SKU: 94405439717
best jasmine plant to grow indoor pot

best jasmine plant to grow indoor pot Star Jasmine - 3 Gallon / 4-Pack

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Description

best jasmine plant to grow indoor pot Star Jasmine - 3 Gallon / 4-PackEnjoy Months of Fragrant Blooms with a Star Jasmine Vine Shrub Deliciously Sweet Fragrance Will Fill Your Backyard or Patio This breathtaking beauty will leave your visitors in awe with both its lavish aesthetic qualities and its intense yet sweet fragrance. The star jasmine attracts pollinators and is best known for its framing abilities plus mesmerizing scent. Trachelospermum jasminoides can turn any trellis, porch screen, chain link fence, or wall

Enjoy Months of Fragrant Blooms with a Star Jasmine Vine Shrub

Deliciously Sweet Fragrance Will Fill Your Backyard or Patio

This breathtaking beauty will leave your visitors in awe with both its lavish aesthetic qualities and its intense yet sweet fragrance. The star jasmine attracts pollinators and is best known for its framing abilities plus mesmerizing scent.

Trachelospermum jasminoides can turn any trellis, porch screen, chain link fence, or wall into an exquisite display of reblooming white flowers! A member of the flowering jasmine plant variety, this true jasmine plant has a growing season that lasts almost all year round with its dark green evergreen foliage that will stay green all year. The dark green foliage may turn bronze in colder climates during winter.

The Star Jasmine plant produces clusters of small, white flowers in early spring and early summer months that look like tiny pinwheels or star-shaped. Despite the small size, the blossoms give off a deliciously sweet scent and can easily perfume an entire yard, especially in the early mornings when the dew accumulates on the blossoms. The fragrant white flowers will attract bees and butterflies to your landscape.

Is Star Jasmine A Fast Growing Vine?

The star jasmine growth rate is extremely fast! The confederate jasmine plant can grow up to 10-12 feet tall or long during the growing season. Its flowering vines can also grow up to 4 feet in width. It is a vigorous grower plant that will fill any space you plant it in. 

How To Prune Star Jasmine Vine

If your star jasmine vine is beginning to overgrow, you can trim away about ¼ or ⅓ of a vine to reduce its size. Pruning only needs to happen when it outgrows its space or once a year to encourage new growth. We recommend this in spring or summer as soon as the plant is finished flowering. Prune your plant as much or as little as you’d like, depending on the look you’re going for.

Is Star Jasmine Vine Toxic To Dogs?

According to the American Society for the Prevention of Cruelty to Animals® (ASPCA®), star jasmine vines are not toxic to dogs or cats. They make for great garden plants that are both beautiful and pet-friendly.

Do Star Jasmine Vines Like Sun Or Shade?

Star Jasmine vine shrubs thrive most in full sun or to partial shade. This vine will grow well in partial shade if necessary. It prospers in a variety of planting sites as long as it is in well-drained soil. 

Star jasmine climber is a fast-growing, twining vine that can be grown on lamp posts, trellises, or arbors. You can even grow star jasmine as a ground cover if trained correctly or inside as a house plant. Contrasting the white fragrant flower buds are lustrous dark green leaves that stay bright all year even through drought tolerance. This star jasmine vine is native to China.

The White Star Jasmine bush is a pest-free type of jasmine. It’s also easy to maintain, drought-resistant, and heavenly fragrant, making it a favorite among landscapers and gardeners. This is not the same plant for jasmine tea as jasmine sambac… this fragrant vine plant is not edible :)

The star jasmine plant for sale is available in a 1-gallon pot or 3-gallon potted plant. Pick your size container for your planting site accordingly.

Star Jasmine Care

When planting star jasmine, choose a pot with a drainage hole and use soil types rich in organic material. Star Jasmine plant care is quite easy once they are well-established. They require no special care, except for trimming to keep them in bounds and maintain the desired shape.

If you do not allow the star jasmine to trellis, it will grow as a ground cover. Water regularly for the first year, to establish a strong root system. This is especially important during dry spells as new jasmine are most vulnerable to heat in their first year.

Confederate Star Jasmine grow best across the southern United States in USDA hardiness zones 7-11. Star Jasmine Trachelospermum jasminoides, as it is scientifically named, does not have proper cold hardiness to grow in the northern states. Although, you may try if you have greenhouses or garages! The plant is hardy down to 10-15 degrees Fahrenheit.

Shop Star Jasmine for sale. The star jasmine flowers will tantalize your senses!

Why Buy from Perfect Plants Nursery?

When you shop for Star Jasmine Vines online, make sure you are buying directly from a trusted grower, like us. We have been a family-run farm since 1980.

As experts in premium vines and shrubs, we deliver healthy, high-quality plants from our farm to your door, ensuring they arrive ready to thrive.

Be sure to check out our Liquid Jasmine Fertilizer for an optimum blend of nutrients that specializes in feeding your flowering plants.

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SKU: 94405439717

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4.9 ★★★★★
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Product Reviews
T
Verified Purchase
Tahoeman
Los Angeles, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Pawtucket, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Chelsea, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
San Leandro, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Charlottesville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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