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philodendron painted lady price

philodendron painted lady price Painted Lady Philodendron – Plant Detectives

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Description

philodendron painted lady price Painted Lady Philodendron – Plant DetectivesPainted Lady Philodendron (Philodendron erubescens 'Painted Lady') Painted Lady Philodendron is a vibrant climbing houseplant that adds bold color and a playful tropical look to indoor spaces. It is a great choice when you want a statement plant that feels lively and fresh, with variegated foliage that changes as new leaves emerge. Given bright, indirect light and a support to climb, it becomes fuller and more impressive over time. If you want a

Painted Lady Philodendron (Philodendron erubescens 'Painted Lady')

Painted Lady Philodendron is a vibrant climbing houseplant that adds bold color and a playful tropical look to indoor spaces. It is a great choice when you want a statement plant that feels lively and fresh, with variegated foliage that changes as new leaves emerge. Given bright, indirect light and a support to climb, it becomes fuller and more impressive over time. If you want a philodendron that brings color, contrast, and a true collector feel, Painted Lady is a standout.

Distinctive Features

This cultivar is prized for its variegated leaves, typically showing yellow to lime tones with green mottling and speckling, along with contrasting pink to red petioles that add extra color. New growth often emerges brighter and can look especially vivid before maturing into a more balanced mix of tones. It is a climbing type, so a moss pole or stake helps it grow more upright and can encourage larger, better-shaped leaves. The combination of colorful foliage and striking stems makes it an eye-catching plant even when it is still a manageable size.

Growing Conditions

  • Sun: Bright, indirect light is ideal to maintain strong color, and avoid harsh direct sun that can scorch lighter leaf tissue.
  • Soil: Airy, well-drained aroid mix that holds some moisture but never stays soggy.
  • Water: Water when the top 1 to 2 inches of soil dry, and do not let the pot sit in water.
  • Humidity: Moderate to higher humidity supports best growth and leaf quality, with average home humidity acceptable.
  • Growth Habit: Climbing vine that benefits from a moss pole for a fuller vertical display.

Ideal Uses

  • Focal Point: Train up a moss pole to create a colorful, vertical statement plant.
  • Plant Stands: Place at eye level so the variegation and red petioles can be appreciated up close.
  • Bright Room Corner: Add to a bright corner to bring a lively tropical look and strong color contrast.
  • Collector Displays: Pair with other aroids to build a curated indoor collection with varied colors and leaf shapes.

Low Maintenance Care

  • Watering: Keep evenly moist but not wet, allowing a partial dry-down between waterings.
  • Support: Provide a moss pole and secure stems to encourage upright growth and larger foliage.
  • Feeding: Feed monthly in spring and summer with a balanced houseplant fertilizer at a moderate strength.
  • Cleaning: Wipe leaves gently to remove dust and keep variegation looking crisp.

Why Choose Painted Lady Philodendron?

  • Bright Variegation: Yellow and green foliage brings lively color and a collector feel.
  • Colorful Stems: Red to pink petioles add extra contrast and character.
  • Climbing Statement: Trained growth on a pole creates a fuller, more impressive display.
  • High Decor Impact: One plant can add color, texture, and tropical energy to a room.

Painted Lady Philodendron is a great choice when you want a plant that feels vibrant, unique, and full of personality. Give it bright, indirect light, an airy mix, and steady watering after partial dry-down, and it will grow steadily and stay colorful. With a support to climb, it becomes a lasting focal plant that brings bold tropical style indoors.

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SKU: 94755718406

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David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Waukegan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Classics professor
Charlottesville, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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