SKU: 64088253792
brown dress coat

brown dress coat Manteau de redingote en laine des années 1770 - Col tombant

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Description

brown dress coat Manteau de redingote en laine des années 1770 - Col tombantThroughout much of the second half of the eighteenth century, the frock coat made of wool, linen, or a combination of fibers, became the predominant style of outer garment for everyday wear for men of all classes. By the 1770s the straight bodied coat gave way to the more rounded front line with a narrower back featured here. This frock coat, like the originals of the 1770s is noted for its simplistic style. Buttonholes were often little longer than

Throughout much of the second half of the eighteenth century, the frock coat made of wool, linen, or a combination of fibers, became the predominant style of outer garment for everyday wear for men of all classes. By the 1770’s the “straight bodied coat” gave way to the more rounded front line with a narrower back featured here.

This frock coat, like the originals of the 1770’s is noted for its simplistic style. Buttonholes were often little longer than the buttons. Cuffs and pocket flaps were frequently devoid of buttonholes, with or without corresponding buttons. Pocket flaps could be scalloped or oblong. This coat utilizes the plain scalloped pocket design with buttonless cuffs for the sleek silhouette. The falling collar seen here is also indicative of fashion in the 1770s.

The pattern for which these coats are based is established on an unlined tobacco brown linen frock coat with self-covered wooden buttons and flapped pockets, c. 1780, in a private collection in Bristol, RI, and an unlined tobacco brown linen jacket with pewter buttons and welted pockets, c. 1770, in the collections of the Connecticut Historical Society, Hartford, CT. Both of these garments were carefully made, with overcast seams to prevent raveling, and both were made with single thickness cuffs. Estate inventories suggest that the predominant colors for these garments, at least in New England, were brown and blue.

1770s Unlined Frock Coat by Henry Cooke | Historical Costume Services

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SKU: 64088253792

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F. Collins
Whiting, US
★★★★★ 5
Kubrick’s revelatory swan song is full of hidden meanings
An underrated masterpiece, Eyes Wide Shut is a gem layered with meaning. A semi-autobiographical sensibility permeates given the parameters of its production. It’s immaculately shot, edited and designed and offers two central performances from the then married Tom Cruise and Nicole Kidman. Given its theme, their subsequent divorce reflects back on the choppy waters faced by their characters Bill and Alice Harford. The result is a dream logic of coincidences that ensnare a married couple in self doubt and sexual angst. They live a fairly privileged life in a Manhattan apartment but after a Christmas party at a huge mansion owned by an elite acquaintance, the relationship begins to unravel when both are confronted by the consequences of their projected desires. This prompts the husband Bill on an odyssey through a night time New York and an escalating series of encounters as his wife’s confession about an infatuation with another man eats away at his own inner, unfulfilled desires. It’s a dark/light solstice of a film, as man and wife chase fatalistic hidden desire, their marriage subject to dissolution and they plunge through a dark night of the soul and emerge into a morning of earnest confession and much soul searching. In the end, it’s a fascinating watch. Quite revelatory given my initial reception to it many decades ago. But that’s Kubrick for you. It’s essential to revisit his films. Beautifully presented in 4K by Criterion, it asks us to take ownership of our inner desires, to confront them with honesty and discern what is merely a dream from the reality around us. And no, it’s not the erotic thriller the marketing promised. Another desire thwarted or a deliberate obfuscation of the intense psychological drama it really was?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 26, 2026
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Steve
Boise, US
★★★★★ 5
Everything Has Already Been Said
SK’s Final Masterpiece. Truly, it’s outstanding, as all of his films are. About the transfer. This is what they had to work with. For some reason, 2001, ACO, TS, and FMJ all look 4K, so to speak. This one looks a little grainy. I can’t complain. It’s better than nothing.
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Reviewed in the United States on March 17, 2026
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Neil Traugh, Jr.
Grantham, US
★★★★★ 5
Opinion on EWS
When I upgraded from Blu-ray to 4K Blu-ray, always wonder whether the transfer was good. This one was done well and you should like it. I watch on an OLED 83” FYI for comparison.
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Reviewed in the United States on April 15, 2026
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Lex
Grantham, US
★★★★★ 5
Excellent Remastering on 4k.. hits harder today considering the Epstein scandal
Curious about the Epstein Class... Kubrick pulls back the curtain with this one.
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Reviewed in the United States on May 10, 2026
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G P
Lexington, US
★★★★★ 5
it's kubrick. it's a masterpiece.
i don't really like movies about couples but being kubrick, i gave it a chance. the cinematography is just so incredibly rich, not only with flashy scenes and beautiful colors and framing, but with all these referential easter eggs and nuggets of hints and symbolism and...oh my god it's just RICH. if you like psychological and mystery stuff, and photography, and lurid secret society stuff, this movie is incredible. i will watch it again for sure.
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Reviewed in the United States on January 21, 2026

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