SKU: 88278625796
nuna trvl stroller airplane

nuna trvl stroller airplane Nuna TRVL LX Stroller + PIPA Urbn Travel System – Baby Grand

Sale price$24.86 Regular price$27.62
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Description

nuna trvl stroller airplane Nuna TRVL LX Stroller + PIPA Urbn Travel System – Baby GrandIntroducing the PIPA urbn and TRVL lx travel system a dynamic duo redefining on the go parenting. The TRVL lx stroller offers compact freedom and ensures every journey is a celebration with its one handed fold and leveled up wheel profile. Glide through life effortlessly, turning heads wherever you go. The PIPA urbn infant car seat pairs seamlessly with the TRVL lx and revolutionizes travel with its baseless installation, enabling secure transitions

Introducing the PIPA urbn and TRVL lx travel system– a dynamic duo redefining on-the-go parenting.

The TRVL lx stroller offers compact freedom and ensures every journey is a celebration with its one-handed fold and leveled-up wheel profile. Glide through life effortlessly, turning heads wherever you go. The PIPA urbn infant car seat pairs seamlessly with the TRVL lx and revolutionizes travel with its baseless installation, enabling secure transitions from car to taxi in mere seconds.

Experience the future of mobility for you and your little one and elevate your adventures with this duo of style and functionality.

Use
  • In it for the long haul providing smooth strolls from birth to 50 lbs
  • Near flat recline and calf support that raises to convert seat to a carriage position for keeping baby extra cozy
  • Creates a sleek-looking travel system connecting directly with Nuna PIPA™ series car seats with just a click—no adapters needed
  • Folds easily with one hand and stands on its own when folded
  • Ultra-lightweight and easy to tote with carry strap or armbar when folded
  • One-handed steering and exceptional maneuverability make it a dream to push and turn
  • Front swivel wheels with swivel locks for more comfortable strolls on uneven terrain
  • Quick-release wheels make for an even more compact fold\
Safety
  • Simple one-touch rear-wheel braking system
  • 3 to 5-point no-rethread harness makes it easy to fasten them in
Comfort
  • Shadow reel recline™ provides one-handed, customizable recline adjustments with more upright options
  • MagneTech secure snap™ is a self-guiding magnetic buckle that automatically locks into place
  • Water-repellent UPF 50+ canopy is easy to clean and provides premium coverage and multiple windows
  • Canopy extends and features airy mesh panels to provide extra comfort for sunny days and warm temps
  • Progressive front and rear-wheel suspension technology provides a smooth ride
  • Removable and rotating armbar fits kids of all sizes
  • 2-position adjustable calf support for growing legs
Premium details
  • Go hands-free and store away during travel with the included carry bag
  • Luxe leatherette accented pushbar and armbar lend style to your strolls
  • Never-flat airless tires are ready to go for miles
  • Easy access shopping basket holds everything you need for the journey
What's in the box
  • Nuna Trvl LX stroller + carry bag
  • Nuna Pipa Urbn Car Seat
  • Anchor guides
Specifications
  • Stroller dimension (open): 45.5"H x 32"L x 21"W
  • Stroller dimensions (folded): 27"H x 14.25"L x 21"W
  • Stroller weight: 17 lbs. (including canopy and arm bar)
  • Stroller usage: up to 50 lbs.
  • Car seat weight: 9 lbs. (including canopy and insert)
  • Car seat usage: 4-22 lbs., less than 29 inches.
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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  • Delivery to the USA:
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 88278625796

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4.8 ★★★★★
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Verified Purchase
David R. Papke
Boise, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Omaha, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
West Palm Beach, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
San Leandro, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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