SKU: 88046563415
sue wong vintage dress

sue wong vintage dress Sue Wong Vintage Y2K Beaded Silk Chiffon Dress

Sale price$24.65 Regular price$27.39
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Description

sue wong vintage dress Sue Wong Vintage Y2K Beaded Silk Chiffon DressThis vintage Sue Wong beaded silk chiffon dress is so classic Sue Wong, from the bias cut silk chiffon to the artful beadwork. It is from the designer's "Nocturne" label. Sue Wong began her fashion career as a designer for other popular brands, eventually leaving to start her own business, notably designing one of a kind dresses with details cut from vintage clothing particularly from the 1920s and 1930s. This dress's chest has cups built in the

This vintage Sue Wong beaded silk chiffon dress is so classic Sue Wong, from the bias-cut silk chiffon to the artful beadwork. It is from the designer's "Nocturne" label.  Sue Wong began her fashion career as a designer for other popular brands, eventually leaving to start her own business, notably designing one-of-a-kind dresses with details cut from vintage clothing particularly from the 1920s and 1930s. This dress's chest has cups built in the interior, and the bias-cut is super flattering, all creating an hourglass shape with the help of the handkerchief hemline. Godets below the drop waist create this fluttering look at the asymmetrical hem, giving romantic fairy vibes. In addition to the masterful cut of the dress, Sue Wong really used trompe l'œil beading and embellishment to create a flattering shape. The straps are adjustable, which is so helpful in getting the perfect fit.

Measurements: This will best fit a size Small but please refer to below measurements. The bias-cut naturally stretches AND shrinks with the curves of the body, which allows for flexibility in sizing. Shown on a size 2.

Chest: 33.5" (cups are built in so some flexibility) 

Waist: about 27" with additional stretch from bias cut up to about 28.5" 

Hips: up to 36"

Length: 44.5" down center front to longest points to asymmetrical hem; shorter parts are more like 35" (length is adjustable thanks to adjustable straps)

Great vintage condition, with minor wear commensurate with age. With any questions about the specific condition or size, please email [email protected] for additional photos or measurements, as all sales are final.

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SKU: 88046563415

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Reviewed in the United States on November 13, 2024
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G. Hodnett
Lake Worth, US
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Your milage will vary
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Some great ideas in this story but it didn't really work for me. But I know others have loved it..
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Reviewed in the United States on November 14, 2025
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Joanne Hale
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★★★★★ 2
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Reviewed in the United States on March 30, 2025
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John J. Shea
Omaha, US
★★★★★ 5
A thoroughly-researched, thoughtful, and nuanced work about the 1692 Salem withcraft panic.
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This graphic novel recounts the 1692 Salem (Massachusetts) witchcraft panic that engulfed Salem, Salem Village (now Danvers), and adjacent communities. About two dozen men and women were convicted and hanged, one was pressed to death (tortured) to try to force him to acknowledge the Court’s authority. That man was Giles Corey, aged 80. The book focuses on him, but it covers others among the accused and executed as well as on the judges, politicians, and other involved. (No so much on the accusers and their motives.). The narrative plays out chronologically with interstitial vignettes in which 19th Century literary figures Nathaniel Hawthorne and Henry Wadsworth Longfellow wander around Salem during the 1800s discussing the trials and their legacy. (Hawthorne lived in Salem for a time and was a descendant or the Court of Oyer and Terminer Judge Hathorne.). The work concludes with a chapter, More Wonders of the Invisible World, that follows how Salem developed economically up to the present day in which witchcraft-related Halloween tourism turns Salem town into arguably the least attractive “tourist attraction” on Cape Ann. (Do not skip this chapter, it is engrossing.) An extensive series of endnotes provide scholarly references and background information. The artwork veers back and forth between caricatures (the 17th century events) and realism (19th century and onwards). In both cases the line art is exquisite. The text includes quotes from transcripts of the trials and other contemporary documents as well as fictional dialog. Wickey worked on this book for more than a decade, and it shows in his thorough scholarship. This is, in all seriousness, Pulitzer/Eisner-level work. Wickey was born in Beverly and resides on Cape Ann. Most of us born and raised on the “North Shore” learn about the Salem witchcraft panic in high school -often as a cautionary tale about politics, spectral evidence, and what we would today call “lawfare.” I thought I knew a fair amount about the 1692 panic, but I learned something new with nearly every other page. I was especially glad to see Wickey cover now-debunked ergot-poisoning theory and that he dismissed the vile slander that some among the convicted and executed were actually witches. There’s nothing really “missing” from the book, though one wishes one could learn more about the fates of the accusers other than Ann Putnam. That their motives appear to have been “sport” is bone-chilling fully three centuries later. Read her "apology" years later and try not to think, "psychopath." At 500 plus pages, it's too long to read at one setting, but it is a pleasure to read at shorter intervals.
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Reviewed in the United States on December 26, 2025

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