SKU: 51335362883
black and white male dress shoes

black and white male dress shoes Aris Allen - Wingtip Spectator Black & White

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Description

black and white male dress shoes Aris Allen - Wingtip Spectator Black & WhiteWe are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179. 95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit. Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we

  • We are selling all of our slightly imperfect inventory off at a hefty discount! We originally sold these at $179.95. They are handmade dress shoes. They have a spot, mark, or wrinkle on them. If you're ok with that stock up now! And yes, they are returnable. Just don't step off the rug until you're sure they fit.
  • Handmade Swing Era dress shoes in the style of a spectator wingtip from the 1946 Sears and Roebuck Catalog. And when we say "handmade" we mean it. Every one of these has been individually cut and assembled by hand.
  • These are made specifically for dancing on dance floors - DO NOT wear them outside.
  • Features the Aris Allen Raw Sole: a flexible leather sole and heel made especially to provide you with the action you want on the dance floor. Ask any dance instructor: the “fastness” of the sole forces you to “find your center” immediately.
  • This is a slightly roomy style - customer feedback says it's a smitch taller than what they are used to. See sizing recommendations below.
  • Heel height is approximately 1".
  • Item #: 477-BW

SIZING TIPS - (ALL SHOES ARE USA SIZES):
(Our returns show we are right about 90% of the time)

These are running a little smaller than true-to-size. So start with your men's dress shoe size - the size you measure on the Brannock Device (the metal thing at the shoe store) - and go up a half size. Unless you are just a little smaller than the size you usually wear - then stay at that size. Call us if you need help figuring out your size.

Narrow width: 
Test dancers with narrow feet had to put thin inserts in them to get a good fit. If you are in between sizes the smaller of the two might be best for you.

Medium width:
Stick with your usual size if it's sometimes a little too long. If you are in between two sizes then go up a half size. Add a thin insert if it's the perfect length but a bit too roomy inside.

Wide width: 
These are roomy but are not made for wide feet. For instance; our 9.5 EEE test dancer could wear a size 10 but prefers our wide captoe instead.

BALMORAL STYLE:

These are traditional wingtips constructed in the Balmoral style. This means they are stitched across the ball of the foot and cannot be loosened or tightened the way a “Blucher” styled shoe can. Because of this they are not a good choice for anyone with extremely wide or narrow feet. Our Captoes have Blucher construction and are better suited for a wider variety of foot widths. Check out Swing Shoes 101 for more about this.

ABOUT THE ARIS ALLEN RAW SOLE:

  • The Aris Allen Raw Sole is made from flexible hard leather that gets a little “faster” over time by repeatedly absorbing the natural humidity in the air (especially at a dance) and drying. The bottom of the sole and heel is made from sanded hard leather and performs a lot like Chrome Leather (suede) which allows you to spin and slide, and still control the floor. If you find the sole has picked up dirt from the floor and is slowing down, just shuffle your feet on the sidewalk once or twice to refresh it.
  • The raw leather surface is designed for the intermediate / advanced dancer - but they're also great as a second pair for beginners... the “fastness” of the sole forces you to “find your center” immediately.
  • This style was created to give you a shoe that is similar to what was being worn when swing dancing was invented. If you want to look authentic on the dance floor you need to be wearing the same thing that dancers were wearing in the 20s, 30s, and 40s.

ABOUT THE CONSTRUCTION OF THESE SHOES:

They are absolutely 100% handmade. The cutting of the leather is done by hand - not stamped out, the glue is put on with a brush, not a machine, and the sewing, while done with a sewing machine, is done one at a time. You can even see the occasional pencil mark! This means that the shoe on your foot is the product of a craftsman who sees the shoe from start to finish. This also explains why you will find the occasional imperfection. They are made one at a time.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 51335362883

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4.7 ★★★★★
Based on 22 reviews
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R
Verified Purchase
Rocco Dormarunno
Battle Creek, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
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Verified Purchase
Reckless Reader
Belleville, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Michael Pointer
Alexandria, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
Verified Purchase
John Warren
Pawtucket, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
K
Verified Purchase
Kim Burdick
Charlottesville, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014

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