SKU: 94555102296
graco snugride snugfit 35 dlx stroller

graco snugride snugfit 35 dlx stroller Graco SnugRide SnugFit 35 DLX Infant Car Seat

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Description

graco snugride snugfit 35 dlx stroller Graco SnugRide SnugFit 35 DLX Infant Car SeatGraco SnugRide SnugFit 35 DLX Infant Car Seat features an Anti Rebound Bar, which provides an additional layer of rear facing safety by limiting rotation of the seat and your child in the event of an impact. SnugRide performance helps to protect rear facing infants from 4 35 lb and up to 32". From the makers of SnugRide, the SnugFit line of infant car seats pairs safety technologies with easy installation and comfort features for your little one.

Graco® SnugRide® SnugFit™ 35 DLX Infant Car Seat features an Anti-Rebound Bar, which provides an additional layer of rear-facing safety by limiting rotation of the seat and your child in the event of an impact. SnugRide® performance helps to protect rear-facing infants from 4-35 lb and up to 32". From the makers of SnugRide®, the SnugFit™ line of infant car seats pairs safety technologies with easy installation and comfort features for your little one. SnugLock® technology installs in less than one minute using vehicle seat belt or LATCH. The headrest and harness can be adjusted together while your child is in the seat with the front-adjust No-Rethread Simply Safe Adjust™ Harness System. Graco’s exclusive InRight™ LATCH attachment provides an easy, one-second attachment with an audible click to help ensure secure installation. The 5-position adjustable base and an easy-to-read bubble level indicator help with proper installation. Infant head and body supports and harness covers offer a comfortable fit for your little one. The Silent Shade™ canopy adjusts quietly without disturbing baby, and 1-hand adjustable handle makes getting baby in and out easy. Plus, the Rapid Remove seat pad quickly and easily removes for cleaning. Create your own travel system or use in multiple cars: the SnugRide® SnugFit™ 35 DLX attaches with a one-step secure connection to Graco® strollers and infant car seat bases. The car seat is Graco® ProtectPlus Engineered™ to help protect in frontal, side, rear, and rollover crashes.

  • Adjustable base offers 5 recline positions, providing the right position for proper installation
  • 1-hand adjustable handle makes getting baby in and out easy
  • Infant head and body supports offer a comfortable fit for smaller infants
  • Easy-to-read bubble level indicator helps eliminate installation guesswork
  • Harness covers help keep baby comfortable
  • Silent Shade™ canopy adjusts quietly without disturbing baby
  • Graco® ProtectPlus Engineered™: a combination of the most rigorous crash tests that help to protect your little one in frontal, side, rear, and rollover crashes
  • One-step secure connection to Graco® strollers and infant car seat bases for quick, secure installation
  • Rapid Remove seat pad quickly and easily removes for cleaning

Recommended Use

Rear-Facing Only: 4-35 lb, Up to 32", head must be at least 1" below top of car seat

STOP using this child restraint or base and throw it away 7 years after the date of manufacture.

Children are safer riding rear-facing and should ride rear-facing as long as possible, until they reach the maximum rear-facing height or weight rating for their car seat. Graco convertible and all-in-one car seats have higher rear-facing limits that will allow children to ride rear-facing longer after outgrowing their infant car seat. Be sure to check your local and state laws, as well as AAP and NHTSA recommendations, for car seat usage.*

*Graco Supports the American Academy of Pediatrics and National Highway Traffic Safety Administration's Car Seat Guidelines. Visit our safety page for information on car seat usage recommendations.
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SKU: 94555102296

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4.7 ★★★★★
Based on 6 reviews
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D
Verified Purchase
David R. Papke
Phoenix, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Charlottesville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Birmingham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Louisville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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