traditional welsh dress Genniewren Designs Modern Welsh Costume 18 inch Doll Clothes Pattern
SKU: 24120240374
traditional welsh dress

traditional welsh dress Genniewren Designs Modern Welsh Costume 18 inch Doll Clothes Pattern

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Description

traditional welsh dress Genniewren Designs Modern Welsh Costume 18 inch Doll Clothes PatternThis pattern, by Genniewren Designs, contains everything you need to make a modern style Welsh costume: blouse, skirt, apron, bonnet, Welsh hat, and shawl. The blouse has lace applied to the front, gathered lace at the collar, a center back fastening and long sleeves with elasticized ruffles at the wrist. The skirt features unpressed pleats and a hip yoke with an elasticized waist for easy fit. Instructions are included for applying a straight or

This pattern, by Genniewren Designs, contains everything you need to make a modern-style Welsh costume: blouse, skirt, apron, bonnet, Welsh hat, and shawl.

  • The blouse has lace applied to the front, gathered lace at the collar, a center back fastening and long sleeves with elasticized ruffles at the wrist. 
  • The skirt features unpressed pleats and a hip yoke with an elasticized waist for easy fit. Instructions are included for applying a straight or chevron band of ribbon to the skirt if desired. 
  • The rectangular apron is gathered at the waist and ties at the back. Sometimes you will see shorter, curved edge aprons (waitress-style) on purchased costumes, but the rectangular shape is more traditional and is required for school dancing. 
  • The shawl is a simple square of fabric, with fringed edges. The most common type of fabric used for modern Welsh costumes is red and black plaid, but Paisley print shawls are also worn in some areas. 
  • The bonnet is cut in one piece. Lace is applied to the front edge that surrounds the face. The ruffle is created by attaching narrow elastic a little distance from the curved hem edge. Narrow ribbons are used as ties. 
  • The Welsh hat is made from felt and is fully lined. It is based on the modern conical style of Welsh hat. This hat is sewn together rather than molded. The hat can be stiffened with a card, template plastic or heavyweight interfacing. Lace can be applied to the underside of the brim of the Welsh hat, or the bonnet can be worn under the hat. Either is acceptable. Some schools wear just the bonnet for dancing, others wear just the hat, so it is largely a matter of personal choice whether you apply the lace or wear the bonnet under the hat. 


The style of Welsh costume you can make with this pattern is based on the clothing worn by school girls on St David's day.

So, whether she wants to explore her Welsh heritage, or to enjoy a little school dancing on St David's day, your 18 inch doll is sure to love this charming ensemble.

FABRIC RECOMMENDATIONS:

  • Blouse: lightweight woven cotton or poly-cotton blends, such as batiste, lawn, chambray, or shirting-weight fabrics.
  • Skirt: medium-weight woven cotton fabric, such as quilter's cotton, gingham, broadcloth, poplin, percale or sheeting fabrics.
  • Apron: lightweight woven cotton or poly-cotton blends, such as batiste, lawn, chambray, or shirting-weight fabrics. Traditionally the aprons were made from homespun fabrics, gingham is often used as a substitute for dance school uniforms.
  • Shawl: light to medium-weight woven fabric with a soft drape, such as lawn, chambray, or challis. Checkered fabric such as gingham or houndstooth is traditional in some parts of Wales, and Paisley style fabric is traditional in others.
  • Bonnet: cream, ivory or white lightweight woven cotton or poly-cotton, such as batiste or lawn.
  • Welsh Hat: Felt. Acrylic craft felt is acceptable but may not be as hard-wearing as felt with a high wool content.  A medium weight woven fabric is suitable for the lining.  For the stiffener, you will need home dec heavy weight interfacing, card or template plastic.

Supplies Needed:

Blouse:
- A quarter of a yard (fat quarter 18" x 22" or from the bolt),
- 9" of 3/8" wide pre-gathered lace,
- 9" of small guipure lace daisy trim, or other lace as desired,
- 9" of 1/8" (3mm) wide elastic,
- four snaps or 4" of ¼" wide hook and loop tape (both sides),
- four buttons (optional – for decoration only).

Skirt:
- A third of a yard of plain or striped fabric cut from the bolt,
- 10" x 3/8" wide flat elastic,
- Ribbon or other trim (optional – for decoration only).

Apron:
- A quarter of a yard of plain or gingham fabric, cut from the bolt. (If you prefer to use a fat quarter you will need to join the fabric for the waist ties),
- Trims such as ribbon or flat lace if desired.

Shawl:
- minimum 13" x 13" square of fabric.

Bonnet:
- One fat quarter (18" x 22") of fabric, OR one-third of a yard cut from the bolt
- 7" of 1/8" wide flat elastic,
- half a yard of 3/8" wide flat lace,
- half a yard of 1/8" wide ribbon,

Welsh Hat:
- 12" x 22" of good quality felt (at least 1mm thick),
- 8" x 14" woven fabric for the hat lining,
- 8" x 22" Quilter's template plastic, medium weight cardstock, or home dec style heavyweight interfacing,
- 24" of 1" wide ribbon (white or black are traditional colors),
- 1 yard of 1"-1¼" wide pre-gathered lace or two yards of the same width flat lace.
 

 

Skill Level:  Intermediate 

What You Get: One 72 page sewing pattern that you digitally download as a PDF file so you can start your project immediately! The PDF sewing pattern provides full color step-by-step illustrated instructions and full-size pattern pieces.  Each pattern contains a Summary of Instructions section so you can print out just the text version if desired to save on printer ink!  A PDF reader is required to view and print the files (example: Adobe Reader or Preview for MAC). The download link is received immediately after the transaction is complete. Print copies are NOT available.

Download, Print, Sew!

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For detailed information and answers to the most common questions, be sure to read the Terms of Use and FAQ's related to the doll clothes patterns sold at Pixie Faire.

Pixie Faire and the designers featured are not affiliated with American Girl®
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SKU: 24120240374

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Kelly Kapic is one of the best theological writers of our day. He gears his writings a bit toward scholars, but don’t let that stop you. Accept the challenge of this book and you won’t be sorry. The title of the series (“New Studies in Dogmatics”) might scare off some readers, but don’t allow that to camouflage a great read. Yes, scholars will likely eat it up as a book that shows an artisan at work in their trade, but I say pastors and thoughtful Bible students ought to claim this one as their own. The only part that might appeal more to scholars than the rest of us is how he loves to delve into some historical personage or creed to illustrate his point. That is only an issue because sometimes that takes more explanation than the point at large he is making. I doubt he can help it. He seems like a walking encyclopedia; a passionate one to be sure, but it is amazing the scope at which he views his subject. His clearly stated thesis is that “Christian life is a response to the love of God”. Not only does that make sense, especially as he develops it, but it also gave him free reign to write across most of the systematic theology corpus as he desired. That could easily degenerate in a muddled mess that said little, but in his skilled hands it became something really special. In fact, the first chapter on why we need a theology of Christian life shows his clear vision of the argument of this book. For the record, I was bought in part way through that first chapter. Part Two with its three chapters fills in “the love of God” part of his thesis. He approaches it as love, grace and fellowship. Those three are often thrown about with a perverse shallowness. Not here. It seems that the depths of the heinousness of sin that he so astutely explains is the key to bringing those three out in all their resplendent glory. Here they sparkle. Next, he has a section that he called an “interlude” on the Law-Gospel distinction. His Reformed orientation comes out strongest here and this section is likely to be the most controversial. In fact, even some Reformed thinkers might quibble with him. From there, he develops the “response to” part of his thesis. This last section covers Messiah, ego and ecclesia to great effect. That our Messiah is the key is painted with the right significance. The chapter on ego was profoundly done. I thought he brought in current thinking on ego and held it up to Scripture and came up with clear thinking in the process. The two chapters on ecclesia surprised me. I was sure that he was going to champion a certain strain of liturgy, but actually he explained that every worship style is a liturgy. It was convincing to me. I nominate this book as the theological title of the year. It is that good. I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.
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