SKU: 70176053164
white designer dress

white designer dress Jane Summers James Simple White Strapless Midi Mermaid Rehearsal and Wedding Dress 6 / White with Light Blue Ribbons , female , adult

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Description

white designer dress Jane Summers James Simple White Strapless Midi Mermaid Rehearsal and Wedding Dress 6 / White with Light Blue Ribbons , female , adultLooking for the perfect head turning, sophisticated, elegant and modern strapless white dress for your Rehearsal Dinner, First Dance or casual Wedding Dress? From the beautiful fabric to the flattering and flowy double flounce, this mermaid dress will be your go to rehearsal and wedding dress. How to Style The James Mermaid Midi Reception Dress Wear it with stunning Bounkit earrings (made in New York). This stylish tea length wedding dress is perfect

Looking for the perfect head turning, sophisticated, elegant and modern strapless white dress for your Rehearsal Dinner, First Dance or casual Wedding Dress? From the beautiful fabric to the flattering and flowy double flounce, this mermaid dress will be your go-to rehearsal and wedding dress.

How to Style The James Mermaid Midi Reception Dress

Wear it with stunning Bounkit earrings (made in New York). This stylish tea length wedding dress is perfect for an elegant rehearsal celebration or chic civil wedding. And for your wedding reception wear it with sleek stilettos while you twirl during the first dance.

Did we mention it's also picture perfect on your honeymoon with flat sandals, a straw bag and a flower in your hair?

Inspired by high balls, high times and hydrangeas, the perfect little white dress for garden parties, engagement parties and after parties.

Jane

Ready to say "I do" to the dress they’ll be talking about long after your grand send-off? Simply select "Add to Cart" now and step into your unforgettable reception dress. 

Why Brides Love the James

Couture-inspired & elegant little white dress, ideal for an elegant rehearsal dinner look, a civil ceremony outfit, a wedding reception or first dance dress.

Strapless tea-length mermaid midi that artfully transitions from rehearsal dress to reception dress and after party look to honeymoon look.

A modern white gown you'll want to wear again and again—whether for a bridal shower brunch or a stylish rehearsal dinner, the James brings a continuous level of sartorial style.

Details

  • Fabric: Sculptural matte crepe; airy satin ribbons (custom colors available - [email protected]); hidden back zipper, dry clean only
  • Silhouette & Length: Strapless double mermaid tea length midi silhouette
  • Wedding Events: Bridal Shower, Civil Ceremony, Engagement Photos, Rehearsal Dinner, Cocktail Hour, Bridesmaid Luncheon, Wedding Reception, First Dance, After Party, Honeymoon
  • Sizes: 2–12 (see size chart). Rush inquiries: [email protected]
  • Ordering & Shipping: Crafted in NYC, please allow 4–6 weeks for delivery

FAQs

Can I also wear the James Mermaid Wedding Dress for my going away outfit?
Absolutely. The James is a stunning grand send-off look (almost!) as breathtaking as your first step down the aisle.

Can the ribbon colors be customized?
Yes! We do offer custom ribbon colors and will do our very best to offer a color that works with your wedding theme and colors, simply select this lovely little link to ask Jane.

Does the James run true to size?
Yes, the James runs true to size and is available in sizes 2–12. Please consult the size chart to find the perfect fit for your engagement photos, first dance, or after-party look.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
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  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 70176053164

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4.4 ★★★★★
Based on 23 reviews
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T
Verified Purchase
Tahoeman
Birmingham, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Draper, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Whiting, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Dallas, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014

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