SKU: 57375704476
mother of the bride dresses in blue

mother of the bride dresses in blue Kennedy Blue Monica Mothers Dress

Sale price$19.49 Regular price$21.66
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Size: 4

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Ships within 48 hours · Estimated delivery Jul 25 - Jul 30

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Description

mother of the bride dresses in blue Kennedy Blue Monica Mothers DressDress Details Look no further! Monica is the perfect mother of the bride or groom dress! From its stunning high neckline to its silk soft matte satin, this dress is made to make a statement for your special occasion! Features of Monica Include: High quality satin that is not overly shiny and is lightweight Fitted Keyhole back High Neckline Available in sizes 00 32 Invisible sturdy YKK zipper to ensure security on the wedding day to prevent any busting

Dress Details

Look no further! Monica is the perfect mother of the bride or groom dress! From its stunning high neckline to its silk soft matte satin, this dress is made to make a statement for your special occasion!

Features of Monica Include:

  • High quality satin that is not overly shiny and is lightweight
  • Fitted
  • Keyhole back
  • High Neckline
  • Available in sizes 00-32
  • Invisible sturdy YKK zipper to ensure security on the wedding day to prevent any busting zippers or snags
  • Stretch Liner for comfort and easy mobility and to prevent dress from being see through
  • Boning in bodice for extra support and structure
  • Sewn in bust cups for support and no other bra needed.
  • Fabric loop and hook to hide and secure zipper
  • Dress accommodates for a height up to 5’11”

    Fit and Sizing 

    While measuring, pay attention to the bust and waist measurements. Our Dresses are made-to-order which means they may not fit to your exact measurements. Once you select your color and size based on our measurement guide, we then make your dress! Oftentimes, alterations are needed once you receive your dress. The most common alterations needed are the bust, straps, and a hem. This is something your local seamstress can do!

    Model Measurements

      Model Measurements: 5’6 wearing 3.5 inch heels
      Bust: 36”
      Waist: 30”
      Hips: 37 

      Fabric and Care

      Monica is made from a silky high quality satin fabric which is comfortable to wear while still being easy to clean and care for. This dress is dry clean optional, but can also be washed regularly at home on a delicate cycle. Best of all, the exceptional quality of the satin means Monica will hold up over multiple washes so you can make the most of your dress.

      Shipping

      Our dresses are made-to-order, meaning we place your order with our manufacturer as soon as you check out. This allows us to reduce waste and offer more sizes and colors in every style! To reduce costs, our manufacturer does not offer custom sizing.

      Please see Estimated Delivery dropdown above for our best delivery estimate. This estimate is based off of manufacturing capacity, customs timelines and current USPS shipping trends. We will ship your order earlier when possible, however we can not guarantee any earlier ship dates. 

      Shipping Notes
      • Free Standard Shipping on $100+ Orders to the USA.
      • Except Preorder products are shipped in 48 hours.
      • Delivery to the USA:
      1. Standard Shipping : 3-10 business days
      • If time is of the essence, please consider selecting expedited delivery for faster service.
      Exchange/Return Notes
      • We offer a 30-day return/exchange service after receiving.
      • Final sale items are not eligible for returns or exchanges.
      • To process your return/exchange, please contact us at [email protected]
      • Please click here for more details>>> Return & Exchange Policy
      SKU: 57375704476

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      4.8 ★★★★★
      Based on 26 reviews
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      Product Reviews
      J
      Verified Purchase
      JR
      New York, US
      ★★★★★ 4
      Must Read for Novice Litigators
      Format: Paperback
      This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on July 25, 2018
      T
      Verified Purchase
      Tahoeman
      Grantham, US
      ★★★★★ 5
      Much needed guide to narration in law practice
      Format: Paperback
      Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on February 10, 2014
      D
      Verified Purchase
      David R. Papke
      Birmingham, US
      ★★★★★ 5
      Recommended for All Lawyers
      Format: Paperback
      Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on May 7, 2014
      D
      Verified Purchase
      DoubtfulReader
      Belleville, US
      ★★★★★ 3
      Notes on Legal Style by a Law Professor and Experienced Lawyer.
      Format: Kindle
      BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on June 27, 2017
      M
      Verified Purchase
      Matt M.
      Battle Creek, US
      ★★★★★ 5
      Great book and great professor
      Format: Paperback
      Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
      WAS THIS REVIEW HELPFUL?YesReportShare
      Reviewed in the United States on January 19, 2021

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