SKU: 24498423132
zelt horn

zelt horn Roof tent Elements Gen II for 2 people – Midnight Stone

$24.87 $27.63
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Description

zelt horn Roof tent Elements Gen II for 2 people – Midnight StoneHighlights Voluntary 5 year warranty Compatible with all common roof rack systems For any vehicle with sufficient roof load capacity With Sky View roof window Available in three sizes Integrated LED lighting Modern black telescopic ladder Matching awning available as an option Designed for camping and overlanding tours The 140 cm version ideal for 12 people The compact 140cm version of the Elements Gen II is the right choice for solo adventurers or

Highlights

  • Voluntary 5-year warranty
  • Compatible with all common roof rack systems
  • For any vehicle with sufficient roof load capacity
  • With Sky-View roof window
  • Available in three sizes
  • Integrated LED lighting
  • Modern black telescopic ladder
  • Matching awning available as an option
  • Designed for camping and overlanding tours

The 140 cm version – ideal for 1–2 people

The compact 140cm version of the Elements Gen II is the right choice for solo adventurers or couples looking for a lightweight, reliable, and comfortable pop-up roof tent. It offers enough space for two adults while remaining compact enough to fit perfectly on smaller vehicles.

The second generation is based on our proven Elements roof tent, but has been optimized in many details – for more comfort, easier handling and better weather resistance.

Why Midnight Stone?

The Midnight Stone version combines an elegant, dark grey with a black roof frame. Designed for those who prefer a modern, simple and timeless design and value a discreet look – ideal for tours in the mountains, in the backcountry or anywhere the tent shouldn't visually stand out.

The Ocean version, on the other hand, comes in navy blue with a brown roof and is specifically aimed at campers who are often on the road near lakes or coastal regions.

What's new in Elements Gen II?

  • New roll-up system for covering
  • Optimized 8cm mattress made of cold foam & memory foam
  • Improved telescopic pole for the canopy (protection from rain & snow)
  • Darker tent fabric for more privacy
  • Black guy rods
  • Reinforced honeycomb aluminum base
  • Black roof tent frame
  • Available in Ocean or Midnight Stone

Fits any vehicle

Whether you use a roof rack platform or two crossbars – the 140 cm version is compatible with all systems. The only important thing is to observe the permissible roof load of your vehicle.


Protection from rain and bad weather

The tent fabric is made of robust 300 g/m² sailcloth canvas (35% cotton, 65% polyester).

  • Tent fabric water column: 2000 mm
  • Fly Sheet (Midnight Stone): 3000mm

This will reliably protect you from rain and damp weather.

Enjoy the starry sky – with Sky View

The 140 cm version features two Sky-View roof windows, giving you an unobstructed view of the sky. Both can be completely darkened.

Easy access – black telescopic ladder

The ladder is adjustable in length and allows for stable, safe climbing up and down.

LED lighting in the interior

The integrated LED lights create pleasant light and can be controlled via a dimmable switch – with three selectable color temperatures.

Everything in its place

  • Mosquito nets on entrances, side windows & skylights
  • 12 practical side pockets
  • Shoe bag included

Optimized mattress & anti-sweat pad

The included 8cm cold foam/memory foam mattress ensures a high level of sleeping comfort. You also get the 3D mesh anti-sweat underlay , which prevents moisture build-up and creates a pleasant sleeping environment.

Optional: Awning in Midnight Stone

The matching awning can be ordered separately. It is attached with a zipper and extends the room, for example as a changing room or sheltered lounge area.

    Shipping Notes
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    Exchange/Return Notes
    • We offer a 30-day return/exchange service after receiving.
    • Final sale items are not eligible for returns or exchanges.
    • To process your return/exchange, please contact us at [email protected]
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    SKU: 24498423132

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    4.0 ★★★★★
    Based on 668 reviews
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    Verified Purchase
    David R. Papke
    Lowell, US
    ★★★★★ 5
    Recommended for All Lawyers
    Format: Paperback
    Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 7, 2014
    D
    Verified Purchase
    DoubtfulReader
    Cuba, US
    ★★★★★ 3
    Notes on Legal Style by a Law Professor and Experienced Lawyer.
    Format: Kindle
    BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 27, 2017
    M
    Verified Purchase
    Matt M.
    Lowell, US
    ★★★★★ 5
    Great book and great professor
    Format: Paperback
    Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on January 19, 2021
    J
    Verified Purchase
    J. Christian
    West Palm Beach, US
    ★★★★★ 4
    Interesting book
    Format: Paperback
    I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on March 20, 2014
    C
    Verified Purchase
    Classics professor
    Cuba, US
    ★★★★★ 5
    Highly recommended -- not just for lawyers!
    Format: Paperback
    I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on April 20, 2017

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