Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 14 - Jul 19
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
natural herbicide vinegar 45% Vinegar GallonNature's Freedom 45% vinegar is a concentrated acetic acid solution 9x stronger than regular household vinegar. Use it as a concentrated vinegar cleaner for weed control, descaling, rust removal, and heavy duty surface cleaning. Made in the USA with no additives, no perfumes, and no harsh chemicals. This versatile 45% concentrated vinegar is safe for outdoor use, sewer systems, and around pets when properly diluted. One gallon replaces up to 9 gallons
Nature's Freedom 45% vinegar is a concentrated acetic acid solution 9x stronger than regular household vinegar. Use it as a concentrated vinegar cleaner for weed control, descaling, rust removal, and heavy-duty surface cleaning. Made in the USA with no additives, no perfumes, and no harsh chemicals.
This versatile 45% concentrated vinegar is safe for outdoor use, sewer systems, and around pets when properly diluted. One gallon replaces up to 9 gallons of standard vinegar making it one of the most cost-effective natural cleaning solutions available.
For outdoor pet odor, try our Outdoor Pet Urine Odor Remover.
Also available: 35% Food Grade Hydrogen Peroxide, a powerful multipurpose cleaner.
What Makes Nature's Freedom 45% Vinegar Different
- 45% Acetic Acid Concentration: 9x stronger than standard household vinegar (5%)
- Not for food use: industrial-grade formula designed for cleaning, descaling, and weed control
- Made in the USA: domestically manufactured for consistent quality
- Dilutable: one gallon covers multiple applications at different strengths
- No harsh chemical fumes: a safer alternative to bleach-based or synthetic herbicide products
- BPA-Free, Sewer Safe, and Septic Safe: safe for your plumbing and the environment
Top Uses for 45% Concentrated Vinegar
- Weed and grass killer: apply directly to weeds on driveways, sidewalks, and gravel paths
- Descaling appliances: removes limescale and mineral deposits from coffee makers, kettles, and dishwashers
- Rust removal: loosens and dissolves rust on tools, outdoor furniture, and metal surfaces
- Deep cleaning hard surfaces: cuts through grease, grime, and soap scum on patios, tiles, and concrete
- Outdoor deodorizing: neutralizes odors on decks, patios, and outdoor furniture
- Drain cleaning: helps break down buildup inside sink and shower drains
- Pressure washer additive: diluted formula works in residential pressure washer tanks
- Garden path clearing: kills moss and algae on stone paths and garden borders
Key Benefits
- 45% vinegar 9x stronger than household vinegar
- Natural weed killer for driveways, patios, and gardens
- Effective descaler for limescale, rust, and mineral deposits
- Safe for laundry, automotive detailing, and surface cleaning
- No additives, BPA-free, Made in USA
- One gallon = the power of 9 gallons of regular vinegar
45% Vinegar Dilution Chart for Common Uses
| Application | Dilution Ratio | Resulting Strength |
|---|---|---|
| Weed Killer | Undiluted | 45% |
| Horticultural Application | 1 part vinegar : 5 parts water | 7.5% |
| Rust Removal | 1 part vinegar : 1 part water | 22.5% |
| Cleaning Surfaces | 1 part vinegar : 4 parts water | 9% |
How to Use 45% Vinegar Safely
- Always wear gloves and eye protection when handling undiluted 45% vinegar.
- Weed control: Apply undiluted directly to unwanted weeds. Avoid contact with plants you want to keep.
- Descaling appliances: Dilute 1 part 45% vinegar with 8 parts water to achieve a 5% solution.
- Surface cleaning: Dilute 1 part 45% vinegar with 4 parts water for heavy-duty cleaning.
- Rinse cleaned surfaces with water after application to prevent prolonged acid contact.
Safety Information
45% concentrated vinegar is a high-strength acetic acid solution. Always dilute before use on appliances, surfaces, or drains. Do not use on natural stone without testing. Do not mix with bleach. Wear gloves and eye protection when handling. Keep out of reach of children and pets.
Frequently Asked Questions
What is 45% vinegar used for?
45% vinegar is a concentrated acetic acid solution used as a natural weed killer, heavy-duty cleaner, and descaling agent. It is 9x stronger than standard household vinegar and works on driveways, patios, appliances, and drainage systems. Not intended for food use.
Will 45% vinegar kill weeds permanently?
45% vinegar is a contact herbicide that kills the above-ground parts of weeds on contact, causing them to wilt and die within hours. For deep-rooted perennial weeds, repeat applications may be needed. It is non-selective, so protect surrounding plants during application.
Is 45% vinegar safe to use around pets and children?
Once diluted and dried, 45% vinegar residue is generally safe around pets and children. During application, keep children and pets away from treated areas until fully dry. The undiluted solution should be handled by adults with gloves and eye protection.
How does 45% vinegar compare to regular white vinegar?
Standard household white vinegar is 5% acetic acid. Nature's Freedom 45% vinegar is nine times stronger, making it far more effective for weed control, descaling, and heavy cleaning tasks where standard vinegar would require multiple applications.
Order your gallon today and put 9x the cleaning power to work around your home, garden, and appliances.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 2380 reviews
Sort
Product Reviews
★★★★★ 5
Best wrap mask!
Color: Lifting (Jericho Rose)
Just the best wrap mask!!
A lot of peptides that make my skin soft and moisturizing. Very effective in only 20min use!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2026
★★★★★ 5
Great face mask
Color: Lifting (Jericho Rose)
Love this mask. I have really sensitive skin and this mask doesn't irritate my skin at all. It absorbs nicely and leaves my skin feeling moisturized and glowing. Great value for the price!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 21, 2026
★★★★★ 3
Full Moisturization of the face is lacking
Color: Lifting (Jericho Rose)
I would give it a 5 based on the appearance after the mask is removed your skin is glassy but the moisture level is lacking. It leaves behind an oily residue and my face didn’t feel hydrated. The search continues.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 25, 2026
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me.
I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife…
“Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip.
It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.”
I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated.
Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies.
It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”.
The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2023
★★★★★ 5
One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across.
The Movie:
Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc.
The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture.
The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined.
So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem.
The DVD:
First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman.
Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*.
The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay.
Overall a great package that I'll not regret buying.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2002