SKU: 97672117754
snake plant foliage

snake plant foliage Laurentii

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Description

snake plant foliage LaurentiiDracaena (Sansevieria) trifasciata 'Laurentii' Dracaena trifasciata 'Laurentii' is the familiar yellow edged snake plant, with tall sword shaped leaves rising in firm fans from the base. Each leaf has a deep green centre marked with softer grey green horizontal banding, framed by clear yellow margins that make the leaf shape stand out even from a distance. The result is strong, recognisable and clear in a pot. This cultivar brings height in a slim

Dracaena (Sansevieria) trifasciata 'Laurentii'

Dracaena trifasciata 'Laurentii' is the familiar yellow-edged snake plant, with tall sword-shaped leaves rising in firm fans from the base. Each leaf has a deep green centre marked with softer grey-green horizontal banding, framed by clear yellow margins that make the leaf shape stand out even from a distance. The result is strong, recognisable and clear in a pot.

This cultivar brings height in a slim space. It grows from a rhizome, so new leaves appear as basal shoots beside the older fans. Over time, a young plant becomes a fuller clump as fresh leaves push up from the base and add more layers to the yellow-edged outline.

Classic yellow margins on tall sword leaves

  • Leaf shape: Tall, sword-like blades create a strong vertical line.
  • Colour contrast: Yellow margins frame the banded green centre of each leaf.
  • Growth base: The rhizome sends up new leaves beside older fans, gradually thickening the clump.
  • Indoor placement: It gives height while taking up limited floor or shelf space.
  • Longevity: Mature leaves stay firm for a long time when the root zone is kept warm, airy and dry between waterings.

Rhizome storage and dry intervals

Dracaena trifasciata is a rhizomatous species from seasonally dry tropical parts of Africa. 'Laurentii' stores water in thick leaves and depends on oxygen around the rhizome after watering. The plant handles dry intervals well because the leaves and underground structure are built for moisture storage.

'Laurentii' keeps the strong leaf form of the species and adds bright marginal colouring. The yellow edges are part of the cultivar’s visual identity, while the grey-green striping across the blade gives the centre more depth. Mature leaves can become tall and rigid, so the pot should be stable enough to balance the top growth.

Growth is usually slow indoors, especially in winter or away from bright windows. New shoots may appear narrow at first before expanding into stronger leaves. A slightly snug pot keeps the rhizome stable and lets the substrate dry at a predictable pace.

Care for tall yellow-edged leaves

  • Light: In bright indirect light, new leaves stay sturdier and the contrast remains clearer. In lower light, the plant grows more slowly and the pot needs longer drying time.
  • Watering: Wait until the potting mix has dried deeply, then water evenly and let the pot drain fully. The next watering should come after the lower mix has dried again.
  • Substrate: Use a free-draining mix with pumice, lava rock, coarse sand or fine bark. Mineral structure keeps air around the rhizome.
  • Pot choice: A pot with drainage holes and enough weight for tall leaves keeps the plant steady.
  • Temperature: Keep it in normal indoor warmth, ideally around 18–27 °C. Warm conditions help the root zone recover after watering.
  • Humidity: Average household humidity is sufficient.
  • Feeding: Use a diluted balanced or cactus fertiliser during active growth. Light feeding matches the plant’s slow rhizome growth.
  • Repotting: Repot when new shoots crowd the pot, the container starts to distort or the substrate has broken down. A modest size increase is enough.
  • Propagation: Division preserves the yellow-edged pattern. Leaf cuttings can root and may produce green plants.

Yellow-edge stress signs

  • Soft leaf bases: Inspect the substrate depth, cover pot and rhizome area. Softness near the soil line usually means the lower plant stayed damp for too long.
  • Wrinkled leaves: Check the root system before adding more water. Dryness and damaged roots can both produce a wrinkled leaf surface.
  • Brown margins: Review irregular watering, mineral buildup, old knocks and cold air exposure. Remove only the dry edge if trimming is needed.
  • Leaning leaves: Rotate the pot and check whether new shoots are pressing older leaves sideways. Mature plants may need a heavier pot for a steady base.
  • Paused growth: Growth often slows in winter. Check light and warmth first, then adjust feeding during active growth if needed.

Safety for shared spaces

Keep Dracaena trifasciata 'Laurentii' out of reach of pets and small children who may chew the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. The tall, firm leaves also need a secure spot where the pot stays steady.

Botanical name of the classic snake plant

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains the older name still widely used in plant shops and care guides. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, a name historically linked to red resin in some dragon tree relatives. The species epithet trifasciata means “three-banded” or “marked with three bands”, referring to the banded pattern associated with the species.

Dracaena trifasciata 'Laurentii' has tall green leaves, yellow margins and one of the most recognisable snake plant forms.

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SKU: 97672117754

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Rodrigo
Pawtucket, US
★★★★★ 4
Vale la pena es muy bueno
Un libro épico , difícil un poco complicado pero la larga vale la pena lo he leído dos veces y la segunda vez fue igual de emocionante que la primera mucha información
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Reviewed in the United States on July 3, 2025
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byegs
Omaha, US
★★★★★ 5
Guns,germs, and steel on disks
This book is full of info most of which is confusing and useless but had to read it for school and the disks really only give the important info and skip the rest. over all product is great!
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Reviewed in the United States on October 14, 2010
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kremlin-dawn
Lexington, US
★★★★★ 5
One of the best purchases I've made in a while.
Format: Hardcover
As a devoted fan of the show from almost the very beginning, I followed all the interviews, sneak peeks, and DVD commentaries aggressively, so I thought I knew a good bit about every aspect of the show, from its influences to its creation process to little trivia bits about the finished episodes. I told myself I didn't need the art book because it would tell me little about Avatar that I didn't already know. For a while I was able to hold off buying this book, but the art in Avatar is so beautiful that I finally broke down and got it, telling myself that I might as well dish out twenty bucks to have a nice hardcover Avatar book to add to my collection of flimsy cinemanga and Earth Kingdom Chronicles paperbacks. Now I'm writing this review to tell every fan out there who has had even a minute's hesitation in buying this book: DO IT. Avatar: The Art of the Animated Series covers everything you could dream of wanting to know about the show. I should have known Bryke would never do anything halfway. I was blown away by the obviously intense amount of effort the creators put into compiling such a thorough and well-put-together inside look at the creation process. They explain everything about Avatar's production, starting with their very first fateful meeting and taking fans all the way up through the end of the epic series. It's so neat to read about all their inspirations (especially if you're an anime fan; you'll probably recognize a lot of names) and some of the difficulties they had to overcome in order to make the show what it is today. It is a fantastic read from cover to cover. As you can tell when you use Amazon's "look inside" feature, the creator commentary is arranged in paragraph format with bold letters to tell which creator is speaking. They actually go into a lot more detail than I thought they would about almost everything. They spend a lot of time talking about the development of characters: their personalities, design characteristics, models, and any changes that were made and why. (Plus it's really neat to see the way some of your favorite characters looked like originally!) They mention the animals, settings, voice acting, martial arts influences, weapons and technology, and all sorts of other things, some that you may not even necessarily have thought about much before, like color schemes and drawing styles. I learned a lot of really neat things about the process behind Avatar's animation and about the Korean studio that did such a beautiful job animating the series. The thing I like most about this book is the great variety of art it showcases. There are original character concepts by various crew members, background sketches and paintings, real storyboard action sequences, martial arts references, detailed clothing and weapon designs, descriptions and illustrations of Avatar-verse animals, screenshots from the show and the original pilot episode, press and/or promotional art, and even some photos Mike and Bryan took on some of their trips to places that inspired the layout of the Avatar universe. And to top it all off, there is at least a one-page spread for each one of Avatar's 61 chapters that highlights some of the strongest points in each episode, whether it's new characters, locations, technology, action sequences, or a combination of several of these. Needless to say, this book is a must-have for all Avatar fans. Whether you're a casual fan who just happened to fall in love with the art (and there is plenty of it in this book, all amazing quality despite the fact that much of it is simply sketched) or you're a die-hard Avatard who wants to know everything about everything, trust me when I say that this compilation is worth every penny and more. As for the packaging and shipping, I have very little to say - the item was wrapped adequately and arrived when it said it would. No problems there. The only minor (and I do mean minor) problem that I had was that one of the corners was bent when it arrived. It probably would have happened anyway, though, through regular use, so it's not really something to complain about. Everything else was fine, and the price is excellent given the durable binding and beautiful thick pages (not to mention the content). I know I've said this so many times that it's probably starting to sound old, but if you want a good look behind the scenes of the greatest cartoon of our generation, this is it. Other creators, take note: this is how TV series art books should be.
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Reviewed in the United States on August 1, 2012
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Parka
Lexington, US
★★★★★ 5
Spellbinding
Format: Hardcover
This is a wonderful art book for a spellbinding animation series. Making the series took 6 years, hundreds of artists, and hundreds of thousands of drawings. This book showcases a selection of some really beautiful illustrations. There are loads of character and background designs inside, in sketches and in their finished coloured form. The main characters like Aang and others come with cool animation sequences created with pencils. Also included are many of the discarded concepts which were difficult to animate or doesn't suit the story. Appa had some really awesome spiral horns but were discarded, unfortunately. The character drawings are superb. Just by looking at their different expressions you can pretty much guess their characteristics. Besides the characters which includes the town folks and soldiers, there are also drawings for many miscellaneous stuff like storyboards, airships, hybrid animals, wanted posters, promotional posters, chibi (or super deformed) style and random doodles from meetings. Did I mention the background paintings? The world created is so beautiful! The whole book is annotated heavily by Bryan Konietzko and Michael Dante DiMartino. They talk about everything on production, from creating the pilot episode to Nickelodeon approving the final season. You can see and read about their influences and inspiration everywhere, from Buddhism, Studio Ghibli, Gainax, Chinese martial arts, etc. It's very interesting to see how they apply what they learned from research to their drawings and animation. This is a fantastic art book for the series and fans, which should appeal to anyone who hasn't watch the series. Good art appeals to all. Highly recommended! (There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
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Reviewed in the United States on May 30, 2010
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Abbey Horine
Grantham, US
★★★★★ 5
Awesome. Simply Awesome.
Format: Hardcover
I have been a fan of the show since I watched the premiere of it all those years ago. The first episode had me hooked and I was so sad to see it end. I bought the dvds immediately and while those are just as good, I still felt like I was missing some of the artwork that went into the show. I saw this book and thought about getting it, but wasn't entirely convinced when I looked at the preview. It looked cool thats for sure, but it didn't really show what was in the book and I did not want a book of still shots from the show. On a whim I bought it because my curiosity was to much to handle and I am so glad I did! It is not a bunch of still shots from the show, but delves into how they went through the process of getting the show on the air, the gradual development of the avatar world including the characters, bending and cross-bred animals, and how the story continually evolved until the final chapter. And with each step of the way there are concept drawings by Bryan Konietzko and other equally talented artists that really allow you to dive into their imagination and creativity. Each page was a constant struggle between staying on the page and examining every drawing or hurrying onto the next page. And of course the creative charge that it gives you is insane because all you want to do afterwards is draw, draw, draw! I would not recommend this book to people who want to get to work on time because I know I was late for the following days. In summary, if you love the animated series or animation in general- don't even think about it and get this book right now. You won't be sorry you did. I know I'm not!
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Reviewed in the United States on August 5, 2013

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