SKU: 86375230039
scary monsters bowie

scary monsters bowie David Bowie, Scary Monster Clown, London, 1980 – Musichead Gallery

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Description

scary monsters bowie David Bowie, Scary Monster Clown, London, 1980 – Musichead GalleryAbout this photograph Taken by Duffy during the last of the Five Sessions with David Bowie in 1980 in a costume designed by Natasha Korniloff. Bowie asked Korniloff to make him The most beautiful clown in the circus. She described David as Always a lot of fun to work with. David's New Romantic Commedia dell'arte variant outfit was a throwback to his earliest costume experience, starring in Lindsay Kemp's Pierrot In Turquoise a costume also designed by

About this photograph

Taken by Duffy during the last of the Five Sessions with David Bowie in 1980 in a costume designed by Natasha Korniloff. Bowie asked Korniloff to make him ‘The most beautiful clown in the circus.’ She described David as ‘Always a lot of fun to work with.’ David's New Romantic/Commedia dell'arte variant outfit was a throwback to his earliest costume experience, starring in Lindsay Kemp's Pierrot In Turquoise - a costume also designed by the late Natasha Kornilof.

By 1980 Duffy was winding down his photographic career. His studio was no longer filled with cameras, lights and famous faces of the era. It was replaced with tools for his new venture - antique furniture restoration. Without a studio or assistant, Duffy turned to his son Chris for a venue to shoot David Bowie, the only person who could persuade him to get back behind the lens. Bowie began to pose as the perfect pierrot, throughout the session distressing his look until he was reduced to a disheveled, smeared, smoking clown. Much like the Lodger shoot little over a year before, Bowie had employed Duffy as the photographer in collaboration with a graphic artist, a position filled this time by Edward Bell who Duffy had previously introduced to Bowie. After the shoot, Duffy took his chosen image to Edward Bell to add his graphic contribution. Fully expecting Edward Bell to paint directly onto his print, Duffy's image was almost completely obscured by Bell's painting. Although David loved the cover, Duffy was deeply hurt that his photograph had been despoiled by Bell.

Print sizes, editions and mediums

20" x 20" Paper size, 15" x 15" Image size - Edition of 16 - Archival pigment print

22" x 22" Paper size, 18" x 18" Image size - Edition of 18 - Silver gelatin print

Print type

Archival pigment print or silver gelatin print depending on size

Paper type

Fuji Baryte paper

Signature

Hand signed in ink by photographer

About the photographer

Brian Duffy (1933-2010) was a pioneering British photographer renowned for his work during the "Swinging Sixties" in London. Alongside David Bailey and Terence Donovan, he helped redefine fashion and music photography with his avant-garde style and innovative use of the 35mm camera. Duffy's collaboration with David Bowie spanned five key sessions, including the Aladdin Sane album cover, which cemented his legacy as a visionary. His work remains highly collectible, influencing both fashion and music photography.

Photo Duffy © Duffy Archive. All rights reserved. Not to be reproduced without permission.

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SKU: 86375230039

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Reviewed in the United States on April 30, 2026
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OhCaptainMyCaptain
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My Border Collie is not a big ball player. He prefers tug type games and actually gives me a look like, “Are you stupid? I’m not going to keep bringing that to you if all you’re going to do is throw it away again!” after about the third time I throw a ball for him to fetch. However, I can only play tug so often and I need him to be entertained and engaged as much as possible. I got him a smaller, non-padded ball like this hoping he would like the interactive aspect of it. He did- he actually loved it! But it was loud, hard on his teeth, would come apart periodically, and he kept hitting the off button when playing with it. It drove me crazy. This one is so much better overall! The soft outer shell is not only easier on his teeth, but it is super resilient to biting and chewing. He actually likes to carry this thing around in his mouth while it’s bouncing and vibrating. The three modes give great flexibility for different kinds of play. His favorite is the most active mode: the ball reacts to touch and practically bounces itself across the floor when he touches it with his paw or mouth. I will point out that in one of the modes, I thought the battery wasn’t charged or there was a motor issue because it’s very subdued movement; however, it’s just set up as a low-key option. Be sure to check out each mode to see which works best for your dog at different times. I can’t say enough about this ball- I have been so pleasantly surprised by how much he loves it. The rechargeable feature is super convenient, it’s big enough to not get stuck under the couch, and it automatically shuts off based on whichever mode it’s set on. As the owner of a busy, super-smart dog who needs to be engaged in mental and physical activity, I think this all is worth every penny. In fact, I’m buying one for a friend who has a Border Collie pup with lots of energy to burn! I highly recommend this toy- it’s the most engaging toy I’ve found that Finn will play with on his own.
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Reviewed in the United States on April 13, 2026
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Ladybug27
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★★★★★ 5
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