SKU: 36919609797
givenchy dress

givenchy dress Resort 2019 Givenchy by Clare Waight Keller Metallic Pleated Lame Dres – Shrimpton Couture

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givenchy dress Resort 2019 Givenchy by Clare Waight Keller Metallic Pleated Lame Dres – Shrimpton CoutureThis was the closing look of the resort collection and one of the most visible of the pieces from Clare Waight Keller's time as Creative Director for the house. It was featured in the ad campaign that year and Emma Stone chose it for her red carpet premiere. And just this year Nicole Kidman was spotted wearing one on her Instagram in a behind the scenes look from her new show. It also appears in the trailer for her show. It is a very well documented

This was the closing look of the resort collection and one of the most visible of the pieces from Clare Waight Keller's time as Creative Director for the house. It was featured in the ad campaign that year and Emma Stone chose it for her red carpet premiere. And just this year Nicole Kidman was spotted wearing one on her Instagram in a behind the scenes look from her new show. It also appears in the trailer for her show. It is a very well documented dress that will only gain in importance as time goes by.

Clare said of the collection that year “There’s a powerful woman in there that I really love; she’s a very strong character who loves a strong shape—something that gives a real sense of fashion.”, and in the Vogue review of the resort collection, fashion journalist Amy Verner mentions this gown in particular along with another comment from Clare; "This marks the first season since the passing of Monsieur de Givenchy in March and Waight Keller hinted that a more intentioned homage might be forthcoming. In the meantime, the collection’s evening looks—specifically the long-sleeved black dress showered with silver embroidery, and the gradient celadon and rust plissé lamé gown—further the couture spirit we’ve seen most recently at the Met Gala and at Cannes. “It’s a real joy to be able to work at both ends of the spectrum,” she said. “It’s what I believe in: everything from the really simple everyday to the absolutely fantastic and fabulous.” You can believe she means it.

The dress is amazing. It is made out of a light weight silk mixed with a metallic thread. The fabric was then pleated into permanent, sharp edged knife pleats. The color of it is gorgeous and it ranges from a deep metallic green to a burnt rust and copper and these are done in a gradient ombre that runs the length of the dress. The front is cut into a dramatic cut out that leaves a wide swath of skin exposed down the front. The width is kept perfectly in place by how it is set into the waist and closed at the top of the neck. The dress is so well made that I think you could spin it around and wear the cut out at the back if you wished. Each shoulder has a caped effect with the pleating allowed to splay out dramatically over them. I love how the colors are set to follow each pleat and the cut of the dress. This extra detailing shows the high quality in making this. The waist is banded with the only bit of fabric not pleated on the dress and then the skirt falls to the floor from there in an extra long supermodel length. There is a ton of fabric in the skirt so it moves and flows around you when you move. It is absolutely amazing  and the dress originally retailed at just about the 10k mark. This one appears to have never been worn or worn very little. Excellent condition

The skirt is lined in a black silk chiffon and the bodice has a built in halter under the exterior fabric made out of a fine  black silk netting. It closes with a hidden set side zipper and there is a hook & eye at the top neck. Tagged a 38. It appears to have never been worn or worn very little. Note that the owner took the main tag out but it has its correct inner fabric and size tag present

Bust: the inner net halter is open does the sides to the waist so there are no true side seams
Waist: to 14" flat across from side seam to side seam
Hips: open
Bodice: 15" from top of shoulder to top waist seam
Skirt: 50" from the top waist seam to hem including the 1.5" band at the waist

Modern Sizing Equivalent: SML-MED

Item# DD3543

Reference Photos: (1) Resort 2019 Givenchy Collection, Look 57.  /  (2-3) Emma Stone in Givenchy for Netflix’s Maniac premiere, September 20th, 2018.  /  (4-5) Nicole Kidman in Givenchy for HBO's "The Undoing". 
Reference Video: (1) Givenchy Pre-Spring/Resort 2019 Campaign.  /  (2) Nicole Kidman in Givenchy for HBO's "The Undoing".

This garment has been professionally cleaned, pressed and is odor free. Thoroughly checked over before shipping, it will be ready to wear upon arrival.

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SKU: 36919609797

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Great Book
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If you're a K9 handler , this is the IT book. It breaks down everything you need to know to become a successful handler and an even better cop. Plenty of case law inside . Definitely recommend.
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Good information
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Outstanding
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Reviewed in the United States on April 2, 2026
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Mary T
Bozeman, US
★★★★★ 5
Great read!
Format: Kindle
In addition to being an engaging lecturer, Stoermer writes beautifully! “Again and again, people confronted the distance between the compact as advertised and authority as exercised.” Gorgeous prose and achingly painful history.
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Reviewed in the United States on June 3, 2026
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Francis J. Casper
Grantham, US
★★★★★ 3
No Index or footnotes
Format: Paperback
I have been following Prof Stoermer’s videos preceding this book and pre-ordered it on that basis. I to read it but am a bit disappointed and disturbed that there is nothing by way of an index or footnotes, and no reference I can find that they are available elsewhere. My 3 therefore, has nothing to do with the substance and will update this review after I read it. But I don’t understand the absence of such material.
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★★★★★ 5
Every american should be encouraged to read this text
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This book had a profound impact on me. It has changed how I view all political discussions, history discussions, policy discussions, and race discussions. As a Hispanic Caucasian, I was acutely unaware of much of America's racist history. I knew the obvious examples, but this book really shows how extensive the racism is and its profound effects that are still heavily in effect today. Kendi's thesis is short and simple: racist ideas were created to justify racist policies. This is counter to the common argument that ignorance and racism spurs racist policies. Kendi lays out his main thesis at the beginning of the book and follows it up with example after example to back it up. Keeping the thesis and definition of racism simple really helps emphasize Kendi's point throughout the book. This book is also thorough; so much history is covered by this book. I spent a lot of time looking up some historical events or figures in more detail on Wikipedia to get a fuller picture. If you are unfamiliar with American history, then expect to move very slowly through the text as you look everything up for proper context. I absolutely love this book and strongly encourage everyone to read it. However, I do have a few gripes with it: - Kendi often misled me with his wording or juxtaposition of statements. I understand he is trying to make a statement, but I wish he wouldn't do this. One example that comes to mind is Roosevelt's naming of the White House. Kendi makes it seem like Roosevelt named it the White House after the public uproar over his invitation of Booker T. Washington over for dinner. However, there doesn't appear to be any evidence to support this, and there is some indication the White House was already referred to by that name well before the dinner. To Kendi's credit, he doesn't explicitly say the naming was done to appease the public, he just points out that it happened and people were still upset. Another example is his mention of black unemployment rates rising sharply in the early 1980s. This is true, but all unemployment rates rose during that time due to the recession. Yes, the black unemployment rate was worse, but he doesn't make that point: he only mentions the black unemployment rates. So as a reader you have to be careful of the facts you internalize from the book. - The organization of the book didn't really do anything for me. He tries to break down the text into 4 main sections, each focusing on a different historical figure. However, the focus on the figures didn't really contribute much, in my opinion, to his thesis. It brought some organization to his book, but not much. I would have preferred he spent more of the book going into details of some of the more significant policies or events than to keep looping the historical figure back in. - Text can read a bit haphazardly at times. There are certain sections of the book where I feel Kendi is jumping around history pretty quickly to different events and it becomes difficult for me to follow. Eventually he gets around to making a point, but it usually takes too long for me to fully grasp it at the moment. I have to often re-read these sections a second time to really get it. Again, please buy this book and read it. We would all be better off to know this history and the racist policies behind it.
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Reviewed in the United States on April 4, 2018

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