual nutrients to the plant. Once you do decide to fertilize You may use a fertilizer formulated for interior plants, preferably a slow release fertilizer 180 days duration, fertilize during spring or fall base on label instructions.

CLEANING, REGULAR MAINTENANCE - Philodendron Plant leaves are normally large in size and easy to clean, use caution when cleaning them to avoid damage. Simply add a few drops of dish soap to a cup of water, wet a soft cloth and manually wipe off dust off the leaves, is a simple solution that is inexpensive and works well without damaging the plant.

How to Prune Philodendron Green Congo
Philodendron Plants requires regular maintenance, pruning lower bottom leaves may be needed at some point to maintain the plant clean and healthy, Lower leaves will gradually yellow and decay, collapsing over time, this is a normal process as new shoots pop and form into new leaves.

INSECTS OR DESEASES - The good news is that healthy, well-cared-for Philodendron plants are generally resistant to infestations. Philodendron Plants are not regularly affected by pests. in the event that scale, mealy bugs, or mites are found to affect the plant, they can be controlled by wiping the infested area with a soapy solution, add a few drops of dish soap in a cup of water and wipe off the affected areas with a soft cloth, It can take several intermittent cleanings to rid the plant of the pests.
Horticultural oils can be sprayed directly onto the insects, A second and third treatment, if using oils, will be necessary. Space out the sprays at 3 week intervals to break up the mealybug life cycle. Both of these treatments together will be very effective.

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4.7 ★★★★★
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Julie S.
Birmingham, US
★★★★★ 5
5 Stars – A Must-Read for Anyone Interested in Creativity!
Format: Paperback
Creativity: The Psychology of Discovery and Invention* by Mihaly Csikszentmihalyi is a brilliant exploration of the inner workings of creativity and the human mind. Whether you’re an artist, entrepreneur, or simply someone interested in understanding how creative breakthroughs happen, this book provides a fascinating blend of psychology, real-world examples, and deep insights. What sets this book apart is its comprehensive approach to creativity, going beyond the idea of it being a mysterious or innate trait. Csikszentmihalyi breaks down the creative process into digestible parts, showing how environment, discipline, curiosity, and flow all play a crucial role in fostering creative discovery. The interviews with a wide variety of highly creative people—including scientists, artists, and business leaders—add incredible depth and context to his theories. One of my favorite takeaways is how Csikszentmihalyi emphasizes the balance between freedom and structure in creative work, and how finding the "flow" state can lead to moments of true innovation. The book not only helped me better understand my own creative process but also offered practical advice for cultivating creativity in everyday life. This is an insightful, inspiring read for anyone who wants to dive deeper into the psychology behind creative genius. Highly recommend!
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Reviewed in the United States on September 10, 2024
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M. Edwards
Houston, US
★★★★★ 4
Personal Creativity does not equal Domain Transformation
This was a good if not a great book. Its greatest strength lies in the thesis introduced early on and supported throughout that the kind of creativity that leaves a trace in the cultural matrix rests not in the personal creativity of the individual, but in what Csikszentmihalyi tags the "systems approach " to creativity. To have any effect, a creative idea must be couched in terms that are understandable to others, pass muster with the experts in the field (i.e. the gatekeepers to the domain), and be included within the cultural domain (the set of symbolic rules or procedures) to which it belongs. In this systems view, the definition of a creative person is someone whose thoughts or actions change a domain or establish a new domain (pp. 27-28). This is no easy task, especially since he or she needs to learn the existing domain or domains first, and almost always necessitates being in the right place at the right time (e.g. studying quantum physics at the beginning of the 20th century or women seeking academic opportunities when WWII broke out). Having established this in the first 30 pages, if you didn't read the remaining 350 you wouldn't miss much. But I still enjoyed reading the stories and thoughts of selected individuals whom the author deemed as "creative" according to the definition above (However, I disagreed with the selection of a few of these and would have chosen at least one more person of faith in addition to the Quaker who was briefly highlighted. Also on the issue of faith, I found the author's grouping on page 371 of studying the bible with addictive behaviors such as cruising the internet and betting on horse races to be rather laughable!). Some additional personal nuggets I gleaned from this book include the following: 1. Those who persevere and succeed must be creative not only in their manipulation of symbols but maybe even more in shaping a career and a future for themselves that will enable them to survive while continuing to explore the strange universe in which they live (p. 199). 2. When seeking to allow your mind to make new connections in a beautiful setting, just sitting and watching is fine, but taking a leisurely walk seems to be even better. The shaping of one's personal space is also important. The Greek philosophers settled on the peripatetic method, preferring to discuss ideas walking up and down in the courtyards of the academy. When we participate in this kind of "semiautomatic activity" that uses a certain amount of attention, we allow the rest of it to be free to make connections among ideas, often from different domains, well below the threshold of conscious intentionality. "Devoting full attention to a problem is not the best recipe for having creative thoughts. "(p. 138) 3. Both creativity and innovation on the one hand and conservation and traditionalism on the other are both equally important. "Neither uncritical acceptance nor wholesale dismissal of human creativity will lead us far. " (p. 322) The final section deals with how to enhance personal creativity. Some of these ideas were helpful (e.g. to seek to be surprised and to seek to surprise another person at least once every day, to seek to look at problems from multiple perspectives instead of assuming you see the issue clearly from one perspective, etc.) but others just seem to be taking up space on the page. I'm afraid the phraseology of how to use psychic energy more effectively on page 356 and a few other places lost my interest almost completely.
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Reviewed in the United States on November 15, 2010
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pepe
Fort Morgan, US
★★★★★ 5
interesting analysis of what 'being creative' really means
This easy-to-read absorbing book is based on lengthy interviews with 91 creative individuals ranging from Nobel prize winners to artists to CEOs. Csikszentmihalyi starts by debunking the myth of 'the lone genius having a brilliant idea as if by magic' and defines three necessary ingredients for creativity ('with a capital "C"') - domain, field, and individual. Creativity must take place within a recognised domain (such as physics, painting and so forth); be recognised by experts in that domain (the field, although this may not happen in the individual's lifetime, eg, Van Gogh); and of course come from an individual, although he also adds the painstaking work that precedes and insight, the reality that all creativity builds on what has gone before, and the social elements of the creative process. The book also offers supporting evidence from the lives of the 91 interviewed, which also provides interesting insights into their lives. In many ways, this book is a biography of the creative individual. Also contains a chapter with quite practical guidance on how to live more creatively. Prescient advice for a book published in 1996 given the increasing profile creativity is getting in business and public life. HIghly recommended, one of the most interesting learning experiences i have had in a long while!
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Reviewed in the United States on February 5, 2013
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Charles H. Hooker Jr.
San Leandro, US
★★★★★ 5
Very enlightening for those who truly appreciate creativity more than cleverness!
Format: Paperback
I love how the author almost redefines creativity .and sheds new light (for me, at least!)on what what real-for-true creativity is and how it benefits individuals and society. It's far more than simply brightening up a room with new wallpaper and curtains -- it describes how genuine creativity requires a thorough working knowledge of the fundamentals of any given field before one can truly create something new or better, and it reveals how those of us who aren't capable of creating something ourselves can yet be part of the process by demonstrating appreciation and support for those who create, whether as sponsors, patrons, or even just ardent fans!
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Reviewed in the United States on July 4, 2023
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Donald Walker
Belleville, US
★★★★★ 3
instructive but limited
The testimonies of creative people that give this book its flesh and blood provide fascinating examples of creative people at work. That said, if a journalist had written the book, it would be more readable, and I don't think any less of an intellectual contribution. Moreover, the definition of creativity is elitist and stunts the topic (as observed by other reviewers): "Creativity is any act, idea, or product that changes an existing domain, or that transforms an existing domain into a new one. And the definition of a creative person is: someone whose thoughts or actions change a domain, or establish a new domain. It is important to remember, however, that a domain cannot be changed without the explicit or implicit consent of a field responsible for it." Given the people interviewed, much more needs to be said about the function of social institutions in promoting creativity. Many of the accomplishments lauded in this book would never have happened without grant-making agencies (e.g., NSF, NIH, HHMI) or non-profit employers like research universities and hospitals. To offer just one obvious example of the difference made by one's institutional context, the author had advanced students to help him do his research for this book. The elitism of the definition is even clearer in the role that marketplace plays as a judge of creativity. None of us buys books from amazon.com because some official group validated amazon.com as a good idea. We didn't wait for computer programers to affirm and certify it. Amazon.com is not deemed successful because it impressed its peers. It is successful because millions of us purchase goods through it. Similarly, auto-executives did not make the minivan a successful idea, millions of shoppers did. (Obviously I don't think the marketplace fits into the author's definition of creativity. If 300 million American consumers comprise a domain with 300 million judges, then the word no longer has any useful meaning.) The definition also precludes that countless ephemeral acts of creativity that take place daily. I think instantly of two women I have worked with who were great at holidays. Their clever costumes or decorations brightened my day, adding a little element of surprise and delight. Their acts of creativity don't meet the definitions of this book. The way that creativity is defined in this book is simply a filtering mechanism by which the author selected the people he would interview. It is not a definition of creativity. It is only a description of a subsection of creativity, the kind where institutions provide paychecks to highly practiced individuals to work hard at what they love. I also found little new to take away and apply to my own social existence inside the organization where I work. Perhaps I can summarize my dissatisfaction by observing that the subtitle sets out an agenda for the psychology of creativity, but the definitional filter is intrinsically social. This disconnection sets the book up to fail. So, count this as a negative review, yes, but I did enjoy reading the testimonies of the people interviewed, and the author adds some value in the generalizations he draws. Still, much, much more could have been said.
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Reviewed in the United States on April 30, 2012

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